居住在纽约的女诗人罗丝·伊利亚特，某日在古书店买到一本由拉丁文写就的建筑类书籍。书中称这个世界上曾存在三个邪恶之母，它们四处散播恐怖与痛苦，最后分别为建筑师镇在罗马、纽约以及德国的弗莱堡的三个建筑中。罗丝怀疑她所居住的公寓便是书中提及的一处，她一面写信向远在罗马的弟弟马克，随后自己则只身走入地下室一探究竟。收到信的马克与姐姐通话，然而电话却突然中断。他连忙赶至纽约，得知姐姐业已失踪。不得已，马克开始四处打探关于这本古书背后的秘密……

一年一度的圣诞节再次到来，加拿大一幢由民宅改建的校外女子宿舍中，芭布（Margot Kidder 饰）、菲利丝（Andrea Martin 饰）、杰西卡（Olivia Hussey 饰）、克莱尔（Lynne Griffin 饰）等几名青春靓丽的女孩正为各自的假期作打算。突然，一通神秘的电话打破了这欢乐的气氛。性情莽撞的芭布斥责电话另一头的男人，而男人则留下“将来杀死你们”的恐怖话语。当晚，克莱尔在房间内被人残忍杀害。克莱尔的死令宿舍的姐妹们既伤心又恐惧，然而警方却将精力集中在另一名13岁女孩的失踪案上，对克莱尔之死未给予太多关注。在接下来的一段时间内，舍监麦克夫人（Marian Waldman 饰）随即遇害，而犯人竟然长久以来栖身在这所房子之中。一段隐藏多年的灰暗血腥的过去随之慢慢浮现……
本片荣获1975年加拿大电影节最佳女主角奖（Margot Kidder）和最佳音效奖。

An Indian mystic uses magical chants to raise women from the dead, then sends them out to perform revenge killings for him.

赛迪（布里安娜·希尔德布兰 Brianna Hildebrand 饰）和麦凯拉（亚历山德拉·西普 Alexandra Shipp 饰）是青梅竹马的好友，两人共同创办了名为“悲剧女孩”的推特公众号，报道当地发生的大大小小的杀人案件，并且试图追踪案件背后的真相。
两个姑娘最大的愿望就是希望她们的公众号能够一炮而红，甚至为了有能够报道的新闻而不惜成为凶杀案的制造者。可是，很快她们便发现，对于这些她们亲手犯下的罪案，当地警方总是以“意外”为幌子试图隐瞒案件。乔丹（杰克·奎德 Jack Quaid 饰）是赛迪和麦凯拉的“助手”，帮助她们剪辑和发布视频，与此同时，乔丹也是警长布兰恩（蒂莫西·墨菲 Timothy V. Murphy 饰）的儿子。终于，“悲剧女孩”走红了，但同样飘红的，还有两个女孩之间的友情。

During a local fishing contest, people are being mysteriously dragged into the lake and killed by a giant fish hook. After a sufficient number of deaths, the killer is finally revealed.

An underground government facility is locked down by its A.I.-controlled computer when an alien entity travels through a dimensional portal and threatens the lives of everybody inside.

杰夫（阿兰·德龙 Alain Delon 饰）是一名沉默寡言的杀手，他住在一间旅馆里，仅与一只鸟为伴。独来独往的他接到委托暗杀俱乐部的老板，尽管行动天衣无缝，但警察还是扣押了他。钢琴女马蕾莉（凯茜·罗齐尔 Cathy Rosier 饰）认出了杰夫就是当天的可疑男子，但她却选择了包庇杰夫，这使杰夫心生疑虑。杰夫找到中间人结算工钱，没想到中间人开枪打伤了他。逃过一劫的杰夫暗中查明了雇主的身份，找到并且杀死了他，但同时，他发现，当初袒护他的马蕾莉，居然是雇主的情人。心情复杂的杰夫举着手枪来到俱乐部质问马蕾莉，却被早已埋伏在此的警察乱枪打死，事后，警察们发现，杰夫的手枪中并没有子弹，他这一行为的意义也成为了一个永远的秘密。

他是宇宙间公认的最勇悍的警察，他是宇宙匪徒皆闻名丧胆的罪恶煞星，他拥有宇宙最强力的武器，但他只有13寸，他的名字叫标。标被银河警队派往地球平乱，标降落的地面即遇上两族人大火拼，标在激烈战斗中救走处于下风的美女狄美。大毒枭巴斯顿得悉，不相信其手下竟败在只有13寸高的人手上，决意亲自出马领教世上最强的矮仔煞星。

《狼人》是乔治·瓦格纳执导，克劳德·雷恩斯等主演的奇幻恐怖电影。故事发生在维多利亚时代的英格兰。主人公从美国返回故乡，没想到却遭到一只狼人的袭击，身体就此发生变异，每到月圆之夜便兽性大发，对月长嚎……

