踏上美国国土的时候，王微想，美国总是被称为大洋彼岸，现在她是在大洋此岸了。
中文系毕业的王微一举考入哈佛法学院，这真是转运汉巧遇洞庭红一样的开头。然而这世界毕竟是公平的，命运给王微打开一扇通往光明前途的门，便也顺手结束了她少年时的恋情。
多年以后王微回想起她和陈正浩的分分合合，确如萧世伯所说：既不单纯，也不勇敢。
从波士顿到纽约，再从律所到投行，王微慢慢从初来乍到的国际学生成长为纽约中城众多金融才俊里的一员。她在此岸收获了事业，友情和相濡以沫的伴侣，一切看起来都很美。只是当经济下行的周期到来，每个人都不得不重新审视自己生活的方向。王微发现，历史仿佛又在重演……
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编辑推荐：
☆《此岸》是一部未出先火的长篇小说。小说仅凭最初几个章节，便在精英人群高度集中关注的公众号“奴隶社会”一炮而红，成为周末黄金档热门，数万读者每周疯狂追看。
☆《此岸》取材于作者在哈佛法学院求学和中美两地工作的见闻，记录了中美金融圈的生活，以及身为留学生的情感经历。小说在细节上见微知著，情感细腻丰富，让每一个曾经有过海外生活经历，或是曾经面临过与主人公类似的职业与感情冲突的读者，都能产生深深的共鸣。
☆30万字的篇幅，通过讲述主人公王微从北京高中生到美国投行精英的人生经历，她的朋友们各自不同的人生选择，全景呈现大时代背景下一代年轻人的成长，他们的迷惘和困惑，以及对个人价值的追问和寻求。
☆美国律师的职业身份赋予作者犀利又不乏细腻的语言风格。叙事干脆，直击要害，却又总能在寥寥数语中，让人读出起承转合、风清云淡的慈悲心肠。
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人生中的每一次选择，都是一种渡，有人越过小溪，有人越过海洋。

Now in trade paperback, a gripping exploration of the fall of Constantinople and its connection to the world we live in today The fall of Constantinople in 1453 signaled a shift in history, and the end of the Byzantium Empire. Roger Crowley’s readable and comprehensive account of the battle between Mehmed II, sultan of the Ottoman Empire, and Constantine XI, the 57th emperor of Byzantium, illuminates the period in history that was a precursor to the current jihad between the West and the Middle East.

<i>Includes an afterword by the author</i> <br /><br /><i>In the Freud Archives</i> tells the story of an unlikely encounter among three men: K. R. Eissler, the venerable doyen of psychoanalysis; Jeffrey Moussaieff Masson, a flamboyant, restless forty-two-year-old Sanskrit scholar turned psychoanalyst turned virulent anti-Freudian; and Peter Swales, a mischievous thirty-five-year-old former assistant to the Rolling Stones and self-taught Freud scholar. At the center of their Oedipal drama are the Sigmund Freud Archives--founded, headed, and jealously guarded by Eissler--whose sealed treasure gleams and beckons to the community of Freud scholarship as if it were the Rhine gold.<br /><br />Janet Malcolm's fascinating book first appeared some twenty years ago, when it was immediately recognized as a rare and remarkable work of nonfiction. A story of infatuation and disappointment, betrayal and revenge, <i>In the Freud Archives</i> is essentially a comedy. But the powerful presence of Freud himself and the harsh bracing air of his ideas about unconscious life hover over the narrative and give it a tragic dimension.

《状元媒》著名作家叶广芩的最新长篇小说，是作者家族系列作品最精彩最具代表性之作，讲述了清朝最后一位状元刘春霖做媒，促成了皇室后裔父亲金瑞祓与平民母亲陈美珍的婚姻，由此而引发了金家大宅门里的家庭成员和亲戚朋友的故事。以小格格“我”的视角为轴线，冠以十一部京剧戏名而写成。 从辛亥革命开始到改革开放的今天，跳跃性地写了背景百年的人物众生相，北京百姓的价值观念，北京社会的风土人情。对于北京的过去和现在，这类话题人们似乎总是说也说不完……那些个细节，那些个欢乐，那些个拾掇不起来的零碎，如同一瓶陈放多年的佳酿，夜静时慢慢品来悠远绵长，回味无穷。作者动用了她最独特、最难忘、最熟悉的生活素材，构思精巧、精心创作而成。叶广芩对传统文化的直接体验与研习和对世事交变的经历与敏锐感知，促成自身修养所具有的学识与胸襟，加之现实主义浪漫的艺术风格，都赋予了这部作品非比寻常的文字魅力。这部作品可以说是作家家族系列小说的登顶之作。

