《摹仿论:西方文学中所描绘的现实(50周年版)》是德德国著名学者埃利里希·奥尔巴赫的代表作，被翻译成多种文字，在欧美学界产生了广泛而深远的影响。原著是用德文写成，1946年在瑞士出版。英译本初版于1953年由美国普林斯顿大学出版社出版。2003年，为了纪念英译本出版50周年，美国著名学者萨义德（Edward W.Said）为此书撰写了长篇评述。
《摹仿论》是公认的20世纪西方批评经典与学术名作，它从西方文学的源头《荷马史诗》开始，至20世纪的伍尔芙与普鲁斯特收篇，分析了但丁、拉伯雷、塞万提斯、莎士比亚、蒙田、巴尔扎克、斯汤达、歌德、席勒、左拉登众多西方经典作家以及几十部具有里程碑意义的作品。

Developing a perspective on Victorian culture as the breeding ground for early theories of the unconscious and the divided psyche, T"he Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti" offers a new reading of these eminent Victorian siblings' literature and visual arts. Suzanne M. Waldman views well-known poems and artworks such as Christina Rossetti's "Goblin Market "and Dante Gabriel Rossetti's "The Blessed Damozel" and "Venus Verticordia" in new ways that expose their authors' savvy anticipation of concepts that would come to be known as narcissism, fetishism, and the symbolic and imaginary orders, among many others. Waldman makes a strong case for the particular psychoanalytic importance of the Rossettis by looking at how the two Rossetti siblings' own psyches were divided by conflicts between the period's religious scruples and its taste for gothic sensationalism. "The Demon and the Damozel" is a close and contextualized reading of their writings and artwork that displays, for the first time, continuity between the medieval cosmologies these Pre-Raphaelites drew upon and the psychoanalytic theories they looked ahead to--and locates the intricate patterns of proto-psychoanalytic understanding in the rich tapestry of Pre-Raphaelite aestheticism.

《生命殿堂》是「前拉斐爾派」代表畫家羅塞蒂的不朽巨作，分序詩、青春與蛻變、蛻變與命運三部份，合計一○三首十四行詩。本詩集完整記錄了詩人早年擁抱青春、中年汲於名利、晚年寂寞潦倒，終至頓悟人生的心路歷程；不僅字句如畫、節奏如歌，情感更是真摯動人，值得細細品味。

What is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition. Victorian Sappho traces the emergence of this idealized feminine figure through reconstructions of the Sapphic fragments in late-nineteenth-century England. Yopie Prins argues that the Victorian period is a critical turning point in the history of Sappho's reception; what we now call "Sappho" is in many ways an artifact of Victorian poetics.</p>
Prins reads the Sapphic fragments in Greek alongside various English translations and imitations, considering a wide range of Victorian poets--male and female, famous and forgotten--who signed their poetry in the name of Sappho. By "declining" the name in each chapter, the book presents a theoretical argument about the Sapphic signature, as well as a historical account of its implications in Victorian England. Prins explores the relations between classical philology and Victorian poetics, the tropes of lesbian writing, the aesthetics of meter, and nineteenth-century personifications of the "Poetess." as current scholarship on Sappho and her afterlife. Offering a history and theory of lyric as a gendered literary form, the book is an exciting and original contribution to Victorian studies, classical studies, comparative literature, and women's studies.</p>

This book recovers and explores an important tradition of nineteenth-century women's poetry from Felicia Hemans to Charlotte Mew. Angela Leighton not only discusses the work of neglected poets such as Augusta Webster and "Michael Field," but also charts the development of women's poetry from sentimentalism of Hemans and L.E.L. (Letitia Elizabeth Landon) to the various strategies of self-displacement employed by the best of the Victorians, especially Elizabeth Barrett Browning and Christina Rossetti. Combining biographical material with theoretical readings of the poems, Angela Leighton offers a reinterpretation not only of some original and intriguing literature, but also of the very canon of Victorian poetry. Impressive in scope and highly original in its aims, this study will serve as the main critical work in this area for many years to come.

