〔无人知晓〕的田式情歌新风貌 田馥甄化声女作家 18度音域书写“讽刺的情书” 五专首发椎心书情歌 听见爱的残酷真相 田馥甄《讽刺的情书》 何乐音乐9.8全球数字同步揭开 『R&B唱作全才』丁世光 词曲创作 金奖制作人陈建骐 操刀制作 量身打造田式情歌新风格 刻画世俗爱情的偏执与真相 普世爱情的面貌百百种，从天真到世故的转变，爱情是几颗破碎的心拼凑岀的一段故事。能够感悟世间情爱的离合悲欢，总是要经历过的人才懂得的心碎心伤。 《讽刺的情书》由唱作才子丁世光量身词曲创作，细腻描绘深陷爱情的执迷不悔，坦诚拨开糖衣包裹下的爱情真实模样。编曲上由丁世光操刀，找了自己在洛杉矶录制新专辑的合作乐手、录音师参与器乐编曲，最后由北京、洛杉矶、台北三地优质音乐人制作完成了这首歌。 与之前歌曲制作有着不一样的角色设定，制作人陈建骐老师将田馥甄定位成『女作家』的身份，看似喃喃自语，细腻却奔放地在丁世光的词曲里用声音书写情感。以女作家自身感情经历，冷眼看待旁人说的『塞翁失马，焉知非福』；但若要对自己坦承，却仍有着对糖果盒子里的炙热渴望。 在制作上，建骐老师特别设计让这首歌曲主歌与副歌有不同的速度，加上字句绵密的故事叙述，18度的极宽音域，挑战田馥甄必须兼具情感的演绎，让这首歌完美呈现不同以往的田式情歌风貌。 《讽刺的情书》像是一个善用文字的人，用文字治愈了全世界，却无法疗愈自己，陷于文字盲于情感之中，回答了所有人的问题，却找不到自己的答案。歌词统筹葛大为说：「“讽刺”就在于我们都以为无所不能的，原来是什么都不能。」对爱情的偏执，是背负着天真不自知的温柔，回望最初的爱情誓言，被遗忘的爱情箴言，原来才是最讽刺伤人的失温记忆。 讽刺的情书 作词：丁世光 作曲：丁世光 爱过几个人 笃定的眼神 差点以为世界多天真 纠缠几回合 问自己要不要这么笨 屡次挥霍信任 当夜让房间失温 才晓得心要止疼 忘却要是本能就好了 我执迷的 渴求的 爱绽放的烟火 被熄灭了 冷却了 是否我还不够虔诚 让一个人 活着的 是不自知的温柔 那糖果盒子打开以后 唯一真相是你不属于我 从前笑别人 写言情为生 好成那样哪里有可能 写文字的人 怎么冷静写自己愚蠢 落款是泪痕 当咖啡店也清冷 祇能回寓所出神 似乎还有事情要做 我焚烧的 吹散的 是讽刺的情书 将我淹没的窒息的 是你镇定的信口开河 让一个人重生的 是不自知的温柔 这并不是甚么塞翁的传说 祇是两个随风的灵魂错过 谈不上失去甚么 怎能为没发生的事难过 我们终究要对自己坦诚 我执迷的 渴求的 爱绽放的烟火 被熄灭了 冷却了 莫非梦得还不够虔诚 让一个人 活着的 是不自知的温柔 那糖果盒子打开以后 唯一真相是你不属于我 这讽刺的情书 将我淹没的窒息的 是你讳莫如深的信口开河 让一个人重生的 是不自知的温柔 这并不是甚么塞翁的传说 祇是两个随风的灵魂错过 爱过几个人 笃定的眼神 好像这个世界多天真 制作人 Producer：陈建骐 George Chen 编曲 Arrangement：丁世光 Dean Ting、程振兴 Nathan Cheng 木吉他 Acoustic Guitar：丁世光 Dean Ting 电吉他 Electric Guitar：程振兴 Nathan Cheng 钢琴 Piano：丁世光 Dean Ting 鼓与打击乐 Drums & Percussion：Tamir Barzilay 和声编写 Backing Vocal Arrangement：李雅微 Shivia Lee 和声 Backing Vocal：田馥甄 Hebe Tien 录音师 Recording Engineers：Effie J、单为明 Link Shan、庄钧智 Thomas Chuang 录音室 Recording Studios：Retro Records Studio (BJ)、Barzilay Studio (LA)、Lights up Studio、完美声音录音室 Perfect Sound Studio 混音师 Mixing Engineer：单为明 Link Shan 混音室 Mixing Studio：Lights up Studio 母带后期处理录音室 Mastering Studio：FLAIR MASTERING WORKS 母带后期处理工程师 Mastering Engineer：内田孝弘 UCHIDA TAKAHIRO OP：月球（北京）音乐文化有限公司 SP：Sony Music Publishing (Pte) Ltd. Taiwan Branch

At the beginning of 2014, Jessie Ware returned to the studio to write her second album. Benzel, the production duo composed of London post-bass producer Two Inch Punch and mega-producer Benny Blanco who Ware previously worked with on the single "If You Love Me", are executive producers of her new album.
It has been confirmed that Kid Harpoon, Dave Okumu, Julio Bashmore, Miguel (singer), James Ford (musician), Nineteen85 and Ed Sheeran have also worked on the new album. On 17 July 2014 Jessie Ware posted on her Twitter page that the new album is also called Tough Love, including a picture of the cover art, and has also announced on social media that Tough Love will be released on 6 October.

