The classic introduction to economic thought, now updated in time for the publication of New Ideas from Dead CEOs
This entertaining and accessible introduction to the great economic thinkers throughout history— Adam Smith, John Stuart Mill, Karl Marx, John Maynard Keynes, and more—shows how their ideas still apply to our modern world. In this revised edition, renowned economist Todd Buchholz offers an insightful and informed perspective on key economic issues in the new millennium: increasing demand for energy, the rise of China, international trade, aging populations, health care, and the effects of global warming. New Ideas from Dead Economists is a fascinating guide to understanding both the evolution of economic theory and our complex contemporary economy.

For one-semester/-year, junior-/senior-level courses in Quantum Mechanics and Quantum Chemistry. This text first teaches students how to do quantum mechanics, and then provides them with a more insightful discussion of what it means. Fundamental principles are covered, quantum theory presented, and special techniques developed for attacking realistic problems. Two-part coverage organizes topics under basic theory, and assembles an arsenal of approximation schemes with illustrative applications.

From National Book Award winner Deirdre Bair, the definitive biography of Saul Steinberg, one of The New Yorker 's most iconic artists.
The issue date was March 29, 1976. The New Yorker cost 75 cents. And on the cover unfolded Saul Steinberg's vision of the world: New York City, the Hudson River, and then...well, it's really just a bunch of stuff you needn't concern yourself with. Steinberg's brilliant depiction of the world according to self-satisfied New Yorkers placed him squarely in the pantheon of the magazine's—and the era's—most celebrated artists.
But if you look beyond the searing wit and stunning artistry, you'll find one of the most fascinating lives of the twentieth century. Born in Romania, Steinberg was educated in Milan andwas already famous for his satirical drawings when World War II forced him to immigrate to the United States. On a single day, Steinberg became a US citizen, a commissioned officer in the US Navy, and a member of the OSS, assigned to spy in China, North Africa, and Italy. After the war ended, he returned to America and to his art. He quickly gained entree into influential circles that included Saul Bellow, Vladimir Nabokov, Willem de Kooning, and Le Corbusier. His wife was the artist Hedda Sterne, from whom heseparated in 1960 but never divorced and with whom he remained in daily contact for the rest ofhis life. This conveniently freed him up to amass a coterie of young mistresses and lovers. But his truly great love was the United States, wherehe traveled extensively by bus, train, and car, drawing, observing, and writing.
His body of work is staggering and influential in ways we may not yet even be able to fully grasp, quite possibly because there has not been a full-scale biography of him until now.Deirdre Bair had access to 177 boxes of documents and more than 400 drawings. In addition, she conducted several hundred personal interviews. Steinberg's curious talent for creating myths about himself did not make her joban easy one, but the result is a stunning achievementto admire and enjoy.

Best known for his barbed and brilliant art for <u>The New Yorker</u>, Saul Steinberg (1914&#8211;1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg’s extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers.
An introduction by poet Charles Simic tracks the origins of Steinberg’s darkly comic sensibility in the “Balkan bazaar” of his native Romania. Joel Smith shows how architectural training and an early rise to fame as a cartoonist in Fascist-era Milan honed the artist’s gift for subtle graphic invention, and explores why one of the most visible, prolific, potent, and cosmopolitan careers in postwar American art has so thoroughly evaded serious study. Tracing the evolving motives that underlie Steinberg’s multi-layered activity, this handsome volume also raises fundamental questions about the historiography of modernism and the vexed status of “the middlebrow avant-garde” in an age of museum-bound art.
Previously unseen sketches, documents, and printed matter from the artist’s papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

