In the novel, Siddhartha , a young man, leaves his family for a contemplative life, then, restless, discards it for one of the flesh. He conceives a son, but bored and sickened by lust and greed, moves on again. Near despair, Siddhartha comes to a river where he hears a unique sound. This sound signals the true beginning of his life -- the beginning of suffering, rejection, peace, and, finally, wisdom.
From the Paperback edition.

A brilliant psychological portrait of a troubled young man's quest for self-awareness, this coming-of-age novel achieved instant critical and popular acclaim upon its 1919 publication. A landmark in the history of 20th-century literature, it reflects the author's preoccupation with the duality of human nature and the pursuit of spiritual fullfillment. Excellent new English translation. Introduction.

Die drei Geschichten aus dem Leben des Landstreichers Knulp, einem Nachfahren von Eichendorffs Taugenichts, zählen zu den reizvollsten Stücken der frühen Prosa Hermann Hesses. In der Folge seiner Werke gehören sie zum großen Zyklus seiner Gerbersau-Erzählungen, der uns das Leben in einer schwäbischen Kleinstadt um die Jahrhundertwende am Beispiel zahlreicher charakteristischer und größtenteils authentischer Einzelschicksale überliefert.

...the best of the letters present us with two fundamentally decent, sophisticated men grieving for the ruined world. In the 1930s and 1940s, they rail against the stupidity of war and the cowardice of diplomats, against the social savagery of the Nazis, against the blind forces of abstraction and nationalism. They brood about the fate of Germany and of Europe after the last shots have been fired. They have lived through a time of extraordinary horror and yet they have not surrendered to despair or nihilism. Reading the letters, I feel like some privileged guest in a special room, sitting off to the side somewhere, listening while these men talk. A fire burns in a fireplace. Through the windows I can see snow falling against a dark sky. We are in the country of exile. Neither man has given up hope. Art will prevail, they insist. Civilization will prevail. Music will drive off the explosive rumble of artillery. Life will defeat death. Listen to them: they are speaking truth. Nothing else matters.

One of the definitive writers of the 20th century, Nobel Prize winner Hermann Hesse developed a strikingly original view of culture and humanity through such novels as Demian, Siddhartha, and Narcissus and Goldmund. This collection of 22 brilliant, often mystical, fairy tales reflects the development of Hesse's philosophy in the years leading up to the publication of his major works.

A single volume of the most beautiful texts by Hermann Hesse including intimate memories of his final years. Hesse collected life sketches, poems, aphorisms and short essays dedicated to the ultimate challenge of a writer who had already accomplished a celebrated body of work - that of accepting his final years and the approach of death with grace.

"Siddhartha" is perhaps the most important and compelling moral allegory our troubled century has produced. Integrating Eastern and Western spiritual traditions with psychoanalysis and philosophy, this strangely simple tale, written with a deep and moving empathy for humanity, has touched the lives of millions since its original publication in 1922. Translated by Joachim Neugroschel Introduction by Ralph Freedman

"Es war einmal einer namens Harry, genannt der Steppenwolf. Er ging auf zwei Beinen, trug Kleider und war ein Mensch, aber eigentlich war er doch eben ein Steppenwolf." Der erstmals 1927 erschienene Roman Der Steppenwolf vor allem begründet den Weltruf Hermann Hesses und ist dasjenige Buch, das die internationale Renaissance seines Autors in den sechziger und siebziger Jahren ausgelöst hat.
Der Steppenwolf ist die Geschichte von Harry Haller, der sich im Zustand völliger Entfremdung von seiner bürgerlichen Welt "eine geniale, eine unbegrenzte furchtbare Leidensfähigkeit herangebildet" hat. Die innere Zerrissenheit Hallers spiegelt die Erscheinungen der modernen Massen- und Industriegesellschaft wider und reflektiert kultur- und zivilisationskritische Strömungen des 20. Jahrhunderts.

This synthesis of prose, poetry, and watercolor sketches--one of Hesse's favorite books--has never before appeared in English.
In 1920, after settling in the Ticino mountain village of Montagnola, he published Wandering, a love letter to this magic-garden world that can be read as a meditation on his attempt to begin a new life. His pure prose, his heartfelt lyricism, and his love for the old earth, for its blessings that renew themselves, all sing in this serene book.109 pages with b&w reproductions of watercolors.

tells the story of two medieval men whose characters are diametrically opposite: Narcissus, an ascetic monk firm in his religious commitment, and Goldmund, a romantic youth hungry for knowledge and worldly experience. First published in 1930, Hesse's novel remains a moving and pointed exploration of the conflict between the life of the spirit and the life of the flesh. It is a theme that transcends all time.