一九六O年顾随先生因病逝世之后，全部著作原准备交付刊印，不料竟于“文革”中全部散失无存。我得知之后的痛心实难名状，于是遂与之京师妹及同门诸学长联络，共同努力于搜集整理之工作。其后于一九八六年由上海古籍出版社出版了《顾随文集》；一九九二年又由台湾之桂冠图书公司将之京师妹所整理的我当年听先生讲课时所写的笔记出版为《顾羡季先生诗词讲记》，并出版了先生的杂剧集《苦水作剧》；及至一九九五年又有天津人民出版社出版了《顾随：诗文丛论》，并于一九九七年先生百年诞辰出版了此书之增订本。最近又见到上海古籍出版社的书目谓将于近期在学术萃编中出版先生之《顾随说禅》，如今河北教育出版社又将出版先生之《全集》，其中多有以前我所未见的先生之著作，特别是其中的小说一类，多为以前未见流传之作品。而且除去作品以外，此一全集内还收录有先生之“书信、日记”一卷，此更为外间难得一见之资料，而读者得此《全集》，自然亦更可借此一窥知先生德业文章之全貌。则此《全集》之出版，其为功岂浅显哉。――叶嘉莹（著名华裔加拿大学者）

这是一部非常难得的儿童诗集，收录了英国维多利亚时代三位著名作家的儿童诗：布朗宁的长诗《哈默林的花衣吹笛人》、罗塞蒂的长诗《小妖精集市》和斯蒂文森的诗集《一个孩子的诗园》。尤其难得的是，这三部诗作的译者是著名的老翻译家屠岸先生，他在八十多岁高龄时为孩子们奉献了一部如此完美的诗集！
毕生钻研英诗翻译的屠岸先生，早有将维多利亚时代童诗翻译并合集出版的弘愿。这个时代的英文儿童诗歌意像生动，韵律优美，用词轻简，大概只要掌握600个英文词汇，就可以自由翱翔于纯美的诗境中。特别是《一个孩子的诗园》，每首诗都很短，文字简单，诗境却意味深长，无论中文译诗还是英文原文，都是极佳的学习诗歌写作的范本。
许多人都知道斯蒂文森是一位惊险小说作家，他的《化身博士》、《诱拐》均为此中经典，但不多人知道这位毕生多病的作家原来也是一位了不起的诗人。他在44岁时英年早逝，令人扼腕痛惜。他的遗体被埋葬在阿皮亚岛的高山旁，墓碑上镌刻着他自己创作的永恒诗句：
长眠在这里，
他的归隐地：
远航者的巢，
海上来休憩；
射猎人之家，
山林永安息。

One of the best-selling and critically-acclaimed graphic novels of all-time telling the story of two supremely ironic, above-it-all teenagers facing the thrilling uncertainty of life after high school. As they attempt to carry their life-long friendship into a new era, the careful dynamics of their inseparable bond are jolted, and what seemed like a future of endless possibilities looks more like an encroaching reality of strip malls, low-paying service jobs and fading memories.
Already one of the most heavily-publicized graphic novels in history, this new edition (featuring new covers by Clowes) should make the book more popular than ever. With lengthy write-ups in Time, Newsweek, Publisher's Weekly, Details, Vogue, Jane, and many others, press interest in the book and film promises to be higher than ever this spring.