Recommended Reading by Warren Buffet in his March 2013 Letter to Shareholders How speculation has come to dominate investment--a hard-hitting look from the creator of the first index fund. Over the course of his sixty-year career in the mutual fund industry, Vanguard Group founder John C. Bogle has witnessed a massive shift in the culture of the financial sector. The prudent, value-adding culture of long-term investment has been crowded out by an aggressive, value-destroying culture of short-term speculation. Mr. Bogle has not been merely an eye-witness to these changes, but one of the financial sector's most active participants. In The Clash of the Cultures, he urges a return to the common sense principles of long-term investing. Provocative and refreshingly candid, this book discusses Mr. Bogle's views on the changing culture in the mutual fund industry, how speculation has invaded our national retirement system, the failure of our institutional money managers to effectively participate in corporate governance, and the need for a federal standard of fiduciary duty. Mr. Bogle recounts the history of the index mutual fund, how he created it, and how exchange-traded index funds have altered its original concept of long-term investing. He also presents a first-hand history of Wellington Fund, a real-world case study on the success of investment and the failure of speculation. The book concludes with ten simple rules that will help investors meet their financial goals. Here, he presents a common sense strategy that "may not be the best strategy ever devised. But the number of strategies that are worse is infinite." The Clash of the Cultures: Investment vs. Speculation completes the trilogy of best-selling books, beginning with Bogle on Investing: The First 50 Years (2001) and Don't Count on It! (2011)

This is the story of Linus Torvalds, the maverick Finnish computer genius who invented the powerful LINUX operating system. As well as being free, LINUX is more powerful and stable than anything that Microsoft can offer, thus making Torvalds Bill Gates' number one enemy. Today, LINUX is exploding on to the market, and its creator is household. Linus Torvalds is already a folk hero within the technolgy world, often mobbed at trade shows and forever asked to give interviews by the media. But Torvalds is a most unlikely celebrity: a family man, he lives in a cramped house in Santa Clara with his wife, Tove, a Finnish karate champion, and their two daughters. He claims to this day that he invented LINUX "just for fun". --This text refers to an out of print or unavailable edition of this title.

In this landmark work of history, the National Book Award—winning author of American Sphinx explores how a group of greatly gifted but deeply flawed individuals–Hamilton, Burr, Jefferson, Franklin, Washington, Adams, and Madison–confronted the overwhelming challenges before them to set the course for our nation.
The United States was more a fragile hope than a reality in 1790. During the decade that followed, the Founding Fathers–re-examined here as Founding Brothers–combined the ideals of the Declaration of Independence with the content of the Constitution to create the practical workings of our government. Through an analysis of six fascinating episodes–Hamilton and Burr’s deadly duel, Washington’s precedent-setting Farewell Address, Adams’ administration and political partnership with his wife, the debate about where to place the capital, Franklin’s attempt to force Congress to confront the issue of slavery and Madison’s attempts to block him, and Jefferson and Adams’ famous correspondence– Founding Brothers brings to life the vital issues and personalities from the most important decade in our nation’s history.

The summer months of 1776 witnessed the most consequential events in the story of our country’s founding. While the thirteen colonies came together and agreed to secede from the British Empire, the British were dispatching the largest armada ever to cross the Atlantic to crush the rebellion in the cradle. The Continental Congress and the Continental Army were forced to make decisions on the run, improvising as history congealed around them.
In a brilliant and seamless narrative, Ellis meticulously examines the most influential figures in this propitious moment, including George Washington, John Adams, Thomas Jefferson, Benjamin Franklin, and Britain’s Admiral Lord Richard and General William Howe. He weaves together the political and military experiences as two sides of a single story, and shows how events on one front influenced outcomes on the other.

An ironic examination of the founding years of the United States of America. Historian Ellis guides readers thru the decisive issues of the nation's founding, and illuminates the emerging philosophies, shifting alliances, and personal and political foibles of now iconic leaders. He explains how the idea of a strong federal government, championed by Washington, was eventually embraced by the American people, the majority of whom had to be won over. He details the emergence of the two-party system--then a political novelty--which today stands as the founders' most enduring legacy. But Ellis is equally incisive about their failures, making clear how their inability to abolish slavery and to reach a just settlement with the Native Americans has played an equally important role in shaping our national character. Ellis strips the mythic veneer of the revolutionary generation to reveal men possessed of both brilliance and blindness.

