This is the first comprehensive history of the most powerful group in the nineteenth-century United States: New York City's economic elite. This small and diverse group of Americans accumulated unprecedented economic, social, and political power, and decisively put their mark on the age. Professor Beckert explores how capital-owning New Yorkers overcame their distinct antebellum identities to forge dense social networks, create powerful social institutions, and articulate an increasingly coherent view of the world and their place within it. Actively engaging in a rapidly changing economic, social, and political environment, these merchants, industrialists, bankers, and professionals metamorphosed into a social class. In the process, these upper-class New Yorkers put their stamp on the major political conflicts of the day - ranging from the Civil War to municipal elections. Employing the methods of social history, The Monied Metropolis explores the big issues of nineteenth-century social change.

Marked by C. Warren Hollister's clear historical vision and engaging teaching style, this classic text has been judiciously revised by Judith Bennett; the tenth edition includes greater coverage of Byzantium and Islam, a revised map program, a new essay program on medieval myths, and more. In his preface to the eighth edition, Professor Hollister wrote of his realization, while in college, that our world today "is a product of the medieval past." "Medieval Europe" introduces today's students to the medieval roots of our own society.

In this, the fourth volume in the Norton Introduction to Music History series, Philip Downs traces the rise and decline of the "Classical" style from the birth of Haydn (1732) to the death of Beethoven (1827). He demonstrates the enormous diversity and constant change that characterised every aspect of music during this period. By dividing his text into twenty-year spans, Downs is able to trace the development of musical style. Within each span he looks at the social conditions and daily life of the musician, and the aesthetics and audience preferences in structures, performing combinations and styles. The lesser composers, or Kleinmeister, are observed, since they are the most accurate mirrors of their times. Haydn, Mozart and Beethoven receive full biographical scrutiny at each stage of their development. Copious music examples and abundant illustrations are also provided.

Nineteenth-century studies of the Orient changed European ideas and cultural institutions in more ways than we usually recognize. 'Orientalism' certainly contributed to European empire-building, but it also helped to destroy a narrow Christian-classical canon. This carefully researched book provides the first synthetic and contextualized study of German Orientalistik, a subject of special interest because German scholars were the pacesetters in oriental studies between about 1830 and 1930, despite entering the colonial race late and exiting it early. The book suggests that we must take seriously German orientalism's origins in Renaissance philology and early modern biblical exegesis and appreciate its modern development in the context of nineteenth- and early twentieth-century debates about religion and the Bible, classical schooling, and Germanic origins. In ranging across the subdisciplines of Orientalistik, German Orientalism in the Age of Empire introduces readers to a host of iconoclastic characters and forgotten debates, seeking to demonstrate both the richness of this intriguing field and its indebtedness to the cultural world in which it evolved.

"This is cultural history of the first order, and it is liberal and humane history at its very best."—David Cannadine An essential work for anyone who wishes to understand the social history of the nineteenth century, Schnitzler's Century is the culmination of Peter Gay's thirty-five years of scholarship on bourgeois culture and society. Using Arthur Schnitzler, the sexually emboldened Viennese playwright, as his master of ceremonies, Gay offers a brilliant reexamination of the hundred-year period that began with the defeat of Napoleon and concluded with the conflagration of 1914. This is a defining work by one of America's greatest historians. 12 b/w illustrations.

《大陆法与英美法的区别》内容简介：杨兆龙先生是中国著名法学家，“东吴法学”的代表性人物，在民国时期便已确立起广泛的国际声誉，曾被海牙国际法学院评为全世界50位杰出法学家之一。杨兆龙一生著述甚多，但后半生因政治原因，命途多舛，学术成果也多数散落失轶，不行于世。后经杨兆龙先生之女儿杨黎明、女婿陆锦碧多方收集整理，得回百万余言。考虑文稿内容较为庞杂，编者从中精心采选那些能够超越时空，于今仍有很大学术阅读与参考价值的作品，汇为此集，以飨有心之读者诸君，亦表对那一代学人的敬意与怀念。