《丹鉛總錄》，明楊慎撰。丹鉛者，丹砂與鉛粉，古人用以校正文字，故稱校訂文字為丹鉛。升庵著作中，據李調元《丹鉛雜錄序》：“考先生著書目録中，以丹鉛命名者凡有十種。”其內容皆為考訂文字異同者。另外，犯罪者沒為官奴，以丹書其罪。升庵既以罪流放在外，且終身未得赦免，故藉此以發露胸中憤懣。
升庵以博洽之才，觸類旁通，因文求義，時生懸解。其于書中之故實、音訓、名物‘地理等等，凡歷來舊家罕及或舊解未諦者，皆旁徵博引，疏其出處，辨其作用，勝義獨出。其所論斷，多為明清注家所取資。

《中国当代语言学的口述历史》采用口述历史的方法观察并研究中国现当代语言学的发展史，汇集曾经为中国现当代语言学的发展作出贡献的前辈学者的学术成果，从而能更清楚地了解中国语言学研究的历史和现状。
口述史学的特征之一就是它的主动性和互动性。口述史学家以观察者的身份参与口述访谈工作，与研究对象直接接触，从而获得第一手的口述史料。对中国语言学家的口述研究填补了语言学史上某些重大事件中没有文字记载的空白，印证了文献资料的可靠性，从而再现中国语言学的发展面貌。

This beguiling book asks a set of unusual and fascinating questions—why is early Chinese printing so little acknowledged, despite anticipating Gutenberg by centuries? Why are the religious elements of all early printing overlooked? And why did printing in China not have the immediate obvious impact it did in Europe?
T. H. Barrett, a leading scholar of medieval China, brings us the answers through the intriguing story of Empress Wu (AD 625–705) and the revolution in printing that occurred during her rule. Linking Asian and European history with substantial new research into Chinese sources, Barrett identifies methods of transmitting texts before printing and explains the historical context of seventh-century China. He explores the dynastic reasons behind Empress Wu’s specific interest in printing and the motivating role of her private religious beliefs. He also deduces from eighth- and ninth-century Chinese records an explanation for the lesser impact of the introduction of printing in China than in Europe. As Renaissance Europe was later astonished to learn of China’s achievement, so today’s reader will be fascinated by this engaging perspective on the history of printing and the technological superiority of Empress Wu’s China.

20世纪80年代以后，随着苯教《大藏经》等许多重要文献资料逐渐公布于众，以及发现并公开出版当许噶塘蚌巴奇古塔中的苯教文书、图齐等西方人带走的珍贵文献和甘肃宕昌发现的藏族家藏古藏文苯教文献，至少在学术界，从根本上扭转了人们对苯教文化的忽视。原来一直是传闻而根本看不到的珍贵的苯教手抄本珍本和孤本，现在也可以用来进行学术研究。这些文献资料的发现给学术界提供了珍贵的资料和绝好的研究机会。《苯教史纲要》就是在利用这些资料的基础上，以苯教历史为主线，试图勾勒出青藏高原本土宗教传统的起源及其发展脉络，以及在藏族的历史文化传统中所起到的作用，为人们展示一个长期被忽视了的文化传统的历史及其对后世的影响，以补充现今藏学研究的不足。在这样的基础上，我们会继续钻研，消化资料，加深对苯教史的进一步认识和理解，在不久的将来，写出一部更加完整的苯教发展史。

This is a history of China for the 900-year time span of the late imperial period. A senior scholar of this epoch, F. W. Mote highlights the personal characteristics of the rulers and dynasties and probes the cultural theme of Chinese adaptations to recurrent alien rule. No other work provides a similar synthesis: generational events, personalities, and the spirit of the age combine to yield a comprehensive history of the civilization, not isolated but shaped by its relation to outsiders. </p>
This vast panorama of the civilization of the largest society in human history reveals much about Chinese high and low culture, and the influential role of Confucian philosophical and social ideals. Throughout the Liao Empire, the world of the Song, the Mongol rule, and the early Qing through the Kangxi and Qianlong reigns, culture, ideas, and personalities are richly woven into the fabric of the political order and institutions. This is a monumental work that will stand among the classic accounts of the nature and vibrancy of Chinese civilization before the modern period. </p>