文坛清新之风，阿勒泰的精灵
李娟首部长篇纪实散文力作
四个月、零距离、全程记述哈萨克民族冬牧场的点点滴滴！
春天接羔，夏天催膘，秋天配种，冬天孕育。羊的一生是牧人的一年，牧人的一生呢？这绵延千里的家园，这些大地最隐秘微小的褶皱，这每一处最狭小脆弱的栖身之地……青春啊，财富啊，爱情啊，希望啊，全都默默无声。 ——李娟
2010年冬天，李娟跟随一家熟识的哈萨克牧民深入阿勒泰南部的冬季牧场、沙漠，度过了一段艰辛迥异的荒野生活。李娟是第一位描写哈萨克民族冬牧生活的汉族作家，她以饱含深情又不失节制的文字，呈现出阿尔泰最后一批“荒野主人”冬季转场时的独特生存景观。

为了弥补工作失误，司命星君将现代男人陈然的灵魂偷偷从地府带出，附身到“落水身亡”的南夏太子妃张芃芃身上。这天上掉下来的是馅饼还是陷阱？丈夫不喜，婆婆不爱，男人心女人身的张芃芃如何才能从“太子妃”一路顺利地升职为“太后”？这是一个“女人”在后宫的奋斗史…… 同时，也是一个“男人”在后宫的苦难史…… 谁人不知这太子妃乃是天下最不好做的行当：第一：升职前景不好，这太子妃、皇后、太后一步步升上去，简直是难于上青天啊！你见过有几个太子妃能一直熬到太后的？第二：劳动没有保障，且不说没有三险一金，还随时可能被辞退，而且还不允许你再就业！第三：工作性质危险，随时都有死亡的可能，若是太子称不了帝吧，你得跟着一起倒霉，太子称了帝吧，你更得自己小心了！

The #1 New York Times bestseller: a brilliant account—character-rich and darkly humorous—of how the U.S. economy was driven over the cliff. When the crash of the U. S. stock market became public knowledge in the fall of 2008, it was already old news. The real crash, the silent crash, had taken place over the previous year, in bizarre feeder markets where the sun doesn’t shine, and the SEC doesn’t dare, or bother, to tread: the bond and real estate derivative markets where geeks invent impenetrable securities to profit from the misery of lower- and middle-class Americans who can’t pay their debts. The smart people who understood what was or might be happening were paralyzed by hope and fear; in any case, they weren’t talking.

The crucial question is this: Who understood the risk inherent in the assumption of ever-rising real estate prices, a risk compounded daily by the creation of those arcane, artificial securities loosely based on piles of doubtful mortgages? Michael Lewis turns the inquiry on its head to create a fresh, character-driven narrative brimming with indignation and dark humor, a fitting sequel to his #1 best-selling Liar’s Poker . Who got it right? he asks. Who saw the real estate market for the black hole it would become, and eventually made billions of dollars from that perception? And what qualities of character made those few persist when their peers and colleagues dismissed them as Chicken Littles? Out of this handful of unlikely—really unlikely—heroes, Lewis fashions a story as compelling and unusual as any of his earlier bestsellers, proving yet again that he is the finest and funniest chronicler of our times.

《康熙大帝》是一部系列长篇小说。它的第一卷《夺宫》着重描写康熙八岁即位后，在极其险恶的政治环境里，与辅政大臣鳌拜集团的篡位阴谋作斗争的故事。经过多次较量，他终于在十五岁时，智擒了鳌拜，巩固了帝王权力，为清王朝的振兴打下了良好的政治基础。
清康熙皇帝爱新觉罗·玄烨，以他聪慧的才智和政治品格，一生为国家民族创建了从衰败到鼎盛的伟业，是中国历代帝王中文韬武略最突出的一位君王被誉为“千古一帝”。《康熙大帝》，共分“夺宫”、“惊风密雨”、“玉宇成祥”、“乱起萧墙”四册，讲述了康熙大帝的丰功伟绩。他一生中除鳌拜、平三蕃、视察黄河、北定疆界、与蒙古诸王结盟、西徵葛而丹，汲取汉文化，发展民族经济，推行富国强民的政策措施，完成统一中华、振兴中华的大业。

