本卷择要收集《中国古代文献文化史》丛书研究中涉及的文献资料，丰富和补充该丛书的内涵，为进一步研究中国古代文献文化提供路径和指南。同时在图录部分，展示以甲骨、金、石、竹木、帛、纸等为载体的文献形态，从视觉图像上彰显中国古代文献的形制演变和辉煌。
史料辑录包括：一、文獻生成（一）書寫（二）傳抄二、文獻載體（一）甲骨（二）簡帛（三）金石（四）紙三、文獻流散四、文獻整理（一）匯集（二）校勘（三）輯佚（五）考證。

认识碧曲（真不习惯这个假名）是在2016年3月的定海桥互助社。在台湾何春蕤与卡维波两位老师的活动中，碧曲慕名而来，戴了一顶粉红色的兔子帽子坐在我对面。她偶尔发言之单刀直入就知道不是一知半解或隔空想象的人。
那天互助社的其他几个朋友跟她一起吃饭，事后表示“惊为天人”。不只是大开眼界，还好像要“洗心革面”。我回想当日跟碧曲在条凳上合影时，她轻轻拍打我肩膀的柔软，也感到她有刚柔并济、自深深处而来的东西，有真意。合计后大家决定由我出面邀请她来给我们做性工作坊。后来知道她她不只是圈内有名的女王，还是敢于踢各种性学研讨场的自由人。
工作坊没有很成功。大家太积极、插嘴太多，她一直被打断，阻碍了她一口气把故事和道理讲穿。她对此不甘，我们通话了好几次，认真探讨问题在哪里，下次怎么把SM讲好。我也意识到她是喜欢对谈的，但需要让她讲顺畅、讲过瘾。
到年底因为51人项目，我自然想到她。既然她不嫌弃我，既然工作坊不太成功，那就干脆试试对谈。先是我找了另外两个年轻人一起跟她对谈，接着又单独去她家访谈。
当我阅读俊华兄编辑后的文字时，碧曲的声音立刻响彻耳膜，而这内容同她声波的合力，给我造成精神上的压力。我也想知道，这个压力来自哪里，又作用在了我的什么部位，时而感到百口莫辩、无以应答，时而又觉得不过是一层膜在阻止。与其说我有多被打动，不如说我有多被打击。她在低处追寻，从而令高于她的位置局促。然而，她看了稿子仍然不满，说读起来感觉不是她说的。但这就是我听到的。（陈韵）

《臺灣新石器時代至現代早期的海洋樣貌》（Taiwan Maritime Landscapes from Neolithic to Early Modern Times）檢視臺灣的 #海洋史 與 #史前文化，特別聚焦於容易被忽略的17世紀之前。本書有助擴大讀者對臺灣的過往與海洋環境的認識，並強調她與鄰國持續的關係，始於 #南島語族 的航海活動，2千紀時則透過閩商進行。在多學科研究的途徑下，本書收錄的文章展現了考古學與歷史研究領域，關於上述課題的最新進展。記錄臺灣的自然海洋風貌與氣候環境，第一個 #新石器時代 的社群等種種多樣性直到1千紀，與臺灣融入中國、歐洲的海洋網絡。本書描繪並探索島嶼社會與中國南海、東海地區居民和政體，在文化與商業層面的連結。為亞洲海洋史的研究提供了新的見解與研究方向。

以文书御天下是中国古代国家官僚制度中的显著特征。

Published in 1890, Jacob Riis's remarkable study of the horrendous living conditions of the poor in New York City had an immediate and extraordinary impact on society, inspiring reforms that affected the lives of millions of people. Riis's reliance on specific, hard facts as weapons of social criticism pioneered the style of crusading journalism that continues today. Photos throughout .

Originally published as Le commerce extérieur du Japon des origines au XVIe siècle in 1988, this new edition of the landmark French study chronicles Japan's transformation from an importer of continental luxury items, raw materials, and techniques to an exporter of high-quality merchandise over nearly a millennium. The vicissitudes of foreign trade policy, as well as the volume and balance of trade, are examined within the context of regional political and economic developments. All aspects of state-sanctioned and unofficial external commerce are considered. Indeed, this volume reveals that proliferation of private foreign trade constituted a vital link between Japan and its neighbors throughout the suspension of diplomatic relations from the ninth to the fourteenth century. Evidence culled from Japanese, Chinese, and Korean annals and administrative compendia, archaeological excavations, classic literature, artifact collections, and monk and courtier diaries attests to the spectacular diversity of foreign trade goods and their significance in pre-Tokugawa Japanese society. Methodically revised, and featuring an updated, expanded bibliography and redesigned maps, as well as a precis on the state of the field since the original publication, the 2006 English edition is an indispensable resource for scholars and the teaching of premodern East Asian regional history.

