Pvris is an American rock band from Lowell, Massachusetts, formed by members Lynn Gunn and Brian MacDonald. The band formed originally under the name Paris but later changed it to Pvris in the summer of 2013 citing legal reasons.

Pvris is an American rock band from Lowell, Massachusetts, formed by members Lynn Gunn and Brian MacDonald. The band formed originally under the name Paris but later changed it to Pvris in the summer of 2013 citing legal reasons.

The first release from Torres, a promising young talent out of Nashville. Velvet-toned vocal and the amped-up guitar fuzz.

Elizabeth Clark Phair is an American singer-songwriter. Born in New Haven, Connecticut, Phair was adopted at birth and raised primarily in the Chicago area.

Here we compiled all Teenage Jesus and The Jerks recordings, alongside some never previously released Live material.
Simultaneous to Teenage Jesus, Lunch formed Beirut Slump, released one single and recorded an album's worth of material, which is also included on this remarkable release.

See How We Are is the sixth studio album by American rock band X, released in 1987 by Elektra Records. It was their first album without founding guitarist Billy Zoom, who was replaced by ex-Blasters guitarist Dave Alvin for the album's recording sessions and some live shows.

TORRES knows the darkness. The Brooklyn-based singer-songwriter otherwise known as Mackenzie Scott waits until anything—an idea, an emotion, a memory—gnaws at her, tearing at her fingers and throat until she releases it in song.
Scott escaped the confines of her churning mind in order to find herself by recording Sprinter in the market town of Bridport in Dorset, England; and then at the Bristol studio of Portishead's Adrian Utley. With his guitar riffs and synthesizers lingering in the background like a lowland mist and PJ Harvey's Robert Ellis and Ian Olliver on rhythm—the two fortuitously reuniting 23 years after the release of Dry, and in Scott's 23rd year of living—she crafted a "space cowboy" record. "That's as simply as I can say it," says Scott, who cites inspirations as diverse as Funkadelic and Nirvana, Ray Bradbury and Joan Didion.
"I wanted something that very clearly stemmed from my Southern conservative roots but that sounded futuristic and space-y at the same time." It seems like an odd thing to look for in the picturesque seaside green, rolling hills in the south of England, but Scott had never been there before, and as a stranger in a strange land she found what she was looking for: a lost childhood. Sprinter was recorded in a room that had formerly been used as a children's nursery, which combined with the alien landscape fuels the self-searching that roils TORRES' music.
Following her self-titled debut in 2013, TORRES pushes herself to even noisier extremes on Sprinter, a punishing self-examination of epic spiritual and musical proportions.

While suffering from a bad case of writer’s block in early 1945, Mary Lou Williams turned to a book about astrology for inspiration. She quickly realized that the personalities traits denoted by each sign of the Zodiac could be a jumping-off point to draw a series of character sketches in music. Each piece was inspired by a famous friend in the jazz world. For example, “Aries” was the sign of Ben Webster and Billie Holiday. “Changeable, moody, and impulsive,” Williams later explained, “they seemed to me the examples I should choose for my composition.” Libras love beauty and art, therefore Williams wrote that one with Art Tatum in mind. Sagittariuses are said to be noble, successful, and magnanimous, which made Williams think of producer John Hammond. While the concept makes for an intriguing bit of personal history, the joy of Zodiac Suite doesn't depend on its concept. The song cycle inhabits a variety of moods, from playful to mournful, and the small-trio setting makes the music feel especially intimate, almost as if it were improvised especially for the listener in the lamp-lit comfort of a small New York City apartment.

I USED TO LIVE IN THE SMOKEY MOUNTAINS OF TENNESSEE / NOW I LIVE IN LOS ANGELES
I USED TO BE A JEHOVAH'S WITNESS / NOW I CELEBRATE MY BIRTHDAY
I DIDN'T GO TO HIGH SCHOOL / INSTEAD I BUILT FORTSI SING /
I PLAY GUITAR, PIANO AND BASS
I WILL ALWAYS MAKE MUSIC
XOXOXOXO
MEG

I Want to Grow Up, the latest collection of songs from LA songstress Colleen Green, follows a newly 30-year-old Green as she carefully navigates a minefield of emotion. Her firm belief in true love is challenged by the inner turmoil caused by entering modern adulthood, but that doesn't mean that her faith is defeated. This time, she's got a little help from her friends: the full band heard here includes JEFF the Brotherhood's Jake Orrall and Diarrhea Planet's Casey Weissbuch, who collaborated with Green over ten days at Sputnik Sound in Nashville, TN.

PLAY GAPLESS WHENEVER POSSIBLE
Sounds best on vinyl.
Mixed by Ross Wariner
Mastered by John Baldwin
Artwork and Packaging by Michael Eades
Produced and Composed by Uncle Skeleton
credits
released 29 May 2010
THANKS TO:
Austin Jitterbug Hoke, Kiel Tyler, Cody Uhler, Keegan DeWitt, Leigh Nash, Ron Gannaway, Sam Farkas, Steve Wariner, Derek Garten, Mikie Martel, Carl Gatti, Kristin Wilkinson, David Angel, David Davidson, Anthony F. La Marchina, Paul Rippee, Katie Studley, Hannah Schroeder,
Randy Gardner & Jason Severs.
And of course, none of this would be possible without
Michael Eades.
I dedicate this record to my lifelong best friend, Cody Uhler.
In the morning things ensue, rowdy rivers running through.

Son Lux's new LP Lanterns isn't piecemeal beats or hastily assembled instrumental clutter, rather it begs to be heard as the lingua franca of the past and the future, something that connects the analog and digital realms. And sometimes it totally gets close.