名列当今中国网络小说十五强、网络武侠排名第二江南做序，诛砂插图。
属于依托于历史但是架空在历史之外，更纯粹、更彻底、更真实、更细腻，秋水一样的人物，在萧瑟的皇庭中演绎的江湖故事。逼真的历史感、浓郁的宫院气、辗转的倾思纷争、凄冷的落日京城，那个原先叫颜久，后来更名辟 邪的少年，只露一回青衫的背影，就使人终生难忘。
《今古传奇·武侠版》、《今古传奇·奇幻版》、《幻王》杂志联袂推荐，新浪读书频道、九界文学网站、龙的天空文学网站，推荐阅读。
身为深宫中一介贱役的辟邪，却似乎有着辅佐皇帝撤回藩地、驱逐匈奴、平定天下的志愿和才华。隐藏在他背后的家庭仇恨，更令分他的行为琢磨不定。宫廷内外，大江南北，与藩王、父亲旧部周旋，上下纵横令他声名鹊起，实权渐握，不久就有青袍总管之称。渐渐聚集在他周围的，更是各类青年才俊。一切繁华说不尽的得意之际，他却依旧寂寞清冷，只有寒州相识的明珠令他心头温暖，只有离水中杀出的雷奇峰令他势血沸腾。
终于匈奴来犯，各路藩王各怀鬼胎，企图从中原与匈奴的战果中分得一杯羹，中原前途叵测。就在执钺的亲王与大将军之后，皇帝也即将亲征北疆。
然而在大军即将开拔的那一刻，依旧有无数的谜团将交织在未来的刀光血影中。藩王们甚至皇帝的亲兄弟成亲王无不蠢蠢欲动，而抚养辟邪长大的七宝、乃至辟邪本人，他们的目的还远远深藏在冰峰之下……

与三体文明的战争使人类第一次看到了宇宙黑暗的真相，地球文明像一个恐惧的孩子，熄灭了寻友的篝火，在暗夜中发抖。自以为历经沧桑，其实刚刚蹒跚学步；自以为悟出了生存竞争的秘密，其实还远没有竞争的资格。
使两个文明命悬一线的黑暗森林打击，不过是宇宙战场上一个微不足道的插曲。真正的星际战争没人见过，也不可能见到，因为战争的方式和武器已经远远超出人类的想象，目睹战场之日，即是灭亡之时。
宇宙的田园时代已经远去，昙花一现的终极之美最终变成任何智慧体都无法做出的梦，变成游吟诗人缥缈的残歌；宇宙的物竞天择已到了最惨烈的时刻，在亿万光年暗无天日的战场上，深渊最底层的毁灭力量被唤醒，太空变成了死神广阔的披风。
太阳系中的人们永远不会知道这一切，最后直面真相的，只有两双眼睛。

三体人在利用魔法般的科技锁死了地球人的科学之后，庞大的宇宙舰队杀气腾腾地直扑太阳系，意欲清除地球文明。
面对前所未有的危局，经历过无数磨难的地球人组建起同样庞大的太空舰队，同时，利用三体人思维透明的致命缺陷，制订了神秘莫测的“面壁计划”，精选出四位“面壁者”。秘密展开对三体人的反击。
三体人自身虽然无法识破人类的诡谲计谋，却依靠由地球人中的背叛者挑选出的“破壁人”，与“面壁者”展开智慧博弈……
“面壁计划”究竟能否成功？地球人究竟能否在这场你死我活的文明生存竞争中战而胜之？神秘的
“黑暗森林”究竟意味着什么？

文化大革命如火如荼进行的同时。军方探寻外星文明的绝秘计划“红岸工程”取得了突破性进展。但在按下发射键的那一刻，历经劫难的叶文洁没有意识到，她彻底改变了人类的命运。地球文明向宇宙发出的第一声啼鸣，以太阳为中心，以光速向宇宙深处飞驰……
　　四光年外，“三体文明”正苦苦挣扎——三颗无规则运行的太阳主导下的百余次毁灭与重生逼迫他们逃离母星。而恰在此时。他们接收到了地球发来的信息。在运用超技术锁死地球人的基础科学之后。三体人庞大的宇宙舰队开始向地球进发……
　　人类的末日悄然来临。

