1993 11 TRACKS1.OH BABY2.YOSHIMI VS. MASCIS3.OH BONDAGE UP YOURS4.1,2,35.PARTY WITH ME PUNKER6.JOHN STARK'S BLUES7.GUILTY PLEASURES8.SEX BOY 9.CLEOPATRA10.LOOSE LIPS 11.DICK

比约克(Bjork)2005年没出个人专辑，倒是参演了由她丈夫、实验电影导演、前卫艺术家马修·巴尼(Matthew Barney)执导的影片《Drawing Restraint 9》，并为其制作了一张原声。这个以非主流音乐起家最终却成为超越众多主流偶像、登上奥运会舞台的符号式人物，在个人专辑创作中难免要受潜在的、庞大的听众群限制，要保持姿态，还要吸引众人。如此下来，音乐做得一张不如一张，太多曾经追捧过她的人如今对她那些新专辑们无动于衷。
这个时候，能有这么一张“特别”的专辑，绝不是坏事。我们看到，她脱去偶像外衣，以制作人身份出手，确实潇洒了不少。原声在保留了比约克标志型元素的同时又不限于此，大胆地将音乐简化、细碎化、冰岛化、日本化，是一张以器乐为主，同时强调人声的实验专辑，这对于比约克来说，是尝试，也是个回归。
在乐器上，竖琴、管风琴、键盘、大键琴、钟、号、钢琴、打击乐器被大量使用，一些来自民间不知名的铜制、木制乐器也占了较大比重。由此制作出悦耳却孤立的音符，经过对乐器的精心搭配和对器乐的把握，和谐连贯地成了章节，且不失随意之感。这简直是冰岛乐人的拿手好戏，他们总能在旋律与实验性之间找到属于冰岛的位置。《Gratitude》和《Ambergris March》是专辑中最旋律化的歌曲，弦乐极尽动听之势，梦幻清脆的叮叮咚咚；《Hunter Vessel》则最为“枯燥”，单调反复，以氛围为重。影片拍摄于日本、讲述的也是日本的事物文化，原声中亦融进了很多日本音乐。且不说音乐中独特的诡异和神秘感觉，光是乐器很多就采自彼国民间。
人声也是一大聚焦点。比约克在整张专辑中只唱了《Bath》和《Storm》两首，没有歌词，她的人声完全成为对音色和唱腔的一场挑战，并以此来取代一部分器乐，这张唱片也因此被人称为“声乐式唱片”。专辑中的《Pearl》和《Holographic Entrypoint》也是两个极端，前者的人声完全取自一个孩子的喉音，被称为“Throat Singing”，由喉咙发出的各种各样的声响，奇异度不亚于蒙古呼麦；后者则是个中年男人，醉酒般絮絮叨叨地似说似唱着一大堆日文。这样的音乐，也只有在马修·巴尼的电影中能出现。由另类乡村唱作者Will Oldham演唱的《Gratitude》配以上述器乐、再加上童声合唱圣歌，成为专辑中难得的一首有歌词有旋律并且动听的曲目。
This soundtrack is composed by Björk with minimal vocals for celebrated contemporary visual artist Matthew Barney’s next film Drawing Restraint 9. Unlike her soundtrack for Lars von Trier’s film Dancer in the Dark which drew on the tradition of theatrical and cinema musicals (and won her Best Actress at Cannes), this is a collection of delicate single instrument studies for harp, harpsichord and celeste; large orchestral masses scored for trumpet, trombone and oboe, electronic basslines, children’s choir and, in a manner recalling the all-vocal Medulla album, Björk’s singular voice, treated as an instrument of astonishingly flexible texture. One Little Indian. 2005.
Honestly, fans of Bjork who are hoping for a massive return to the styles of pre-Medulla will probably be disappointed by this latest project. But judged on its own merits Drawing Restraint 9 remains an intriguing, but still somewhat forgettable experience. Bjork's trademark icy vocals take a backseat to Eastern influenced instrumentation. Aside from three tracks, the singing is performed by guest artists. "Pearl" sounds like an extension of "Ancestors" with its forceful, grating throat singing. Others simply come off as a bit dull and spiritless. They don't seem to have much blood in them. However, "Storm" is one recognizable highlight that evokes the chaotic rumbles of Homogenic. It's a fantastic version of a song that Bjork has only performed live up until now. I can't say this is a soundtrack that I will hold on to for a while, but it's something that's certainly worth a listen.