Klingsor's Last Summer tells the story of a famous painter named Klingsor as he experiences a final burst of creativity in his last summer of life. He grabs the cup of life with both hands and drinks until he simply cannot take any more.

Klingsor is an expressionist painter ruled by emotion, his commitment to art is total, for art is the embodiment of what he feels to be the essence of life. Klingsor’s most prominent traits are his love of extremes. As a person he is violently opposed to moderation or mediocrity. He burns the candle at both ends and shuns the safety of moderation.

Klingsor is very much a man of the moment. He does not like to plan ahead in any way. He does not believe in tomorrow and he regards every day as his last. Klingsor's two primary interests in life are creating art and making love and he succeeds in both endeavors.

Like Demian, Siddhartha, Goldmund, and Joseph Knecht, Klingsor is no ordinary person. He has attained a remarkable degree of success in his chosen field and he works intensely to maintain this level of achievement. Like other Hesse’s heroes, Klingsor seeks and finds his own unique and independent path to fulfillment.

The style of the story is expressionist, it conveys a feeling of exuberance and excitement. The imagery is wild and colorful. The reader feels transported to Klingsor’s side as he attempts to embrace the wonders of life and nature with his entire being, only to accept that his time is nearly up.

The novel is somehow autobiographical, Hesse began painting around 1917 and Klingsor's Last Summer was written in the summer of 1919, the novel is a more direct self-portrait of the Hesse of that year when Hesse settled in the Ticino mountain village of Montagnola to start a new life without his wife and children.

Some of the characters have relevance to Hesse's real life. Hermann the poet could be a self reference and Louis was modeled on Hesse's artist friend Louis Moilliet. Klingor, the name, is taken from the magician who appears in Richard Wagner's opera Parsifal.

德米安：彷徨少年时》是黑塞的代表作之一，讲述少年辛克莱寻找通向自身之路的艰辛历程。出生并成长于 “光明世界”的辛克莱，偶然发现截然不同的“另一个世界”，那里的纷乱和黑暗，使他焦虑困惑，并陷入谎言带来的灾难之中。这时，一个名叫德米安的少年出现，将他带出沼泽地，从此他开始走向孤独寻找自我的前路。之后的若干年，“德米安”以不同的身份面目出现，在他每一次孤独寻找、艰难抉择的时候，成为他的引路人……

Herman Hesse's classic novel has delighted, inspired, and influenced generations of readers, writers, and thinkers. In this story of a wealthy Indian Brahmin who casts off a life of privilege to seek spiritual fulfillment. Hesse synthesizes disparate philosophies--Eastern religions, Jungian archetypes, Western individualism--into a unique vision of life as expressed through one man's search for true meaning.

is a poetical self-portrait of a man who felt himself to be half-human and half-wolf. This Faust-like and magical story is evidence of Hesse's searching philosophy and extraordinary sense of humanity as he tells of the humanization of a middle-aged misanthrope. Yet his novel can also be seen as a plea for rigorous self-examination and an indictment of the intellectual hypocrisy of the period. As Hesse himself remarked, "Of all my books
is the one that was more often and more violently misunderstood than any of the others".

Wie alle Hauptwerke Hermann Hesses hat auch der Demian, den der damals 40jährige Autor mitten im Ersten Weltkrieg schrieb, eine ebenso ungewöhnliche wie spannende Entstehungs- und Wirkungsgeschichte. Daß dieses im Herbst 1917 vollendete Buch erst im Juni 1919, ein halbes Jahr nach Kriegsende, veröffentlicht wurde, lag an der Unbekanntheit des Verfassers. Denn Hesse hatte das Manuskript dem Verlag als das Erstlingswerk eines kranken jungen Dichters empfohlen, des zeitkritischen Poeten Emil Sinclair, der bisher nur in Zeitungen und Zeitschriften durch pazifistische Mahnrufe und Erzählungen aufgefallen war (die gleichfalls von Hesse stammten). Doch trotz des Inkognitos erlebte das Buch eine geradezu stürmische Aufnahme und wurde noch im Erscheinungsjahr mit dem Fontane-Preis für das beste Erstlingswerk eines Nachwuchsautors ausgezeichnet. Thomas Mann verglich die elektrisierende Wirkung des Buches mit der von Goethes Werther, da es »mit unheimlicher Genauigkeit den Nerv der Zeit traf und eine ganze Jugend, die wähnte aus ihrer Mitte sei ihr ein Künder ihres tiefsten Lebens entstanden, zu dankbarem Entzücken hinriß«. Bis zur Entdeckung des Pseudonyms im Mai 1920 erschienen drei Auflagen, denen dann unter Hesses eigenem Namen zu seinen Lebzeiten noch 93 weitere folgten.