在汤米·贾维斯(Tommy Jarvis)把杰森炼锁在水晶湖底多年之后，一位有特异功能的年青人又不小心把杰森放了出来，杰森于是又回到了水晶湖营地重操旧业。

特兰西瓦尼亚女伯爵秘密约见精神病理学专家，试图遏制血脉中躁动的嗜血渴望。

年轻的情侣马德琳和尼尔被熟人博蒙特先生得到了他的海地种植结婚哄着。博蒙特的动机纯粹是自私的，他尽一切努力说服年轻漂亮的姑娘与他私奔。如需帮助博蒙特变成狡猾勒，谁运行由心灵控制人他已经变成僵尸他的工厂的人。博蒙特使用上马德琳勒让僵尸药水后，他不满她的感情是和要她改回来。勒让德没有这样做，他的药物博蒙特以及添加到他的僵尸收集的意向。同时，悲伤的“鳏夫”尼尔是由当地的牧师坚信马德琳可能仍然活着，他求她了。

生物学教授詹尼西尔（Pierre Brasseur 饰）因一次车祸使心爱的女儿克莉丝汀（Edith Scob 饰）面容尽毁，女儿伤愈后只能终日戴着瘆人的白色面具，痛苦非常。爱女心切且心怀内疚的詹尼西尔与助手路易丝（Alida Valli 阿莉达•瓦莉 饰）伪装克莉丝汀失踪、死亡的假象，暗中诱拐与女儿年龄相仿的女性，将其麻醉后剥掉面皮，移植到克莉丝汀脸上。
但手术接连失败，牺牲者也不断增加。亲眼所见诸多同龄女孩惨遭杀害，克莉丝汀心中痛苦不已。另一方面，众多女孩失踪的案件也引起了警方的注意，他们逐渐将目标锁在疯狂的詹尼西尔身上……

Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices.

Meet the Queen of the South Seas. A sexually voracious goddess, she lures young men to her castle and, if they fail to satisfy her demands, kills them faster than you can say 'vagina dentata', leaving her handmaidens to dispose of the castrated remains…
One night the Queen meets her match. Her priapic suitor snatches the snake that is the source of her power from between her thighs – causing it to transform into a kris faster than you can say 'blatant symbolism' – and demands that she submit to be his wife as custom apparently dictates. The Queen, however, refuses, swears revenge on the man's ancestors and plunges into the sea to commune with evil…
Fast forward 100 or so years and we are introduced to Tanya (Kristianna Loken, er Barbara Anne Constable), an foreign anthropology student researching the legend of the South Seas Queen for her thesis. She charters a boat, goes diving and inexplicably winds up spreadeagled on a giant-size bed in the Queen's undersea lair to then be penetrated by the magic snake-phallus.
A few days later – the boat having been lost at sea in a sudden, inexplicable storm – the now-reincarnated Queen/Tanya rises from the sea Aphrodite-like (though that's surely an ethnocentric description; why not Aphrodite rose from the sea Nyai Loro Kidul-like after all he then says in a bout of self-criticism) and disposes of a couple of drunks, thereby equipping herself with tight leathers and some firearms with a seemingly endless supply of ammunition…
From here on it's pretty much a rehash of The Terminator as the Sea Queen goes after Erica, a singer who is the descendant of her suitor. Policeman Max (Christopher J. Hart) and his buddies rescue Erica from a disco massacre – cue the "Come with me if you want to live" line – and take her to the station for protection. Naturally Lady Terminator arrives and shoots the place up, but Erica and her new love interest manage to escape. A protracted series of chases, shoot outs and explosions ensue until, finally, Max and co. face off against the now-Zombie like Lady Terminator, complete with eyes shoting laser beams…
Is Lady Terminator a good film? Do you really need me to say no?. One laughs at the film rather than with it, whether it be the fashions and hairstyles – snowwashed jeans and mullets anyone? – the ropey effects; the overly intrusive and decidedly cheesy synth score; shoehorning in of Terminator-isms as when the otherwise all-but indestructible Queen removes and then reinserts a damaged eye; or – first among equals – the often ludicrous post-synched dialogue:
Max: We have three very dead bodies here…
Other cop #1: Very interesting. It says here all three of these guys died with their cocks bitten off. Could be a small animal.
Other cop #2: The report says an eel. An eel on dry land? I've heard of the ultimate blow job but, uh, this is too much
Max: Obviously done by the same person. But why? What's his or her motive?
Other cop #1: How can a human being do this?
Other cop #2: Well, very easily. First you take their pants off…
(Note that this scene was preceded by otherwise pointless dialogue about eating hotdogs – say no more…)
Thus Lady Terminator is an enjoyable film, in that "so bad it's good" way that almost transcends rational analysis. It is also evident, however, that the film-makers believed in what they were doing and, without condescencion, sought to do the best they could, injecting energy and style into the proceedings and putting their money on the screen. Plus, it's also worth remembering how The Terminator doesn't exactly always shine in the make-up and FX departments either, as with the way Ahnuld's head gets broader rather than narrower as the film progresses and his inner robotics are exposed, or that painfully obvious matte painting of the coming desert storm at the end.
It is also an interesting film. The fusion of traditional Indonesian myth and western science-fiction may never quite come off, but the collision of cultures and ideas at least provides plenty of food for thought, with what is relatively chase material by comparision with western trash cinema standards – one thinks of Lina Romay's not dissimilar femme catastrices in Jess Franco's Female Vampire and Doriana Grey or the outright porno of The Sperimator – but which would seem to have pushed the boundaries as far as the Indonesian authorties were concerned, with the film having apparently been banned in the territory at one point.
Yet the temptation is often to overanalyse, as if by of justification: One could well imagine some grand Legend of the Seven Golden Vampires style thesis whereby the anthropologist becomes emblematic of western imperialism, purporting to be interested in understanding native culture but really only imposing her existing definitions upon it as Other, with her possession thereby a somewhat justifiable indigenous response to this hubris. Such a reading would then doubtless continue with the figure of Max as instrumental in defeating the Sea Queen in saving Erika as symptomatic of a paradoxical counterposing statement to the effect that Indonesians cannot do without their western allies – and doubtless the whole thing would then be read as a coded critique and/or endorsement of the Suharto regime, depending on the spin.
The more prosaic truth, however, is surely that the presence of the westerners was first and foremost a means of enhancing Lady Terminator's office potential on the export market – a testament to cultural imperialism itself, to be sure, but hardly one that requires intellectual gymnastics.
And this, ultimately, is how and why Lady Terminator works: It's a film whose goal is to please its diverse audiences and into which anything and everything that might accomplish this aim has been thrown, regardless of how well those ingredients (and their respective audiences) really go together.
Thankfully, the cocktail tastes good – albeit in a bad taste way – and has the desired stupefying effect…