普利策奖得主约瑟夫·艾利斯（Joseph J. Ellis）的著述是近年来最为畅销的华盛顿传记

In this detailed study of the development of the Japanese railroad industry during the Meiji period, Steven Ericson explores the economic role of government and the nature of state-business relations during Japan's modern transformation. Ericson challenges the tendency of current scholarship to minimize the roles of the Japanese government and commercial banks in Meiji industrialization. By providing a fresh perspective on the "strong state/weak state" debate through a detailed analysis of the 1906-1907 railway nationalization, Ericson's study sheds new light on the Meiji origins of modern Japanese industrial policy and politics, filling a major gap in the available literature on the Meiji political economy.

The century-long process by which a distinct pattern of Japanese labor relations evolved is traced through the often turbulent interactions of workers, managers, and, at times, government bureaucrats and politicians. The author argues that, although by the 1920s labor relations had reached a stage that foreshadowed postwar development, it was not until the 1940s and 1950s that something closely akin to the contemporary pattern emerged.
The central theme is that the ideas and actions of the workers, whether unionized or not, played a vital role in the shaping of the system. This is the only study in the West that demonstrates how Japanese workers sought to change and to some extent succeeded in changing the structure of factory life. Managerial innovations and the efforts of state bureaucrats to control social change are also examined.
The book is based on extensive archival research and interviewing in Japan, including the use of numerous labor-union publications and the holdings of the prewar elite's principal organization for the study of social issues, the Kyochokai, both collections having only recently been catalogued and opened to scholars. This is an intensive look at past developments that underlie labor relations in today's Japanese industrial plants.

美国革命是一次奇怪的革命。“在其他的革命中，人们拔剑出鞘是为了捍卫受到侵犯的自由，反抗那正在威胁着社会核心的压迫。”但很难说美国革命是由于这个爆发的。北美的保皇主义者彼得·奥利弗（Peter Oliver）批评说：“这是地球上从未有过的最胡闹和不自然的叛乱。”
对北美在 英国治理下的生活的优劣，可以用几个量化指标来做一个简单的审视。第一个指标是人均税负。以不列颠本土人民在1765年人均税负为100，弗吉尼亚、康涅狄格、纽约、马萨诸塞、马里兰、宾夕法尼亚诸州的税负只在2到4之间（0.1到0.22美元之间）。第二个指标是居民身高。英法七年战争期间美洲殖民地新兵的平均身高大约是1.727米，比同期的英国新兵的身高平均要高上7到8厘米。也就是说，几乎在200年前，殖民地人民的身高就达到了现代水平。根据常识，身高反映营养水平，间接反映生活水平。第三个指标是收入水平，1760年代北美人的人均收入是60美元（相当于现在的1920美元）。第四个指标是经济学家所估算出的英国贸易法规给北美施加的直接间接经济负担——平均每个人损失0.26美元。
无论如何，英国在北美的统治说不上严酷。正相反，可以说是善治的典范。正因为如此，当时的北美人民普遍都有英国认同。
那么，为什么北美还会独立出去，就是一个值得回答的问题。本书认为，要回答这个问题，需要我们转变两个旧观念：1，不要把北美的独立看作是殖民地对帝国的反抗，而应该看出，美国革命其实是一场英国内战。北美独立不是战争的起因和目的，而只是内战的结果；2，应该从英帝国的整体环境来考虑美国革命问题。
首先，与其说美洲革命是一场反抗暴政的起义，不如说这是一次“跳船”行动。从根源上来看，使北美人离心离德的原因，在于他们对英国统治的不放心。再具体一点，就是英国国内政治的弊陋和腐败导致它统治合法性的丧失。再追根溯源一点，就是十八世纪英国正在经历政治转型和社会转型，在这种转型中，君主立宪制与议会制的争斗、大众社会与大众政治的兴起、政治改革呼声与社会运动都在摧毁殖民地人民对英国政治的信心。直到1775年，殖民地人士都确定自己在处于一场由政治和社会腐败引发的宪法危机之中，这种危机心态极大的影响了他们对英国诸项殖民地政策的判断。
其次，英帝国的政治结构是有严重缺陷的，而这种缺陷反过来激发了北美与英国之间的矛盾。在长达十多年的时间里面，英美双方一直在寻找一条帝国框架下满足彼此需要的合法出路，他们思考了若干种方案，比如让北美向不列颠议会派出代表，或不列颠与北美组成共主体制，或成立帝国总议会，又或建立一个倾斜式双头帝国，但是这些方案都遇到了严重的困难而无法实行。
由于宪法结构上的缺陷，导致北美和不列颠两方的妥协空间减少，敏感性与脆弱性增高。
最后，不列颠人的应对实在不当。尽管从国王到大臣未必存心为恶，但是他们的反应却不好，一是回避真正的政治问题，把美洲问题简单归结为一小撮人野心作祟，把政治冲突庸俗化；二，在冲突显性化之后，却又实施“边缘政策”，又把政治斗争“零和”化。这些行动策略极严重的恶化了局势。
总之，本书的观点可总结为：
1.美国革命其实是一场英国内战，内战的结果是北美独立。
2.美国革命也是第二次英国革命——美国独立运动与英国革命之间存在继承关系。
3.18世纪英国的政治与社会转型制造着一场总危机，北美人士的抗争是英国抗争运动的一部分。
4.大英帝国的政治结构存在根本缺陷，这种结构上的缺陷转化成实际的政治对抗。
5.英国统治者无意镇压，北美抗争者无意决裂，但存在循环刺激，恶性升级。
6.在革命/改良的关键时刻，英式保守主义并不胜任。
最后，本书也提出，对美国独立这个案例的研究，有助于我们突破既有的国家分裂理论的限制（现实冲突视角、情感-心理视角、资源动员视角、政治过程视角等），从变迁、结构、话语、互动等更动态、更历史的角度来审视国家分裂问题。