Challenging what is widely regarded as the distinguishing feature of Russian music - its ineffable "Russianness" - Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera "A Life for the Tsar" in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies the two central myths that dominated Russian culture during this period - that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. She shows how nationalist ideas were endlessly recycled and elaborated in the writings of composers, critics and historians of music, even when supporting evidence was scant or non-existent. Against this background, the author offers a critical account of how the imperatives of nationalist thought fired up individual invention, pushed composers to engage with folk, popular, and church music traditions, and caused them to reject certain Western paradigms, or even stand them on their head. In this way, she provides a new perspective on the brilliant creativity, innovation and eventual stagnation to be found within the tradition of Russian nationalist music.

This remarkable study in social and cultural change explains how and why the Late Antique world, between c. 150 and c. 750 A.D., came to differ from "Classical civilization." These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Russian empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East. Mr. Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 A.D. became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium, and Islam. We still live with the results of these contrasts.

集合台灣、中國大陸、美國、日本等地現代史學者
重新檢視中日戰爭裡的每一個關鍵時刻：
日本軍國主義的興起源於帝國憲法的失衡、
1936年底的洛陽祕密軍事會議確定抗戰大戰略、
七七事變的本質是失控的賽局遊戲、
八一三淞滬大戰的目的是要扭轉日軍的作戰軸線、
花園口決堤作戰最初是德國參謀提出的大戰略之關鍵、
中日戰爭是中國走向真正統一的重要階段。
過去七十年，西方以傳統的地緣戰略觀來看中日戰爭，常把國民政府視為腐敗、無能、消極抗日、在國共內戰中耗費力量，對於太平洋戰爭無足輕重。
幸運的是，青史並未成灰。近年許多史料（尤其是《蔣介石日記》）相繼開放，帶動一波民國史研究的熱潮，抗戰史尤受矚目，不少學者對抗戰史提出新的觀點。
史丹佛大學胡佛研究院在2012年推動「重探抗戰史」（Revisiting the 2nd Sino-Japanese War）跨國研究項目，由郭岱君研究員主持，結合台、美、中、日、英五國學者，廣泛使用各國檔案，重新探討抗日戰爭。若干新的發現、新觀點足以顛覆我們過去熟知的抗戰論述。
「重探抗戰史」研究計畫預計集結為三大冊出版，兼顧軍事史與政治史，內容涵蓋抗戰時期的戰事、政經社會、外交關係、領導人物的心路歷程與彼此間的互動等各個層面；既探索戰爭的真相，也兼顧戰爭中「人」的互動。
《重探抗戰史（一）：從抗日大戰略的形成到武漢會戰（1931-1938）》是這項研究計畫的第一步成果，論述日本軍國主義興起的由來、九一八事件的背景因素及事變前後國民政府的因應之道、一二八淞滬戰役的真相、蔣介石及其幕僚如何在1931年到1936年之間逐步形成抗戰大戰略、七七盧溝橋事變的本質、八一三淞滬大戰的重大意義、國民政府如何一步步誘使日軍落入持久戰的陷阱之中。研究寫作團隊針對每一件重大事件均予以重新探討及評析，力求提供一套符合新時代需求的全面性抗戰史著。
※ 本書共同作者
李　玉：南京大學民國史研究中心教授
周　珞：獨立軍事史研究者
肖如平：浙江大學歷史系副教授
郭岱君：史丹佛大學胡佛研究院研究員
洪小夏：上海師範大學法政學院教授
張世瑛：中華民國國史館研究員、審編處處長
張玉萍：東京大學總合文化研究科講師
傅應川：前中華民國國防部史政編譯局局長
加藤陽子：東京大學人文社會系研究科教授
深町英夫：日本中央大學經濟學部教授

Bruno de Nicola investigates the development of women's status in the Mongol Empire from its original homeland in Mongolia up to the end of the Ilkhanate of Iran in 1335. Taking a thematic approach, the chapters show a coherent progression of this development and contextualise the evolution of the role of women in medieval Mongol society. The arrangement serves as a starting point from where to draw comparison with the status of Mongol women in the later period. Exploring patterns of continuity and transformation in the status of these women in different periods of the Mongol Empire as it expanded westwards into the Islamic world, the book offers a view on the transformation of a nomadic-shamanist society from its original homeland in Mongolia to its settlement in the mostly sedentary-Muslim Iran in the mid-13th century.

