In Matt Scudder's mind, money, power, and position elevate nobody above morality and the law. Now the ex-cop and unlicensed p.i. has been hired to prove that socialite Richard Thurman orchestrated the brutal murder of his beautiful, pregnant wife. During Scudder's hard drinking years, he left a piece of his soul on every seedy corner of the Big Apple. But this case is more depraved and more potentially devastating than anything he experienced while floundering in the urban depths. Because this investigation is leading Scudder on a frightening grand tour of New York's sex-for-sale underworld -- where an innocent young life is simply a commodity to be bought and perverted ... and then destroyed.

Matt Scudder put the brilliant and elusive James Leo Motley behind bars - for good, or so he hoped. Because Motley went down swearing revenge on Scudder and anyone who knew him. Twelve years later, Motley is out and giving his psychopathic tendencies free rein. No one is safe, friends, lovers and even strangers unfortunate enough to share the Scudder name. Each step in the resulting grisly dance takes the Big Apple PI one step further away from Al-Anon and one step nearer to death.

It isn't called Hell's Kitchen for nothing - a gritty landscape of dark doorways and dirty alleys inhabited by crack addicts and the homeless. For Matt Scudder, it's a city gone mad, but a city he can't leave as he's been hired to find missing would-be actress Paula Hoeldtke.

Downing a bourbon or two with a couple of cronies, Scudder witnesses a heist. The Morrisey brothers who run the joint are strangely submissive during the raid, but eager to see Scudder track down the thieves without involving the regular forces of law and order.

Small-time stoolie, Jake "The Spinner" Jablon, made a lot of new enemies when he switched careers, from informer to blackmailer. And the more "clients", he figured, the more money - and more people eager to see him dead. So no one is surprised when the pigeon is found floating in the East River with his skull bashed in. And what's worse, no one cares - except Matthew Scudder. The ex-cop-turned-private-eye is no conscientious avenging angel. But he's willing to risk his own life and limb to confront Spinner's most murderously aggressive marks. A job's a job after all - and Scudder's been paid to find a killer - by the victim...in advance.

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The year is 1954. U.S. Marshal Teddy Daniels and his new partner, Chuck Aule, have come to Shutter Island, home of Ashecliffe Hospital for the Criminally Insane, to investigate the disappearance of a patient. Multiple murderess Rachel Solando is loose somewhere on this remote and barren island, despite having been kept in a locked cell under constant surveillance. As a killer hurricane bears relentlessly down on them, a strange case takes on even darker, more sinister shades -- with hints of radical experimentation, horrifying surgeries, and lethal countermoves made in the cause of a covert shadow war. No one is going to escape Shutter Island unscathed, because nothing at Ashecliffe Hospital is what it seems. But then neither is Teddy Daniels.

This is the way the world ends... for the last time.
The season of endings grows darker as civilization fades into the long cold night. Alabaster Tenring – madman, world-crusher, savior – has returned with a mission: to train his successor, Essun, and thus seal the fate of the Stillness forever.
It continues with a lost daughter, found by the enemy.
It continues with the obelisks, and an ancient mystery converging on answers at last.
The Stillness is the wall which stands against the flow of tradition, the spark of hope long buried under the thickening ashfall. And it will not be broken.

This is the way the world ends... for the last time.
The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.
Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.
For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

A fascinating persuasive history of how sugar has shaped the world, from European colonies to our modern diets. In this eye-opening study, Sidney Mintz shows how Europeans and Americans transformed sugar from a rare foreign luxury to a commonplace necessity of modern life, and how it changed the history of capitalism and industry. He discusses the production and consumption of sugar, and reveals how closely interwoven are sugar's origins as a "slave" crop grown in Europe's tropical colonies with is use first as an extravagant luxury for the aristocracy, then as a staple of the diet of the new industrial proletariat. Finally, he considers how sugar has altered work patterns, eating habits, and our diet in modern times.

