Anti-Intellectualism in American Life is a book which throws light on many features of the American character. Its concern is not merely to portray the scorners of intellect in American life, but to say something about what the intellectual is, and can be, as a force in a democratic society.

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systems—to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.
Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that 5,000 years ago, during the beginning of the agrarian empires, humans have used elaborate credit systems. It is in this era, Graeber shows, that we also first encounter a society divided into debtors and creditors.
With the passage of time, however, virtual credit money was replaced by gold and silver coins—and the system as a whole began to decline. Interest rates spiked and the indebted became slaves. And the system perpetuated itself with tremendously violent consequences, with only the rare intervention of kings and churches keeping the system from spiraling out of control. Debt: The First 5,000 Years is a fascinating chronicle of this little known history—as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.

What would the world look like if America were to reduce its role as a global leader in order to focus all its energies on solving its problems at home? And is America really in decline? Robert Kagan, New York Times best-selling author and one of the country’s most influential strategic thinkers, paints a vivid, alarming picture of what the world might look like if the United States were truly to let its influence wane.

Although Kagan asserts that much of the current pessimism is misplaced, he warns that if America were indeed to commit “preemptive superpower suicide,” the world would see the return of war among rising nations as they jostle for power; the retreat of democracy around the world as Vladimir Putin’s Russia and authoritarian China acquire more clout; and the weakening of the global free-market economy, which the United States created and has supported for more than sixty years. We’ve seen this before—in the breakdown of the Roman Empire and the collapse of the European order in World War I.

Potent, incisive, and engaging, The World America Made is a reminder that the American world order is worth preserving, and America dare not decline.

Bestselling author and former National Security Adviser Zbigniew Brzezinski is considered by Democrats and Republicans alike to be one of the nation's premier geopolitical strategists. In "The Grand Chessboard", he offers a bold and provocative new global vision for preserving and extending American preeminence in the 21st century. 25 maps. 7 tables.

Published when Theodore Roosevelt was only twenty-three years old, The Naval War of 1812 was immediately hailed as a literary and scholarly triumph, and it is still considered the definitive book on the subject. It caused considerable controversy for its bold refutation of earlier accounts of the war, but its brilliant analysis and balanced tone left critics floundering, changed the course of U.S. military history by renewing interest in our obsolete forces, and set the young author and political hopeful on a path to greatness. Roosevelt's inimitable style and robust narrative make The Naval War of 1812 enthralling, illuminating, and utterly essential to every armchair historian.

The books in the Modern Library War series have been chosen by series editor Caleb Carr according to the significance of their subject matter, their contribution to the field of military history, and their literary merit.

A new intellectual history of U.S. foreign policy from the late nineteenth century to the present
Worldmaking is a compelling new take on the history of American diplomacy. Rather than retelling the story of realism versus idealism, David Milne suggests that U.S. foreign policy has also been crucially divided between those who view statecraft as an art and those who believe it can aspire to the certainty of science.
Worldmaking follows a cast of characters who built on one another’s ideas to create the policies we have today. Woodrow Wilson’s Universalism and moralism led Sigmund Freud to diagnose him with a messiah complex. Walter Lippmann was a syndicated columnist who commanded the attention of leaders as diverse as Theodore Roosevelt, Lyndon Johnson, and Charles de Gaulle. Paul Wolfowitz was the intellectual architect of the 2003 invasion of Iraq―and an admirer of Wilson’s attempt to “make the world safe for democracy.” Each was engaged in a process of worldmaking, formulating strategies that sought to deploy the nation’s vast military and economic power―or sought to retrench and focus on domestic issues―to shape a world in which the United States would be best positioned to thrive.
Tracing American statecraft from the age of steam engines to the age of drones, Milne reveals patterns of worldmaking that have remained impervious to the passage of time. The result is a panoramic history of U.S. foreign policy driven by ideas and by the lives and times of their authors.