《采桑子》是一部讲述民国以来满族贵胄后裔生活的长篇小说,是一幅描摹人物命运、充满文化意蕴的斑斓画卷，是一曲直面沧桑、感喟人生的无尽挽歌。清已降，大宅门儿里的满人四散，金家十四个兄妹及亲友各奔西东：长子反叛皇族当了军统，长女为票戏而痴迷；次子因萧墙之祸自尽，次女追求自由婚姻被逐家门……　　一个世家的衰落，一群子弟的遭际，形象地展现了近百年间中国历史的风云、社会生活的变造与传统文化的嬗变，令人思绪绵绵。
“采桑子”本为词牌，此书名借用之。满族著名词人纳兰性德所著《采桑子.谁翻乐府凄凉曲》，曾被梁启超先生赞为“时代哀音”，称其“眼界大而感慨深”，此书亦然。写没落而不颓放，叹沧桑终能释怀，娓娓道来，不瘟不躁，实有大家遗风。其“京味”，较之一般“京味小说”更为浓郁、醇厚，是从生活深层涌流出来的上层老北京的情趣与意蕴，具有独特的艺术魅力。

Winner of the Man Booker Prize 2009 'Lock Cromwell in a deep dungeon in the morning,' says Thomas More, 'and when you come back that night he'll be sitting on a plush cushion eating larks' tongues, and all the gaolers will owe him money.' England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, 'Wolf Hall' is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion, suffering and courage.

Following the enormous success of 2004 bestseller and critics’ favorite Jonathan Strange & Mr Norrell, Susanna Clarke delivers a delicious collection of ten stories set in the same fairy-crossed world of 19th-century England. With Clarke’s characteristic historical detail and diction, these dark, enchanting tales unfold in a slightly distorted version of our own world, where people are bedeviled by mischievous interventions from the fairies. With appearances from beloved characters from her novel, including Jonathan Strange and Childermass, and an entirely new spin on certain historical figures, including Mary, Queen of Scots, this is a must-have for fans of Susanna Clarke’s and an enticing introduction to her work for new readers. Some of these stories have never before been published; others have appeared in the New York Times or in highly regarded anthologies. In this collection, they come together to expand the reach of Clarke’s land of enchantment—and anticipate her next novel (Fall 2008).

At the dawn of the nineteenth century, two very different magicians emerge to change England's history. In the year 1806, with the Napoleonic Wars raging on land and sea, most people believe magic to be long dead in England--until the reclusive Mr Norrell reveals his powers, and becomes a celebrity overnight.
Soon, another practicing magician comes forth: the young, handsome, and daring Jonathan Strange. He becomes Norrell's student, and they join forces in the war against France. But Strange is increasingly drawn to the wildest, most perilous forms of magic, straining his partnership with Norrell, and putting at risk everything else he holds dear.
literary awards
Hugo Award for Best Novel (2005),
Man Booker Prize Nominee for Longlist (2004),
Nebula Award Nominee for Best Novel (2006),
Locus Award for Best First Novel (2005),
Guardian First Book Award Nominee (2004)
World Fantasy Award for Best Novel (2005),
Mythopoeic Fantasy Award for Adult Literature (2005),
Book Sense Book of the Year Award for Adult Fiction (2005),
Cena Akademie SFFH for Kniha roku (Book of the Year) (2007)

There is a distinct hint of Armageddon in the air. According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (recorded, thankfully, in 1655, before she blew up her entire village and all its inhabitants, who had gathered to watch her burn), the world will end on a Saturday. Next Saturday, in fact. So the armies of Good and Evil are amassing, the Four Bikers of the Apocalypse are revving up their mighty hogs and hitting the road, and the world's last two remaining witch-finders are getting ready to fight the good fight, armed with awkwardly antiquated instructions and stick pins. Atlantis is rising, frogs are falling, tempers are flaring. . . . Right. Everything appears to be going according to Divine Plan. </p>
Except that a somewhat fussy angel and a fast-living demon -- each of whom has lived among Earth's mortals for many millennia and has grown rather fond of the lifestyle -- are not particularly looking forward to the coming Rapture. If Crowley and Aziraphale are going to stop it from happening, they've got to find and kill the Antichrist (which is a shame, as he's a really nice kid). There's just one glitch: someone seems to have misplaced him. . . . </p>
First published in 1990, Neil Gaiman and Terry Pratchett's brilliantly dark and screamingly funny take on humankind's final judgment is back -- and just in time -- in a new hardcover edition (which includes an introduction by the authors, comments by each about the other, and answers to some still-burning questions about their wildly popular collaborative effort) that the devout and the damned alike will surely cherish until the end of all things. </p>

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life—Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.