收录了笛安自出道以来，十年间创作的优秀中短篇小说，其中不乏经典之作：第一部小说《姐姐的丛林》，对中年人的世界和成长中的情感内核的描述独特而到位，刊登在《收获》杂志上被广泛认可；将母狮子暗喻一个少女成长过程的中篇《莉莉》，获“北京文学·中篇小说月报优秀作品奖”；讲述世俗生 活中类似活佛一样存在的袁季的短篇《圆寂》，获首届“中国小说双年奖”，并入选中国小说学会2008年度优秀小说排行榜……更有新近创作的短篇小说《胡不归》、《舞美师的航班》等。

刑警张跃无意间在微博上发现，有个女孩接连遭受三次意外。凭着职业敏感，他发觉这三次意外看似偶然，实则暗藏杀机。分析后他判断这女孩危在旦夕，随时都有被害的可能。
果然在第四次遭遇意外以后，女孩遇害。张跃闻讯赶到，但为时已晚。他发现案发现场是一个密闭的空间，只有一个出口。凶手行凶的手段匪夷所思，且作案后不知所踪，从密室里凭空消失。
而随着侦查的深入，一个偏执极端的灵魂也慢慢显露出来，并且牵扯出一段哀伤心酸的过往……

Winner of the Man Booker Prize for Fiction in 2011 Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is in middle age. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove. The Sense of an Ending is the story of one man coming to terms with the mutable past. Laced with trademark precision, dexterity and insight, it is the work of one of the world's most distinguished writers.

《希尔伯特数学世界的亚历山大》是被科学界公认的经典读本。大卫·希尔伯特是20世纪上半叶国际数学界的一位领袖人物，他于1900年在巴黎第二届国际数学家大会上提出的23个数学问题，激发了整个数学界的想象力，造就了20世纪一大批著名的数学家。此后，这些问题几乎成为检阅数学重大成就的一张航图。这位创造20世纪数学史奇迹的数学家和数学思想家，就像数学世界的亚历山大，在整个数学版图上留下了巨大显赫的名声。全书以平静的笔触叙述了这位极富想象力的人在一个极抽象的世界里如鱼得水、平淡而又神奇的一生。

Qui a osé assassiner la baronne chez qui Voltaire coulait des jours heureux ?
En ce froid février 1733, c est la rue qui attend notre philosophe (ou pire, la Bastille !). Il lui faut donc retrouver le criminel sans délai avant que celui-ci ne s en prenne à d autres honnêtes gens à lui-même, par exemple.
Heureusement, avec l aide providentielle d Émilie du Châtelet, Voltaire ne manque pas de ressources. Brillante femme de sciences, enceinte jusqu au cou, celle-ci va l accompagner dans son enquête où les subtilités féminines triompheront bien souvent de la philosophie.
Ensemble, ils devront affronter de redoutables héritières en jupons, des abbés benêts et des flûtistes sanguinaires, décrypter des codes mystérieux, et surtout échapper à un lieutenant général de police prêt à embastiller Voltaire au moindre faux pas...

《英国贵族史》作为英国专门史读物，力图为历史学者和爱好者提供一点参考。书中勾勒了英国贵族的发展脉络，揭示了他们先从军事贵族到封建贵族、继而从封建贵族到资产阶级贵族、再从资产阶级贵族中衍变出工党贵族的基本轨迹，阐明了各个时代贵族涵义的广义和狭义区别。另外，还介绍和论证了贵族等级体制与国家政权的关系，指出了他们在国家政治生活中的重要地位、作用和影响。

作为一个含蕴丰富的思想和艺术行为，追忆不仅是对往事与历史的复现与慨叹，也寄寓着儒家知识分子追求“不朽”的“本体论”的焦虑；更体现了“向后看”这一延续了几千年的中国文化的传统和思维模式。
全书不按年代排序，也不求分类阐述，作者通过新颖独到而又论证充分的阐述与分析力图为我们建构一个一追忆的殿堂：“诗、物、景划出了一块空间，往昔通过这块空间又回到了我们身边。”

这部抒情的、辛辣的、谜一样的作品不屑于依靠一些片段和残迹徒劳地去重新创造一种已经消失的地方色彩。本书的目的既在研究他人，又更要审视自身社会的道德。书中的观念剖析和历史叙述颇具历史冲击力，已在人类学史上留下了深刻的印迹，可以称得上是经典著作之一。