Subtitled - B-sides & Rarities 1978-2001 - The Fiction Years. First-ever collection of hard-to-find gems in a career-spanning four-disc remastered set. As The Cure nears its third decade at the forefront of pop culture, Universal, Rhino & Fiction/Elektra are celebrating the band's remarkable career with this collection. 70 tracks compiled by Robert Smith, 25 on CD for the first time & 10 tracks previously unreleased. Includes 76-page booklet featuring rare & previously unseen photographs & a complete Fiction discography. Packaged in long-digibook format. 2004.

Before the world was introduced to MARILYN MANSON, before the world even knew what sweet dreams were made of, there was Ft. Lauderhell, THE SPOOKY KIDS, JACK OFF JILL and a club called Squeeze, which would later become a headquarters and home away from home for both bands. There, Manson became the great Oz to Jessicka\'s Dorothy. And Ft. Lauderdale their yellow brick road of sorts… A golden trail leading them out of humid hell and onto bigger and better things. Humid Teenage Mediocrity is a collections of recordings produced during that Golden Age. The now defunct JACK OFF JILL hit the South Florida scene in 1992 and was hailed by critics as a \"childrens puppet show meets the Exorcist." The band lasted eight years, with only Moulder and Fodera remaining through all its lineups. The Original (all-girl) line-up consisted of Jessicka: vocals/lyrics, Agent (Robin) Moulder: bass, Michelle In-Hell: guitar, and Tenni Ah-Cha-Cha: drums. JACK OFF JILL played with a relentless fuck-all attitude and sound that could rarely be duplicated by its predecessors. Releasing Children 5 And Up, Cannibal Songbook and Cockroach Waltz and touring with riot girl legends L7, BABES IN TOYLAND , 7 YEAR BITCH as well as Goth icons SWITCHBLADE SYMPHONY and fellow Floridian shock rockers MARILYN MANSON, JACK OFF JILL’s live show was one to be seen. They commanded the stage ruling it as their own private playpen complete with dolls-candy-blood and a plethora of toys for singer Jessicka to fashion into weapons in order to injure herself or her unsuspecting band mates. JACK OFF JILL took the stage taunting you to play their game and play it on their turf. This 25-track collection of songs from the Florida-based punk goth legends was produced by Marilyn Manson . The album includes 13 previously unreleased tracks and nine songs that went on to be re-recorded for the classic debut Sexless Demons And Scars. Manson also supplies liner notes with a JACK OFF JILL history and guitar parts to "Swollen". Essential for all JOJ and Marilyn Manson fans. Contains new artwork and 3 tracks not available on UK version.

Taken from the 2004 album 'America's Sweetheart'. The title track is b/w three non-LP tracks, ''Fly' & 'Mono' (Alternate Version) along with the enhanced video for the title track. Parental Advisory - Explicit Content. Virgin.

Taken from the 'Any Given Sunday' soundtrack. Written by guitarist Eric Erlandson and Smashin Pumpkin Billy Corgan. Tracks 'Be a Man' (radio edit, album version) and 'P.O.D. Whatever it Takes', none of which appear on Hole's last full length 'Celebrity Sk

The third single from Courtney Love & co.'s 1998 album 'Celebrity Skin'. None of the backing tracks on the Japanese edition are available on either part of the U.K. release & consist of five live recordings, 'Pretty On The Inside', 'Heaven Tonight', 'Nort

The third single from Courtney Love & co.'s 1998 album 'Celebrity Skin'. Pt.2 is backed with the CD-ROM video to 'Celebrity Skin' & a previously unreleased non-album track, a liveversion of 'Miss World' recorded at the Big Day Out festival in Melbourne, A