Tough Love is the second studio album by English recording artist Jessie Ware. It will be released on 13 October 2014 in the United Kingdom and 24 October 2014 in the United States. The album inclues the singles "Tough Love" and "Say You Love Me".

Women in Music Pt. III is the third studio album by American band Haim. It was released through Columbia Records on June 26, 2020. The album was originally set for release on April 24, 2020 but was delayed due to the effects of the COVID-19 pandemic and "the changing nature of travel policies and quarantines across the world." The album's release was later moved to June 26. It was produced by Danielle Haim, Rostam Batmanglij and Ariel Rechtshaid, and was preceded by the singles "Summer Girl", "Now I'm in It" and "Hallelujah". The song "The Steps" was released alongside the album pre-order.

Jessica Lois Ware is an English singer-songwriter and podcaster. Her debut studio album Devotion peaked at number five on the UK Albums Chart and produced the single "Wildest Moments". Her follow-up record, Tough Love, reached number nine in the United Kingdom.

张蔷2020年第三张专辑我在想着你呢……集合了电子，city pop，爵士黑炮，抒情摇滚四种风格。是一张很丰满的专辑！尝试和更年轻的音乐人合作

Kelly Lee Owens' masterful second album Inner Song finds the convention-blurring techno producer and singer/songwriter diving deep into her own psyche—excoriating the struggles she's faced over the last several years and exploring personal pain while embracing the beauty of the natural world.
Dinked Edition No. 44
* 2LP Exclusive Clear Vinyl
.
* bonus Exclusive ‘Hidden’ track Side C
.
* Etching on Side D
.
* Signed and Numbered Exclusive 12” Art Print .
It's a leap in artistry from a musician who burst forth on the scene with a confident, rich sound, and Inner Song is endlessly enticing when it comes to what Owens is capable of.
Inner Song follows the star-making debut of her 2017 self-titled album, a quixotic blend of body-moving beats and introspective songwriting that garnered numerous accolades from the music press. Owens has indeed come a long way from her background as a nurse, since then she has remixed Bjørk & St Vincent, released an indelibly clubby two-tracker, 2019's "Let It Go" b/w "Omen" and
teamed up with like-minded auteur Jon Hopkins on the one-off "Luminous Spaces."
Her latest album also comes off of what Owens describes as "the hardest three years of my life" an emotionally fraught time that, in her words, "Definitely impacted my creative life and everything I'd worked for up to that point. I wasn't sure if I could make anything anymore, and it took quite a lot of courage to get to a point where I could make something again." So while the lovely cover of
Radiohead's "Arpeggi" might strike some as an unconventional way to open a sophomore effort, to Owens the winding take on the classic tune—recorded a year before work on Inner Song properly kicked off—represents the sort of sonic rebirth that's so essential to Inner Song's aura.
Inner Song was largely written and recorded over a month last winter. As with her debut, Owens holed up in the studio with co- producer and collaborator James Greenwood —and letting loose in the studio and being open to whatever sonic whims emerge was essential to Owens' craftwork. The evocative title of the album is borrowed from free-jazz maestro Alan Silva's 1972 opus, which was
gifted to Owens Smalltown Supersound's Joakim Haugland for her 30th birthday: "I'm so grateful for him and his perspectives—he's always thinking outside of the box. Those two words really reflect what it felt like to make this record. I did a lot of inner work in the past few years, and this is a true reflection of that." The hair raising bass and tickling textures of Inner Song drive home that, more so than ever, Owens is locked in to delivering maximal sonic pleasure—as evidenced by the decision to make the album's vinyl release a sesqui album, or triple-sided album: "Im still obsessed with frequencies that don't do well on vinyl if they don't have the space."
"The power of conceptualizing who you are has really informed this album" Owens states about Inner Song's essence, and her second album is truly a discovery of self— the latest statement from a fascinating artist who continues to surprise, gesturing towards a rich and varied career to come