第二次世界大战后，日本处于美国的控制之下，很多人预料裕仁天皇作为战时名义上的元首会受到审讯，但最后却什么都没发生。本片将通过详实的资料，采访专家学者和一些还健在的历史亲历者，揭秘天皇裕仁，追问他是否应该承担战争罪责。同时本片还将还原历史的真相，探询被扭曲的国家主义和民族主义是如何把一个个普通的民众变得疯狂而效忠，如何制造出一系列人类历史上的战争惨剧。

Great classic by Icelandic poet/chieftain chronicles the reigns of 16 high kings descended from the warrior-wizard god Odin. Major section on 15-year reign of Olav II Haraldson, patron saint of Norway. Based on earlier histories, oral traditions, plus new material by author, all presented with intelligence, warmth and objectivity. Over 130 illustrations and 5 maps.

Beginning with the dim prehistory of the mythical gods and their descendants, Snorri Sturluson tells us how scions of those descendants, the Swedish kings, colonised and subdued Norway, shire by shire, until King Harald Fairhair united the whole realm. The long line of his successors ruled Norway with varying fortunes, achieving, at one time, a far-flung dominion encompassing a major part of the British Isles and Denmark, besides the homeland.Great missionary kings, especially Olaf Haraldsson (who was later canonised and became the patron saint of Norway), introduced Christianity, and with it southern and western influences. Other rulers weakened the kingdom by their fratricidal struggles or wars with pretenders. Through the whole history, one senses the gradual rise of a national awareness. Snorri Sturluson is, without compare, the greatest historian of the Middle Ages. His work reflects the attitudes of his own troubled times and country, the Iceland of the thirteenth century, torn by bloody feuds.

★★★
当代杰出人文性书评及文化杂志《泰晤士报文学增刊》年度图书
“BBC新一代思想家”入选者亲身游历萨迦中北欧风起云涌的山河大地，揭开隐藏在北欧传奇故事中的历史真实
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◎ 编辑推荐
★ 以独特的切入点将北欧历史娓娓道来，填补国内北欧历史类图书的空白
·萨迦是中世纪北欧留给世界的文学瑰宝，其题材和广度涵盖地理、历史和人文领域；
·萨迦紧张激烈的叙事即使削去枝叶，也足以媲美希腊悲剧、莎士比亚喜剧或好莱坞的史诗巨制；
·扬帆萨迦的戏剧与幻想世界，探寻中世纪文学瑰宝中真实的北欧历史 。
★ 抛弃传统的撰写方式，以四方位为脉络，追寻北欧人探索世界的足迹
·向西：他们曾跨越北大西洋，在格陵兰岛定居数百年，并尝试在北美洲的外缘安家落户；
·向北：他们曾在北极圈以北与游牧部落开展贸易、缔结盟约；
·向东：他们曾在罗斯的江河上航行，沿路做皮毛和琥珀生意，直至里海岸边，乃至更远的巴格达；
·向南：他们前往罗马和耶路撒冷朝圣和征战，还在遥远的君士坦丁堡加入皇帝的贴身精英卫队。
★《魔戒》《权力的游戏》……许多耳熟能详的西方文学、影视作品，都受到北欧文化与萨迦的影响
·托尔金根据古诺尔斯语文本创作了霍比特人、矮人和魔戒的故事；
·《权力的游戏》临冬城大战前“野人”在炉火前讲述的自身经历，正是萨迦主人公常常遇到的情景；
·儒勒 • 凡尔纳《地心游记》中关键的羊皮纸正是出自冰岛萨迦作者的卢恩文手抄本；
·《驯龙高手》、美剧《维京传奇》……无数影视作品中回响着“古代北国”的传奇故事。
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◎ 媒体推荐
一本既有趣又博学的书，毫无疑问，作者治学严谨且见解深刻。
——《泰晤士报文学增刊》
从新鲜生动的角度研究了维京人——其中商人和远行者比打家劫舍的强盗要多。这本书兼收并蓄地记叙了他们在遥远、陌生、有时纯属虚构的王国的非凡历险。
——希瑟 • 奥多诺休，牛津大学古诺尔斯语教授
充满活力的叙述，以令人愉快的方式唤起了维京时代的精神。
——《BBC世界史》杂志
《北方以北》新颖生动而旁征博引，是对维京人、萨迦和斯堪的纳维亚许多事物的全新探讨。
——伊丽莎白 • 阿什曼 • 罗，剑桥大学斯堪的纳维亚历史学高级讲师
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◎ 内容简介
8世纪走向尾声之际，维京人在国际舞台上崭露头角。在中世纪，北欧人的足迹踏遍了世界各个角落：北至北极斯堪的纳维亚的荒原，南到中世纪政治动荡的基督教腹地，向西越过汹涌的海洋到达格陵兰和北美洲大陆外缘，向东沿着罗斯的江河从事贸易。本书透过北欧人在中世纪文学体裁萨迦中讲述的故事，探索了这片天地。
可是，古诺尔斯语萨迦对维京世界的描绘严重脱离史实。这些故事呈现出现实与幻想混合、准历史冒险与超出现实的奇闻异事夹杂在一起的特点。在萨迦手抄本布满裂纹的褐色页码中，巨怪、群龙、怪诞的部落与探险家、贸易商和国王推推搡搡，各不相让。
为了探索萨迦和产生了萨迦的那个世界，作者游历了萨迦所描写的那片风起云涌的山河大地。一路上，作者用考古发现、卢恩文石碑、中世纪世界地图、百科全书手抄本及拜占庭和巴格达等地的文本，对内容丰富却又常常让人疑惑的萨迦叙事做了解读。她穿越古诺尔斯世界的旅途表明，把萨迦与另外这些指点迷津的证据相互对照，我们就可以渐渐明白，数百年前，这种处在欧洲最外缘的独特文化是怎样亲历、记忆和想象这个世界的。