From a leading scholar of our country’s foreign policy, the brilliant essay about America and the world that has caused a storm in international circles now expanded into book form.
European leaders, increasingly disturbed by U.S. policy and actions abroad, feel they are headed for what the New York Times (July 21, 2002) describes as a “moment of truth.” After years of mutual resentment and tension, there is a sudden recognition that the real interests of America and its allies are diverging sharply and that the trans-atlantic relationship itself has changed, possibly irreversibly. Europe sees the United States as high-handed, unilateralist, and unnecessarily belligerent; the United States sees Europe as spent, unserious, and weak. The anger and mistrust on both sides are hardening into incomprehension.
This past summer, in Policy Review, Robert Kagan reached incisively into this impasse to force both sides to see themselves through the eyes of the other. Tracing the widely differing histories of Europe and America since the end of World War II, he makes clear how for one the need to escape a bloody past has led to a new set of transnational beliefs about power and threat, while the other has perforce evolved into the guarantor of that “postmodern paradise” by dint of its might and global reach. This remarkable analysis is being discussed from Washington to Paris to Tokyo. It is esssential reading.

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THE SEMINAL WORK ON FOREIGN POLICY AND THE ART OF DIPLOMACY Moving from a sweeping overview of history to blow-by-blow accounts of his negotiations with world leaders, Henry Kissinger describes how the art of diplomacy has created the world in which we live, and how America's approach to foreign affairs has always differed vastly from that of other nations. Brilliant, controversial, and profoundly incisive, Diplomacy stands as the culmination of a lifetime of diplomatic service and scholarship. It is vital reading for anyone concerned with the forces that have shaped our world today and will impact upon it tomorrow.

The coup is the most frequently attempted method of changing government, and the most successful. "Coup d'etat" outlines the mechanism of the coup and analyzes the conditions--political, military, and social, that gives rise to it. In doing so, the book sheds much light on societies where power does indeed grow out of the barrel of a gun and the role of law is a concept little understood.

This sweeping history of the development of professional, institutionalized intelligence examines the implications of the fall of the state monopoly on espionage today and beyond.
During the Cold War, only the alliances clustered around the two superpowers maintained viable intelligence endeavors, whereas a century ago, many states could aspire to be competitive at these dark arts. Today, larger states have lost their monopoly on intelligence skills and capabilities as technological and sociopolitical changes have made it possible for private organizations and even individuals to unearth secrets and influence global events.
Historian Michael Warner addresses the birth of professional intelligence in Europe at the beginning of the twentieth century and the subsequent rise of US intelligence during the Cold War. He brings this history up to the present day as intelligence agencies used the struggle against terrorism and the digital revolution to improve capabilities in the 2000s. Throughout, the book examines how states and other entities use intelligence to create, exploit, and protect secret advantages against others, and emphasizes how technological advancement and ideological competition drive intelligence, improving its techniques and creating a need for intelligence and counterintelligence activities to serve and protect policymakers and commanders.
The world changes intelligence and intelligence changes the world. This sweeping history of espionage and intelligence will be a welcomed by practitioners, students, and scholars of security studies, international affairs, and intelligence, as well as general audiences interested in the evolution of espionage and technology.

In this pathbreaking work, now available in paperback, Charles Tilly challenges all previous formulations of state development in Europe. Specifically, Tilly charges that most available explanations fail because they do not account for the great variety of kinds of states which were viable at different stages of European history, and because they assume a unilinear path of state development resolving in today's national state.

Did the Greek gods play tennis? What is the ambassador from the land of Alchemy telling us? What secrets are being told on the shores of the Island of Venus? What is a monk doing on the Ship of Fools? What Great Paintings Say has the answers to these and many other burning questions asked about the most important and famous paintings of all time. In two volumes, a selection of history`s greatest masterpieces is presented chronologically, including works by Botticelli, Breughel, Chagall, Courbet, Degas, Delacroix, Dürer, Goya, Monet, Raphael, Rembrandt, Renoir, Rubens, Tiepolo, Titian, and many others. Each chapter focuses on one painting, with enlarged details and in-depth texts describing their significance. Taking apart each painting and then reassembling it again like a huge jigsaw puzzle, the authors reveal the history of art as a lively panorama of forgotten worlds.