为什么是没有用的年轻人呢？
起初是被认为吃不了苦，后来则是自认没有勇气去改变环境，只好成为顺从的人。
社会并不只是把人磨圆润了，而是把太尖锐的锉得圆润、太圆润的摩得尖锐。
而我们也都还在摸索哪面该尖锐、哪面该圆润吧！
＿
2020年，好乐团再度转换心情，带来厌世单曲。
〈他们说我是没有用的年轻人〉由好乐团子庆作词作曲，知名制作人林易祺操刀编曲。以丰富但细腻的全新编制，构筑多层次的情绪堆栈。从一开始的个人呢喃，逐渐晕染为多人的控诉。描写各位「年轻人们」面对世界的无力感。〈他们说我是没有用的年轻人〉于 2019 年底的《至少我想感同你的身受》巡演首度演出，便成为听众们不断敲碗释出的单曲。终于在 2020 年 7 月正式发行！

First time on CD. Japanese remastered reissue of 1965 album packaged in a miniature LP sleeve. Philips. 2004.

The album was conceived during the COVID-19 pandemic. Aaron Dessner of The National was isolating and quarantining with his family, when Swift had approached him in late April to write some songs remotely together. 11 songs were written with Dessner over the next few months, while the others were written with Jack Antonoff, William Bowery and Bon Iver. "I thought it would take a while for song ideas to come and I had no expectations as far as what we could accomplish remotely," Dessner wrote in his tweet, "But a few hours after sharing music, my phone lit up with a voice memo from Taylor of a fully written song -- the momentum never really stopped."
The album's release was announced by Swift on her social media accounts hours before its midnight, July 24, 2020, launch. It follows her seventh studio albumLover, released almost a year prior. The album has eight deluxe CDs and vinyls that are only available for a week for the physical copies, all of which have different covers and photos.
An accompanying music videofor the lead single "Cardigan" will be released along with the album.

Brownswood are delighted to present Zara McFarlane’s, Songs of an Unknown Tongue a masterful work that underlines her continuous growth as an artist. Zara’s fourth studio album pushes the boundaries of jazz adjacent music via an exploration into the folk and spiritual traditions of her ancestral motherland, Jamaica. The album is a rumination on the piecing together of black heritage, where painful and proud histories are uncovered and connected to the present.
Partnering with cult South London based producers Kwake Bass and Wu-lu, Zara has created a futuristic sound palate, electronically recreating the pulsing, hypnotic rhythms Kumina and Nyabinghi – and the music played at African rooted rituals like the emancipation celebration Bruckins Party, and the lively death rites of Dinki Minki and Gerreh. These richly patterned electronic rhythms are balanced throughout by McFarlane’s distinctive, clear vocal tones, and vivid song writing.
Zara’s critically acclaimed third studio album ‘Arise’ met with universal critical praise, and was supported by an impressive live tour performing at festivals such as Love Supreme, Field Day and SXSW. Zara is the winner of multiple awards including a Mobo, 2 Jazz FM Vocalist of the Year Award (2018 & 2015), an Urban Music Award, and Session of the Year at Worldwide Awards. Drawing respect from a wide range of artists, Zara has collaborated with Gregory Porter, Shabaka Hutchings, Moses Boyd and Louie Vega. These new sonic explorations signal an exciting direction of travel for this innovative founding member of the UK’s vibrant homegrown jazz scene.

去年发行首张专辑《平庸之上》，随即投入专场演出的 9m88，从 2019 年末到 2020 上半年间与钢琴手 Ning Tang 合作翻唱 Bill Withers 的作品〈Lovely Day〉、参与 RedBull、88rising 的线上直播演出，邀来蛋堡合作首集 Podcast 之外，也在今年蛋堡新专辑《家常音乐》中献声〈大禹〉一曲。
其中，半年来最让人惊喜的，莫过于与卫生棉品牌「靠得住」合作、与新乐园制作人米奇林（MCKY）、合作无间的录音师锺潍宇共同推出的跨界广告配乐曲。这首原先挂名为〈后漏88〉的曲目，不只让网友留言「一个大男人一直看卫生棉广告会不会很奇怪啊！？」「为什么要逼我把卫生棉广告加入 like 播放歌单」，短短一分钟的影音在 YouTube 如今已累积 815 万次点阅。在歌迷疯狂敲碗之下，这首广告曲的完整版本〈Hello Bye Bye〉终于在七月第二周(13号)发表。
最让人惊艳之处，无非是在放克曲风一落、一转为融合 Bossa Nova 与 Sumba 风格，衔接得漂亮自然。重新混音后的 9m88 歌声加强了迷濛空间感的效果处理，添加的合成器音色与铜管器乐取样的铺陈，也让这首歌的氛围从原先的城市摩登，多了一股异国风情。