We live on a planet alive with song, music, and speech. David Haskell explores how these wonders came to be. In rain forests shimmering with insect sound and swamps pulsing with frog calls we learn about evolution’s creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt to new environments. Below the waves, we hear our kinship to beings as different as snapping shrimp, toadfish, and whales. In the startlingly divergent sonic vibes of the animals of different continents, we experience the legacies of plate tectonics, the deep history of animal groups and their movements around the world, and the quirks of aesthetic evolution.
Starting with the origins of animal song and traversing the whole arc of Earth history, Haskell illuminates and celebrates the emergence of the varied sounds of our world. In mammoth ivory flutes from Paleolithic caves, violins in modern concert halls, and electronic music in earbuds, we learn that human music and language belong within this story of ecology and evolution. Yet we are also destroyers, now silencing or smothering many of the sounds of the living Earth. Haskell takes us to threatened forests, noise-filled oceans, and loud city streets, and shows that sonic crises are not mere losses of sensory ornament. Sound is a generative force, and so the erasure of sonic diversity makes the world less creative, just, and beautiful. The appreciation of the beauty and brokenness of sound is therefore an important guide in today’s convulsions and crises of change and inequity.
Sounds Wild and Broken is an invitation to listen, wonder, belong, and act.

A riveting account of the astonishing experiences and discoveries made by linguist Daniel Everett while he lived with the Pirahã, a small tribe of Amazonian Indians in central Brazil.Daniel Everett arrived among the Pirahã with his wife and three young children hoping to convert the tribe to Christianity. Everett quickly became obsessed with their language and its cultural and linguistic implications. The Pirahã have no counting system, no fixed terms for color, no concept of war, and no personal property. Everett was so impressed with their peaceful way of life that he eventually lost faith in the God he'd hoped to introduce to them, and instead devoted his life to the science of linguistics. Part passionate memoir, part scientific exploration, Everett's life-changing tale is riveting look into the nature of language, thought, and life itself.

《道枢》四十二卷，宋曾慥集纂。书名含有道术精要之意，既概括了其书皆是摘录各家修炼方术的独创之处，又暗示阅读此书是修道之关键。全书广泛汇集了众家之说，包括了道教哲学、阴符、西升、黄庭、真诰、太极、服气、服食、炼精、呼吸、存想、坐忘、守一、导引、按摩、漱咽、朝真、拜祝、大还金丹、周天火候、金碧龙虎、铅汞、参同契、入药镜、灵宝等。上自汉魏，下迄北宋，各家几乎均有收录。有一家为一篇的，有一家分为数篇的，也有众家合为一篇的。各家之说均经作者编辑，往往有编者的议论或他人注解附于其中，并在篇目以下附以四言韵语，说明该篇的宗旨及传授原委。可以说，《道枢》是综合性道教类书，堪称南宋以前道教修炼养生方术的百科全书。

"In the Christian tradition, especially in the works of Paul, Augustine, and the exegetes of the Middle Ages, the body is a twofold entity consisting of inner and outer persons that promises to find its true materiality in a time to come. A potentially transformative vehicle, it is a dynamic mirror that can reflect the work of the divine within and substantially alter its own materiality if receptive to divine grace. The writings of Hadewijch of Brabant, a thirteenth-century beguine, engage with this tradition in sophisticated ways both singular to her mysticism and indicative of the theological milieu of the twelfth and thirteenth centuries. Crossing linguistic and historical boundaries, Patricia Dailey connects the embodied poetics of Hadewijch’s visions, writings, and letters to the work of Julian of Norwich, Hildegard of Bingen, Marguerite of Oingt, and other mystics and visionaries. She establishes new criteria to more consistently understand and assess the singularity of women’s mystical texts and, by underscoring the similarities between men’s and women’s writings of the time, collapses traditional conceptions of gender as they relate to differences in style, language, interpretative practices, forms of literacy, and uses of textuality."