14世纪的朝鲜村庄里，素来有“不可杀”的传说。暴君当政，下令收集民间铁器制造兵器，农民们没了生产物资根本无法生存，村里的老铁匠因为擅自把铁器还给农民，自己被官兵投进大牢。老铁匠在牢里绝食，临死前用泥土和打翻的饭菜捏了一个玩偶，悲痛的女儿将玩偶拿回家，做针线活时不小心刺破手指，血滴在上面，玩偶活了起来。小东西吃铁为生，越长越大，铁匠一双儿女知道，这就父亲常讲的“不可杀”。“不可杀”长成一头巨兽，受姐姐驱使，在农民起义中帮助村人对付官兵，成了农民们的致胜法宝，不过迎来和平的村民发现，已经没有足够的铁供应给“不可杀”当食物，它会吃掉他们所有的劳作工具。英雄成了隐患，为了村民们的生存，姐姐流着眼泪挺身而出，献出自己的生命和“不可杀”同归于尽。

A compilation of four episodes from the Supermarionation series Stingray. When aquatic aliens plot to take over the planet, the world aquanaut security patrol are called in to battle the aliens.

伦敦数名医学博士接二连三的诡异惨死引起了警方的重视。经过调查Trout督查发现这几名死者的致死手法都出自于埃及十灾的典故，而他们的唯一共同点是都曾和Vesalius博士在一次失败的手术中共事过。而手术中意外死去病人的丈夫Anton Phibes博士成为了最大的嫌犯，但Vesalius博士却告诉Trout督查Anton Phibes博士却早已在车祸中丧生……

清朝末年，曾任黑旗水军教头兼民团总教练的广东佛山武师黄飞鸿（李连杰）常在宝芝林教人练武，期望借此自强救国，可是眼见政府苟且偷生洋人横行霸道，他渐渐领悟到单凭武术不足以使民众从苦海中脱离，开始努力找寻其它救国出路。梅县梁宽（元彪）在戏院结识黄飞鸿的恋人十三姨（关之琳）后与黄飞鸿出生种种误会，终投武夫严振东门下与黄飞鸿成为敌手。
严振东与洋人连手鼓吹美国是金山世界，将包括十三姨在内的大批中国妇女骗掳上洋船，梁宽此时幡然醒悟，明白黄飞鸿是友非敌，在他的帮助下，黄飞鸿开始与洋人及其爪牙展开浴血奋战。

高家庄少主高朋（刘江 饰）新婚之夜，遭遇仇家白忠堂的袭击。高败逃陈师公家，继而得知神道张三（韦白 饰）武功绝伦，行侠仗义，可为高家庄报仇。高朋暗中观察，见张三安贫乐道，奉母甚亲，于是有意接近，并派出刀客安如命试探其武功。
张母逝，高朋出资厚葬，令张三感激备至，于是不惜身家性命甘愿为高家报仇。他和偶然结识的青年侠客青衣（刘松仁 饰）同闯白忠堂，刀光剑影，血流成河。然士为知己者死，张三一腔热血报答高朋，未料却投错了恩主……