「我的存在之所以特别，是因为生命中曾有过你。」
艾怡良2018全创作专辑《垂直活著，水平留恋著。》
若灵魂已消失殆尽，请记得，那个曾热切地爱著你的我。
出道以来首张全创作专辑　「所有的话，我自己来说。」
这是艾怡良睽违两年交出的新作品，相较过往的专辑，这次十首作品全部都是艾怡良的词曲，故事的起承转合，也都由她的作品亲自决定，更具特色。这次的专辑与熟悉的製作人－陈建骐再度联手打造，专辑名称《垂直活著，水平留恋著。》正是来自这次的主打歌曲《Forever Young》的歌词。这首歌从初期收歌时便已入列，曾经在别人收歌的曲库中游走过几回，却在因缘际会下回到了自己手上，更成为了专辑的主要概念。
人，活著，所以能站立并垂直于这个世界，当要离开了，便与地面水平，因而留恋。但这张专辑并不刻意探讨存在和离开，而是用「爱人的方式」来表现自己的存在。
Forever Yung
「对吗　你深爱著那样的我　对吗」
正如歌曲内最让她激动的一句问答，「对吗？你深爱著那样的我，对吗？」身为这首歌的创作及演唱人，艾怡良期待这样热烈的自己，不会随著岁月消失。这麽深刻的感受，也让录音时的她数度硬咽。这首歌深入点聊，会发现对年轻灵魂逝去的感慨，这个逝去不见得是肉体上的离世，而是或许当我们在人生中做出某些选择的那一秒开始，某部分灵魂就已经被深埋了。
一整夜
「不该浪费如此不堪的念头，这难得的夜。」
一个夜晚有多长？若能选择褪下沉重的包袱，每一分每一秒才都是真正享受到的宁静。有时候你知道自己是为了遵守规则而遵守规则，但是总是难免会想念那个在夜晚裡无所谓的自己。这首歌的编曲是艾怡良长期合作的乐手们，一拍即合，耐听又容易入耳。
玻璃心
「请问，做对的事到底在怕什麽呢？」
英文歌名叫做「３１」的玻璃心，在明亮的和弦与电子节拍律动下，暗喻著艾怡良自己从出生至今的自我检讨，有些难受的事，其实也可以笑著说。而她想说的，正是要告诉大家，虽然不惬意，但是努力面带笑意，对人生还是有点帮助的。很洋派的一首艾怡良式快歌，微笑著开始吧！

这首《飞行列车》的灵感原是来自于去年李文琦曾有过的一个怪诞想法。那便是能否用一个字创作一首歌的副歌。带着这样一个简单的初衷，李文琦一气呵成，在副歌里几乎只用了一个字完成了她的大胆的想法。这首歌里她用最为简单的歌词，配以自己编写的富有灵动的吉他分解，呈现了梦境般的画面，悠扬轻松的旋律，加上青春般舞动的韵律，无一不透射出超乎寻常的表现力。再有第七届中国音乐风云榜获奖者王梵瑞的编曲，使歌曲更具时代感。该作品同时由逃跑计划乐队经纪兼制作人李赤近乎严苛地操刀把关，在混音几近完成的情况下，为了追求更完美的效果，又重新录制了吉他、bass和人声，就是在这种精益求精的态度下，反复修改完成了这首风格迥异但却时尚动听的作品。
仅仅17岁的女孩，总是声音朗朗，眼里总是盈着童真的微笑。幼年时期的她，就已经活跃在各种舞台，14岁就参加了“中国好声音”并晋级，但因为年龄原因未果。15岁时创作演唱出版了第一张专辑，其中主打歌《蒲公英》在百度音乐原创榜连续8天榜首，突破千万级播放量。16岁进入“中国好声音”杨家将四强。今年她陆续会完成四首单曲，《飞行列车》是第一首。
身兼多个角色：歌手、词曲创作者、编曲人、演奏者、乐队领袖，沉浸在自己的音乐世界，没有玩伴，在孤独中度过中学时光。在任何一个国家，这样有天赋的孩子都是稀缺的，正如在好声音告别的那一刻那英老师对她说：“你将有无可估量的未来”。杨坤说：“你的声音没有任何技巧，却超越了一切技巧，是演唱的最高境界”……这些声音伴随着她的穿越时空的歌声一起久久在我们耳边回荡。
现在让我们打开旋钮，进入她为我们每一个人准备的飞行列车，感受“琦迹”的开始！

Domestic debut of the Scottish trio's 1986 ambient collaboration album with Harold Budd for the 4AD label. Contains eight tracks, most of which sound like Cocteau Twins with a moody organ added. Vocalist Elizabeth Fraser sings on 'Sea, Swallow Me', 'Eyes Are Mosaics', 'She Will Destroy You' & 'Ooze Out And Away, Onehow'; the other cuts, 'Memory Gongs', 'Why Do You Love Me?', 'The Ghost Has No Home' & 'Bloody And Blunt', are all instrumentals. Highlyrecommended to any fan of Cocteau Twins or Budd! 1999 release.