走入江戶本草學者的世界
認識近世日本探索未知，建構自然知識的歷程
啟蒙運動、科學革命只發生在西方？
德川幕府時代，日本也曾嘗試有系統地整理自然知識
江戶時代累積的研究成果，明治維新後融入近代科學，也影響了臺灣
重新認識在亞洲近代化過程中，被遺忘的一頁知識史
★普林斯頓東亞研究專家費德里柯．馬孔顛覆認知、開創視野之作
★深入江戶日本的社會文化，看本草學者如何掌握時勢，盤點自然，開創新知！
★跳脫東西文化大分流的刻板印象，看見從江戶日本到近代科學的連續發展
★科學史、環境史、博物學領域學者共同推薦
在古代日本，未開發的自然被認為是神聖的空間，人類不能輕易跨入。但這樣的自然觀，到了江戶時代卻發生重大轉變。有一群本草學者，開始有系統地研究自然、認識自然。幕府時代的後期，也曾發展出與近代歐洲相近的開發自然、富國思想。明治維新之後，江戶時代累積的本草學研究成果，被吸納進西式的學科分類中，對臺灣也曾產生深遠的影響。
過往史家認為，科學革命、啟蒙運動都發生在西方。本書顛覆了這種刻板印象，指出在德川時期（一六○○—一八六八）曾經發生近似的知識革命。
十六世紀末，李時珍的《本草綱目》從中國傳入日本。日本的學者雖然深受影響，卻也很快發現：來自中國的自然知識在日本無法完全實用。時值戰國時代結束，德川政權穩固，社會經濟開始發展，新知識得到發展的空間。漸漸地，本地學者開始研究日本本草，發展出與中國不同的本草學。
日本第一部原創藥物學百科全書——貝原益軒的《大和本草》，即是在這樣背景下問世。貝原益軒曾表示，他的研究目是提供本國人民具體幫助。到了德川幕府第八代將軍德川吉宗在位時，更是對日本動植物物種發動了全面性的調查，由本草學者主導，各藩國配合提交「產物帳」。德川吉宗更參考普查所獲得的新知，進行農業改革，並建立國家贊助的藥園。
本書帶領我們進入江戶時代蓬勃發展的本草學，一探其中豐富奇妙的知識史問題：
◆日本為何能發展出與中國截然不同的本草學？——從以中國的《本草綱目》為典範，到注重觀察本地自然、發展本地知識。
◆幕府、藩國怎樣贊助、培養新一代學者？
◆貝原益軒、丹羽正伯等學者如何整理本地自然知識？
◆日本學者為何在十八世紀進行全國的物種普查？
◆幕府將軍，各地如何搜集資訊編纂「產物帳」？
◆本草學問如何影響經濟改革？十九世紀的「薩摩經濟奇蹟」，背後有本草學者運籌帷幄？
◆日本近世自然觀的轉變，與西方近代自然觀有何異同？
◆明治維新之後，本草學與西方科學的關係，是斷裂還是融合？
這是在亞洲近代化過程中，被忽略的一段知識史。馬孔帶著我們，跳脫西方科學發展史的視角，深入日本近代的一場知識革命。除了讓我們更加認識知識生產、典範創造的過程，打開「何謂科學？何謂知識？」的想像，也帶給我們一個重新認識亞洲，認識亞洲近現代化歷程的寬闊視野。
本書特色
1. 本書收錄日本生物物種、花草圖鑑等黑白圖片超過五十張，讓讀者閱讀本書的同時，感受江戶本草學在兩百多年間的發展中，歷代日本繪師、標本製作專家觀察細膩、畫工與作工精緻的展現。
2. 本書乃英語世界東亞研究領域中，第一本詳細談論日本江戶時代科學史的著作，可謂日本科學史與自然環境史研究的先聲，更是國內第一本相關領域的譯作。
3. 本書為國內少見的東亞科學史相關作品，可以作為國內讀者認識科學與社會史、博物學、醫學與藥學史等相關領域的第一塊入門磚。
4. 臺灣讀者雖然已相當熟悉日本文化，但是卻很少人瞭解到，大家喜愛的所謂「日式」、「和風」風格，像是浮世繪、花鳥畫，其背後都是受到江戶本草學發展的直接影響，特別是有關於圖鑑與標本製作上所影響的日本美學風格。

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world.
Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications. In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.