During the twentieth century, America managed to make its economic and social systems both more and more fair and more and more prosperous. A huge, secure, and contented middle class emerged. All boats rose together. But then the New Deal gave way to the Raw Deal. Beginning in the early 1970s, by means of a long war conceived of and executed by a confederacy of big business CEOs, the superrich, and right-wing zealots, the rules and norms that made the American middle class possible were undermined and dismantled. The clock was turned back on a century of economic progress, making greed good, workers powerless, and the market all-powerful while weaponizing nostalgia, lifting up an oligarchy that served only its own interests, and leaving the huge majority of Americans with dwindling economic prospects and hope.
Why and how did America take such a wrong turn? In this deeply researched and brilliantly woven cultural, economic, and political chronicle, Kurt Andersen offers a fresh, provocative, and eye-opening history of America’s undoing, naming names, showing receipts, and unsparingly assigning blame—to the radical right in economics and the law, the high priests of high finance, a complacent and complicit Establishment, and liberal “useful idiots,” among whom he includes himself.

The award-winning translators Richard Pevear and Larissa Volokhonsky have given us the definitive version of Fyodor Dostoevsky’s strikingly original short novels,
and
is a surprisingly modern hallucinatory nightmare–foreshadowing Kafka and Sartre–in which a minor official named Goliadkin becomes aware of a mysterious doppelganger, a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues.
is a stunning psychological portrait of a young man's exhilarating and destructive addiction to gambling, a compulsion that Dostoevsky–who once gambled away his young wife's wedding ring–knew intimately from his own experience. In chronicling the disastrous love affairs and gambling adventures of Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.

"Matt Taibbi's genius is in untangling complex stories and making us care about them by providing striking moral clarity and a genuine sense of outrage. He has become among the most read journalists in America, leading the dialogue with epic Rolling Stone pieces that offer an "almost startling reminder of the power of good writing" (Washington Post). In this new work, he once again takes readers into the biggest, most urgent story in America: a widening wealth gap that is not only reshaping our economic life, but changing our core sense of right and wrong. The wealthy 1% operate with near impunity, while everyone else finds their very existence the subject of massive law enforcement attention: from stop-and-frisk programs and the immigrant dragnet to invasive surveillance and the abuse of debtors. Driven by immersive reporting, this is a stunning look into the newest high-stakes divide in our country: between a lawless aristocracy of hyperwealth and the rest of us, living under the shadow of an incipient American police state"-- Provided by publisher.

The dramatic story behind the most audacious power grab in American history

The financial crisis that exploded in 2008 isn’t past but prologue. The stunning rise, fall, and rescue of Wall Street in the bubble-and-bailout era was the coming-out party for the network of looters who sit at the nexus of American political and economic power. The grifter class—made up of the largest players in the financial industry and the politicians who do their bidding—has been growing in power for a generation, transferring wealth upward through increasingly complex financial mechanisms and political maneuvers. The crisis was only one terrifying manifestation of how they’ve hijacked America’s political and economic life.
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Matt Taibbi here unravels the whole fiendish story, digging beyond the headlines to get into the deeper roots and wider implications of the rise of the grifters. He traces the movement’s origins to the cult of Ayn Rand and her most influential—and possibly weirdest—acolyte, Alan Greenspan, and offers fresh reporting on the backroom deals that decided the winners and losers in the government bailouts. He uncovers the hidden commodities bubble that transferred billions of dollars to Wall Street while creating food shortages around the world, and he shows how finance dominates politics, from the story of investment bankers auctioning off America’s infrastructure to an inside account of the high-stakes battle for health-care reform—a battle the true reformers lost. Finally, he tells the story of Goldman Sachs, the “vampire squid wrapped around the face of humanity.”
Taibbi has combined deep sources, trailblazing reportage, and provocative analysis to create the most lucid, emotionally galvanizing, and scathingly funny account yet written of the ongoing political and financial crisis in America. This is essential reading for anyone who wants to understand the labyrinthine inner workings of politics and finance in this country, and the profound consequences for us all.

In this characteristically turbocharged new book, celebrated
journalist Matt Taibbi provides an insider's guide to the variety of ways today's mainstream media tells us lies. Part tirade, part confessional, it reveals that what most people think of as "the news" is, in fact, a twisted wing of the entertainment business.
In the Internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism's dirty tricks.
Heading into a 2020 election season that promises to be a Great Giza Pyramid Complex of invective and digital ugliness,
will be an invaluable antidote to the hidden poisons dished up by those we rely on to tell us what is happening in the world.

From the recipient of the 1998 Nobel Prize in Literature, a "brilliant...enchanting novel" (New York Times Book Review) of romance, deceit, religion, and magic set in eighteenth-century Portugal at the height of the Inquisition. National bestseller. Translated by Giovanni Pontiero.

