"Bears, Mayors, Scraps & Bones" is the third studio album by Canadian rock band Cancer Bats. It is slated for a release on April 13, 2010 through Distort Entertainment in Canada. The name of the album derives from each of the band members personal nickname.
The first single from the album is going to be "Dead Wrong".

BadBadNotGood is a Canadian instrumental music group from Toronto. The group was founded by bassist Chester Hansen, keyboardist Matthew Tavares, and drummer Alexander Sowinski in 2010. In 2016, they were joined by saxophonist Leland Whitty, a frequent collaborator.

Stepping Out is the debut album by Canadian jazz pianist and vocalist Diana Krall, released in 1993. It has since been reissued several times on Justin Time Records, as Stepping Out: The Early Recordings on GRP Records, and as a vinly LP record through Barnes & Noble.

Sarah Davachi (born in 1987 in Calgary) is a Canadian sound artist, composer of electronic and electroacoustic music and pianist. She is a graduate of the University of Calgary and holds a master's degree in electronic music and recording media from Mills College in Oakland, California.

After the critically acclaimed release Deep Fantasy (2014), White Lung return with their fourth studio album Paradise. Coming in at a succinct yet powerful 28 minutes, the album simmers with desire and pain, love and beauty, and a seething urgency, hurtling towards the album closer and title track Paradise at signature breakneck speed.

Debut album from one of Montreal s most talked-about indie-rock bands. New studio recordings supplant the band s 2012 Bandcamp release, one of Weird Canada s Albums we wished were released physically , praised by HeroHill, Said The Gramophone; Top 15 Emerging Bands on ArtInfo.Ought has been burning with a strong and steady flame since flickering to life in Montreal just before the inspired months of the Quebec student general strike in 2012. The mass mobilization against neo-liberal austerity measures indelibly shaped the emerging sound, vision and social mandate of Ought. Then band s earnest, stately and exuberant post-punk is dextrous, deliberate, unfussy and fluid, with debts to Cap n Jazz, The Feelies, Lungfish, Gang Of Four and early Talking Heads, among many others. They shift from sharp angles and stuttering counterpoint to softer edges and chiming flow, with an economy of elements and fidelity to their basic 4-piece constitution. The instrumental interplay is consistently whipsmart, supple and deceptively simple. Vocalist Tim Beeler's speak-singing can give way to melancholic melodic croons and ragged, desperate yelps, always driven by sincerity of feeling and connection to his subject matter, whether that's the conundrum of our fractured interiority or communion with others in our fractured social space (or, for the most part, both). Ought are a righteous and humble young band, fiercely dedicated to grassroots organizing and artmaking, taking as self-evident the inseparability of politics and aesthetics; we are proud and excited to be releasing their debut full-length.

"AIDS Wolf are easily one of the best bands in the city right now. Discordance still rules their roost, but more prog is rearing its head--that both teases and startles." -- Montreal Mirror

Overview The Nine Principles of AIDS Wolf: 1. Maintain A Daily Ritual. Music is like breathing, eating, sleeping, pissing, and, with any luck, fucking. Music must be a physical need and a mental compulsion. 2. Live Aesthetic Immersion. There is no reason a sonic composition cannot be inspired by or contribute to a drawing, a tasty curry, or one's choice of socks. 3. When In Doubt, Bum Them Out. If you can't convert `em, make `em run crying and holding their ears. 4. Get In The Van. 5. Seek Strength Through Strength. Gear's gotta be carried, sleep must be forsaken, and tours have to be survived. 6. Join The Family. Camaraderie with other bands is not only inspiring but also serves as a vital metrics by which to measure one's own perceived worth. 7. Allow For Sonic Fields Of Nothing. The use of negative space in music creates new dynamics, abstracts the obvious, and challenges both the creator and the audience. 8. Lift Anchor And Set Sail. De-anchoring compositions by dispensing with a bass guitar allows AIDS Wolf to make rhythm the central feature of its performances. 9. Become The Weird Punks. Remember when punk was weird and weird was punk? Destroy genre straitjackets and move out of the comfortable. Now that you have committed these principles to memory, we encourage further study through Cities of Glass, the second album from AIDS Wolf. Once immersed in these tenets, you can be assured of finding failure and misery as you bring them with you into the wider world.

Given the underground acclaim heaped on Marie Davidson's previous albums - ultra-stylish affairs that blend elements of minimal wave, dark Italo-disco, off-kilter electro and moody ambient - it's little surprise to see her popping up on Minimal Wave offshoot Cititrax. The album's nine tracks are largely sharp, rough and fuzzy, with sparse-but-dense drum machines rhythms underpinning bouncy, delay-laden synth lines, thrusting electronics and Davidson's sleazy, spoken word vocals. It's an attractive combination that guarantees thrills throughout, from the almost claustrophobic throb of "Denial", to the mutant electrofunk bounce of "Good Vibes".

Future Politics, Austra’s third, and most ambitious album to date, calls for radical hope: a commitment “to put together our collective visions and hopes and make a future we can stand behind,” says Katie Stelmanis. “Not just hope in the future, but the idea that everyone is required to help write it, and the boundaries of what it can look like are completely endless. It’s not about ‘being political,’ it’s about reaching beyond boundaries, in every single field.”

Broken Social Scene materialized in 1999 when K.C. Accidental's Kevin Drew & Brendan Canning, formerly of By Divine Right, bonded their friendship into a band. During the next few years, Broken Social Scene created an atmospheric rock sound. Feel Good Lost marked their debut album in 2001 & introduced a revolving cast of Canadian indie musicians. Drew's fellow mate from Do Make Say Think was added to the band, as well as Evan Cranley (Stars), James Shaw, & Emily Haines (Metric). You Forgot It in People showcased Broken Social Scene's expansive musical design in October 2002. Digipak. Copy Controlled. Arts & Crafts.

Public Strain is the second and final album by Canadian rock band Women. The album was produced by Chad VanGaalen. It was released in 2010 on VanGaalen's Flemish Eye record label in Canada, and on Jagjaguwar in the United States.

民謠女歌手 Joni Mitchell 於一九七一年發行的經典之作。在六○年代的社運、學運已成過往雲煙後，回歸藝術家身分的Joni Mitchell，以纖細、感性之筆，寫下Blue中連篇美麗的樂章：“My Old Man”描繪無須法律約束就能地老天荒的愛情；“Blue"和“California”則以略帶憂傷的口吻，描繪社運結束後，發現社會仍無改變的惆悵； "The Last Time I Saw Richard"深刻描繪了知識分子的犬儒與失落……清淡如詩的口吻，娓娓道來日常的生活情境，蘊含的卻是極為深刻的社會觀察與生命哲思，充分展現「女性創作歌手第一人」的實力。

Blais then spent his 20s living around the world including stints in Berlin and South America before finally settling in Montreal where he began to work on this debut album.

Formed two years ago in Ontario, Land Of Talk combines the jagged angularity of the Yeah Yeah Yeahs and the Southern impressionism of early R.E.M.. Led by singer-guitarist Elizabeth Powell, this trio of young alt-rockers has already made quite an impression on the indie rock scene with their debut Applause Cheer Boo Hiss in 2006. All-Music noted “There's something of the dog days of summer in these tracks, especially in the plodding, reverb-slicked guitars of ‘Street Wheels’ and the mournful, drugged riffs of ‘Sea Foam.’”