In The Fungal Pharmacy , noted herbalist Robert Rogers introduces readers to more than 300 species of medicinal mushrooms and lichens found in North America. These fungi, Rogers explains, have the capacity to heal both the body and, through the process of myco-remediation, the planet itself. Throughout the book, he documents their success in optimizing the immune system and treating a wide range of acute and chronic diseases, including cardiovascular, respiratory, and liver problems, blood sugar disorders, cancer, and obesity.
Entries discuss the mushroom or lichen’s medicinal traits and properties, including active chemical components, preparation methods (including extracts, essences, and essential oils), and historical as well as modern-day usage. Two hundred full-color photos and thorough descriptions make identification easy for the reader. Rogers also delves into the cultural, religious, and literary significance of each mushroom, featuring fascinating tidbits about each one’s etymology and history.

美洲印第安冒险故事，详述人体消化过程。
一颗巧克力豆的人体探险，一坨便便的精彩一生。
◎ 编辑推荐
☆ 听小便便追忆自己的一生，理解食物在人体中的消化过程
用巧克力豆的人体冒险故事讲述人体消化。从进入口腔开始，巧克力豆会遇见山洞、牙齿峭壁、食道漂流等惊险刺激的障碍，交到舌头骏马、酶部落酋长等好朋友，看到大草原、绿洲、图腾柱、奔腾的野牛等宏大奇观。
☆ 看印第安部落生活图画，认识印第安文明
整个冒险故事曲折离奇，插图采用拼贴设计，新颖且富有巧思，主角便便是西部牛仔装扮，消化系统中的人物是印第安装扮，人体设计成为包含天地日月的小世界。
☆ 体会人作为自然造物的神奇，了解人体消化是物质循环中的重要一环
人体运转将巧克力豆变成便便，便便最终回归自然，参与物质循环。就像人体运转参与生态系统的平衡一样，人与自然之间有着天然的联系，需要和谐共处。
☆ 语言幽默讲述消化故事，让科学知识更爱读更易懂
◎ 内容简介
牛仔便便向食物家族的小家伙们——肉排、黄瓜、土豆，讲述他的人生传奇。很久很久以前，他还是一颗巧克力豆，和朋友们生活在袋子世界，印第安酋长坐牛从袋子里拿起一颗巧克力豆放进了嘴里，于是牛仔便便的冒险故事正式开始，在智慧之灵的引导下，他一路经历山洞、牙齿峭壁、食道漂流等惊险刺激的障碍，交到舌头骏马、酶部落酋长等好朋友，看到大草原、绿洲、图腾柱、奔腾的野牛等宏大奇观，并和面包兄弟共同渡过“腹泻”难关，顺利变成便便，参与到物质循环中。

從「摩尼教」的變種（包括各種「雜糅假說」），到反映社會排斥「異己」的「汙名化標籤」（白蓮教並無「自我認同」的實體），儘管內涵矛盾，這些觀點卻都是目前學界關於白蓮教的主流學說。民間史料的欠缺，推動本書轉換視角，從逐村的社會歷史調查入手，發掘、搶救瀕臨永久毀滅的民間文書，開拓白蓮教的「地方化」研究。本書從地方視角出發，對官書檔案、道內寶卷、民間傳說、鄉土小戲等不同性質史料，層層剝筍，縱向剖析，努力突破傳統宗教史、社會史與制度史的藩籬，是一部顛覆性的學術著作。

In the past twenty years, work on the local culture of central Hunan has been one of the most exciting sources for rethinking the nature and variety of Chinese local society. At the heart of this society is a kind of statuary found nowhere else in China—sculpted images of local people, primarily religious specialists of a wide range, but also parents and ancestors who, according to Confucian orthodoxy, should be represented by tablets, not statues. While the consecration ceremonies of these statues include rites that are common to all China, they are embedded in unique local ritual traditions. Based on two decades of international collaborative research, Alain Arrault focuses on some 4,000 of these statues and studies them on the basis of consecration certificates inserted in the statues, the earliest of which date to the sixteenth century.