Senhor José is a low-grade clerk in the city's Central Registry, where the living and the dead share the same shelf space. A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death that are his daily preoccupations. In the evenings, and on weekends, he works on bringing up to date his clipping file of the famous, the rising stars, the notorious. But when one day he comes across the birth certificate of an anonymous young woman, he decides that this cannot have been mere chance, he has to discover more about her. After all, to know a name is not to know the person.
.
Under the increasingly mystified eye of the Registrar, a godlike figure whose name is spoken only in whispers, the now obsessed Senhor José sets off, in every moment he can steal from work, to follow the thread that leads him to the woman's school, to her godmother, to her father and mother-but as he gets closer to a meeting with the unknown woman, he discovers more about her, and about himself, than he would have wished....
.
The loneliness of people's lives, the effects of chance and moments of recognition, the discovery of love, however tentative...once again José Saramago has written a timeless story.

On election day in the capital, it is raining so hard that no one has bothered to go out to vote. The politicians are growing jittery. Should they reschedule the elections for another day? Around three o' clock, the rain finally stops. Promptly at four, voters rush to the polling stations, as if they had been ordered to appear.
But when the ballots are counted, more than 70 percent are blank. The citizens are rebellious. A state of emergency is declared. But are the authorities acting too precipitously? Or even blindly? The word evokes terrible memories of the plague of blindness that hit the city four years before, and of the one woman who kept her sight. Could she be behind the blank ballots? A police superintendent is put on the case.
What begins as a satire on governments and the sometimes dubious efficacy of the democratic system turns into something far more sinister. A singular novel from the author of Blindness.

Chinua Achebe is considered the father of modern African literature, the writer who "opened the magic casements of African fiction."
--comprised of
,
, and
--is his magnum opus. In these masterly novels, Achebe brilliantly imagines the lives of three generations of an African community as their world is upended by the forces of colonialism from the first arrival of the British to the waning days of empire.
The trilogy opens with the groundbreaking
, the tale of Okonkwo, a hero in his village, whose clashes with missionaries--coupled with his own tragic pride--lead to his fall from grace.
takes up the ongoing conflict between continuity and change as Ezeulu, the headstrong chief priest, finds his authority is under threat from rivals and colonial functionaries. But he believes himself to be untouchable and is determined to lead his people, even if it is towards their own destruction. Finally, in
, Okonkwo's grandson, educated in England, returns to a civil-service job in Lagos, only to see his morality erode as he clings to his membership in the ruling elite.
Drawing on the traditional Igbo tales of Achebe's youth,
is a literary landmark, a mythic and universal tale of modern Africa. As Toni Morrison wrote, "African literature is incomplete and unthinkable without the works of Chinua Achebe. For passion, intellect and crystalline prose, he is unsurpassed."

Neste novo romance, o vencedor do prêmio Nobel José Saramago reconta episódios bíblicos do Velho Testamento sob o ponto de vista de Caim, que, depois de assassinar seu irmão, trava um incomum acordo com deus e parte numa jornada que o levará do jardim do Éden aos mais recônditos confins da criação.
Se, em O Evangelho segundo Jesus Cristo, José Saramago nos deu sua visão do Novo Testamento, neste Caim ele se volta aos primeiros livros da Bíblia, do Éden ao dilúvio, imprimindo ao Antigo Testamento a música e o humor refinado que marcam sua obra. Num itinerário heterodoxo, Saramago percorre cidades decadentes e estábulos, palácios de tiranos e campos de batalha, conforme o leitor acompanha uma guerra secular, e de certo modo involuntária, entre criador e criatura. No trajeto, o leitor revisitará episódios bíblicos conhecidos, mas sob uma perspectiva inteiramente diferente.
Para atravessar esse caminho árido, um deus às turras com a própria administração colocará Caim, assassino do irmão Abel e primogênito de Adão e Eva, num altivo jegue, e caberá à dupla encontrar o rumo entre as armadilhas do tempo que insistem em atraí-los. A Caim, que leva a marca do senhor na testa e portanto está protegido das iniquidades do homem, resta aceitar o destino amargo e compactuar com o criador, a quem não reserva o melhor dos julgamentos. Tal como o diabo de O Evangelho, o deus que o leitor encontra aqui não é o habitual dos sermões: ao reinventar o Antigo Testamento, Saramago recria também seus principais protagonistas, dando a eles uma roupagem ao mesmo tempo complexa e irônica, cujo tom de farsa da narrativa só faz por acentuar.