The sweep of Japanese literature in all its great variety was made available to Western readers for the first time in this anthology. Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

When Emperor Meiji began his rule, in 1867, Japan was a splintered empire, dominated by the shogun and the daimyos, who ruled over the country's more than 250 decentralized domains and who were, in the main, cut off from the outside world, staunchly antiforeign, and committed to the traditions of the past. Before long, the shogun surrendered to the emperor, a new constitution was adopted, and Japan emerged as a modern, industrialized state. Despite the length of his reign, little has been written about the strangely obscured figure of Meiji himself, the first emperor ever to meet a European. Most historians discuss the period that takes his name while barely mentioning the man, assuming that he had no real involvement in affairs of state. Even Japanese who believe Meiji to have been their nation's greatest ruler may have trouble recalling a single personal accomplishment that might account for such a glorious reputation. Renowned Japan scholar Donald Keene sifts the available evidence to present a rich portrait not only of Meiji but also of rapid and sometimes violent change during this pivotal period in Japan's history. In this vivid and engrossing biography, we move with the emperor through his early, traditional education; join in the formal processions that acquainted the young emperor with his country and its people; observe his behavior in court, his marriage, and his relationships with various consorts; and follow his maturation into a "Confucian" sovereign dedicated to simplicity, frugality, and hard work. Later, during Japan's wars with China and Russia, we witness Meiji's struggle to reconcile his personal commitment to peace and his nation's increasingly militarized experience of modernization. Emperor of Japan conveys in sparkling prose the complexity of the man and offers an unrivaled portrait of Japan in a period of unique interest.

This book challenges traditional notions of American party politics and political culture. Usually, American politics is looked upon as relatively consensual and nonideological. Professor Gerring argues, instead, that the major parties have articulated views that were coherent, differentiated, and stable. American party history, and by extension American political history at-large, has been irreducibly ideological. The argument rests on evidence provided by election rhetoric - speeches, party platforms, and other campaign tracts disseminated by party leaders during presidential campaigns. With these texts Professor Gerring traces the values, beliefs, and issue-positions which have defined party life from the 1830s to the 1990s. Party Ideologies in America, 1828-1996 thus presents an historical synthesis of mainstream party politics from the birth of competitive parties to the present day.