《古代近东教谕文学》是我国第一部专题探讨古代近东地区各主要文明古国教谕文学的学术论著，包括古代美索不达米亚教谕文学、古埃及教谕文学、赫梯及小亚半岛其他民族的教谕文学、古希伯来教谕文学四大部分。《古代近东教谕文学》以占有大量的第一手原始资料为依据，在释读楔形文字、象形文字和古希伯来文教谕文献并翻译这些教谕文献并在充分了解和认识学术史的基础上，从整个古代近东世界这个宏观视野，从具体到整体，从局部到全面，运用比较和联系的方法，认识古代近东各主要文明古国的教谕文学的历史发展、思想价值、文学特色和成就及其文学史地位。探究和比较分析了古代近东教谕文学作品的编撰和内容及其特点和它们之间的相互关系。在整个古代近东地区的视野下，审视同时代不同地区之间的教谕文化交流与学习和继承，总结和认识了古代近东教谕文学的普遍性与特殊性。《古代近东教谕文学》的一个重大突破，是中国学者掌握了研究对象的语言，能够直接释读文献并展开研究，而不再是简单转述和介绍西方人的成果。这一专题国内的研究在许多方面站在国际学术视野和平台上，不少研究成果具有一定国际水平，特别是具备了中国学者独到的学术视野，研究成果具有一定的新意。
《东方文化集成：古代近东教谕文学（套装上下卷）》分上下两卷，上卷为《古代近东教谕文学研究》卷，下卷为《古代近东教谕文献译文》卷。

本书由梁承邺研究员、李龙潜教授、黄启臣教授、刘志伟教授整理，系统收集整理著名经济史学家、中国社会经济史研究奠基者梁方仲先生的遗著，包括中英文读书笔记、听课笔记、明代督抚表列、明代地方志综录、统计表格、案头日历记事、与师友亲朋和相关机构的来往书信，以及与之有交游者题赠的扇面、部分遗墨等等。此次整理出版，对于保存珍稀学术遗产、推动相关领域学术研究具有重要意义。