Whatever, My Love is a studio album by The Juliana Hatfield Three, consisting of Hatfield, drummer Todd Philips and bassist Dean Fisher. The album marks the band's first release in twenty two years, since their LP Become What You Are in 1993. The lead single from the Whatever, My Love , "If I Could," was released in December 2014, and was premiered in publications such as Rolling Stone. That month the album was made available for pre-order on American Laundromat Records, with an announced release date for February 17, 2015.[In late December, Stereogum named the album "one of their most anticipated albums of 2015," and on January 4, 2015, Consequence of Sound named it "one of the 50 most anticipated albums of 2015."

It might be the bitter side of life that Rey Villalobos likes, but unlike this refrain in the final minute of House of Wolves’ opening song “50’s,” it’s his sense of sparse, majestic beauty that instead lies within the group’s forthcoming debut album, Fold in the Wind.

Over the past few years, Case has been making a name for herself in both indie rock and country circles as a solo artist and as a member of the New Pornographers. On this record, she's backed by a full band featuring the Sadies and steel guitar whiz Jon Rauhouse. Her majestic yet sublime singing voice, her poetic songwriting, and her musical vision, which reconstructs a century's worth of American music, has won her acclaim from all quarters.

Nights seamlessly shift between dream-pop and heavier melodic rock with shimmery and fuzzy textures molded around finely crafted songwriting that's complete with poignant & introspective lyrics.

Ever since songs from Beverly’s exceptional shoegaze-pop debut album Careers began emerging online, the band has been billed as the latest project of former Vivian Girls/Crystal Stilts/Dum Dum Girls member Frankie Rose. And while it’s true that Rose is all over the album, she’s playing sidekick to Drew Citron, a former member of Rose’s backing band and NYC synthpop group Avan Lava. Thoughout Careers’ half-hour run time, Citron demonstrates a canny understanding of how to construct classically fuzzed-out indie pop songs — and pop songs in general, for that matter. The album ranges from impossibly sweet (“Honey Do“) to briskness that verges on chilling (“Planet Birthday“) to groovy post-Bangles surf-rock (“You Can’t Get It Right“), each track sounding like some long-lost treasure. It’s an excellent opening shot from a songwriter who’s finally getting a deserved spotlight.

Whirr - Live at Part Time Punks cassette tape. Hand numbered, limited to 200. Pressed on a blue cassette in honor of the bands beloved van "Big Blue".
All money will go toward getting the van a new engine so that Whirr can tour non stop.

Programed synthesizers smear a darkened palette driven by sparse drums. Handsome mumbler draws voice to noise and back again. Wandering organs pile atop one another, deeply affecting a hazy headspace. Tenuous rumble drawn against rhythm supports swelling ideas, dwindling concerns.
The new EP from Samantha Glass "Surface Water Perception" supports the body liquid, the airy head.
Samantha Glass is Beau Devereaux, organizer and owner of Madison WI. based Golden Cloud Tapes.

Power dream pop endures in the restless hands of Her Vanished Grace. On STAR-CROSSED (2012) the lush abrasion of melting guitars stirs the atmosphere with brutal loving care. The odd radiance of these unlikely songs echoes with the delight of their breathless dizzying roar. With quixotic enthusiasm, Nance, Charlie, Maria and Billy continue to search for a sound that resembles the silent hurt and the loud noisy joy of life on earth.

Title Fight will release a new album called Hyperview on February 3, 2015 on Anti-.
Title Fight is a band from Kingston, Pa, comprised of bassist/vocalist Ned Russin, guitarist/vocalist Jamie Rhoden, guitarist Shane Moran, and drummer Ben Russin. Hyperview is Title Fight's third album and inaugural with Anti-.
In the summer of 2014, the band decamped to Studio 4 in Conshohocken, Pa., where with producer/engineer Will Yip they had made their last three records to make Hyperview - the follow-up release to the band's Spring Songs EP (Revelation Records, 2013). Hyperview is a massive leap forward from previous releases and is difficult to accomplish with words. The vocals are remarkably muted and lovely when compared to the blood-curdling caterwauling of earlier work. The lyrics are almost defiantly opaque. And when it comes to the music, this is an album that renders futile the exercise of conceiving bands as sums of influences, and of dutifully itemizing those influences. Hyperview can only be heard, and loved, as an artifact unto itself.

Стиль: Indie Rock/Folk/Female Vocal

"To Call Each Thing By Its Right Name" was recorded, mixed, and mastered by Mat Halliday at Minx Recording Studio in Toledo, OH during February and March of 2013.
Cover photo by Will Hough. Design & layout by Man Mountain.