Dusk to Dawn is the third studio album from Emancipator.
Credits:
Minor Cause - Ilya Goldberg (violin, viola), Jamie Janover (hammered dulcimer), Madeline Hawthorne (vocals)
Valhalla - Ilya Goldberg (violin)
Merlion - Ilya Goldberg (violin)
Dusk to Dawn - Derek Van Scoten (mandolin, guitar), Thacher Schmid (violin, viola)
The Way - Dominic Lalli (saxophone), Cedar Miller (percussion), Thacher Schmid (violin)
Afterglow - Cedar Miller (percussion)
Eve II - Eve Grice (vocals)
Natural Cause - Marcus Marino (piano), Ilya Goldberg (violin)
Galapagos - Rena Jones (cello)
Most other instruments by Doug Appling
Mixed by Doug Appling
Additional mixing by Ilya Goldberg
Mastered by Nick Moon at Tone Proper Studios

I Monster is a British electronic duo comprised of Sheffield based producers Dean Honer and Jarrod Gosling. Tracks from this release have been used in over two dozen TV ad campaigns in the UK and America, including Absolut, Cadillac, Ford, and Toyota. I Monster have also had songs featured on the soundtracks of "Shaun Of The Dead", "The Heist", and the CBS TV drama "Shark".

用“千呼万唤”来形容西尔德斯神话上的 Schiller 喜乐 Fans们对他们专辑的渴望一点都不夸张，很早很早以前（还是在西尔德斯神话旧版的时候吧），就有乐迷朋友开始不间断的要我发 Schiller 喜乐，但由于发布计划的原因，时间一推再推。这下众Fans可不干了，虽不至于唐僧般天天念叨，但我的耳畔也时不时会听到“Schiller 喜乐！Schiller 喜乐！”的呼声，甚至在梦中也音犹在耳……这下可让我耳根一直红到脚底，脊背发凉、虚汗直冒、汗毛倒竖……就一个字——发！
呵呵，以上纯属玩笑娱乐，众 Schiller 喜乐 的Fans敬请放心，像 Schiller 喜乐 这样的电音天团西尔德斯神话唯恐无法一网打尽，怎容放过？要是一不小心放过了，我自己也不会原谅自己啊，哈哈！这不，从今天开始，西尔德斯神话正式开始向大家推荐 Schiller 喜乐 的音乐。先从这张2007年的最新专辑《Day And Night 日夜》开始。专辑共收录18轨曲目，请到了各路高手加盟，包括大家熟悉的 Mike Oldfield、Sarah Brightman 等大师、天后级的人物，还有 Tarja Turunen、Jette von Roth、Moya Brennan、Kim Sanders 等一众各具才华的优秀角色。效果怎样？看看我用的标题——超梦幻电音！就是这种效果，你说怎样？！专辑的曲子迎合了标题《Day And Night 日夜》，大体上可以分为两部分，一半表现白天，一半演绎夜晚，黑白益彰、相辅相成，看来 Schiller 喜乐 很得中国传统的“太极阴阳说”之精华啊！
最后，畅快欣赏之前再给众 Schiller 喜乐 Fans播报一条新闻：Schiller 喜乐 的最新3CD大礼包专辑《Sehnsucht 渴望》将在2008年2月22日于德国本土震撼上市，其中总共包括2张CD共31支曲目和1张DVD。毫无疑问，这张《Sehnsucht 渴望》将再次引爆全世界乐迷对 Schiller 喜乐 的渴望！（以上转载自西尔德斯神话）

R.I.P Nujabes, last forever
2013.2.26
nujabes featuring Shing02
remix by Uyama Hiroto
produced by nujabes
written by Shing02
edit by Uyama Hiroto
scratches by djkou
harp by Rebekah Raff
mix and mastered by Uyama Hiroto
A&R : Takumi Koizumi
cover artwork & design by FJD

Flunk是一支syn-pop乐队，来自挪威的奥斯陆。Anja Oyen Vister的凄美主唱、Ulf Nygaad的迷魂Dubby电子曲式、Jo Bakke的简朴吉他，他们做的是Downtempo Electronica的音乐。在以电子民歌手法重玩New order的83年经典Blue Monday之后而一举成名。一点Electronica、一点Shoegaze，加一点New order，这就是挪威flunk的特点.2004年的那张Morning Star，融合了Downtempo的梦幻节拍和Alternative Pop/Rock的流畅旋律，再加上清爽Folk线条的点缀，在众多的北欧女声Downbeat乐团中脱颖而出，成为了首屈一指的团体之一。

Disk 1 is "Rhythm And Stealth" album.
Disk 2 is "Stealth Remixes" - limited edition CD of remixes.

The long-awaited domestic release of Ulrich's dreamy 2001 debut. His 2004 set, "Strangely Isolated Place" was a hit with shoegazer and electronic fans alike, and toured with much fanfare in support of M83. Includes a 6-track bonus EP of non-LP material

Ulrich Schnauss was born in the northern German seaport of Kiel in 1977. There was not much opportunity to see his musical influences in Kiel, so he moved to Berlin in 1996.

Kraftwerk (German: [ˈkʁaftvɛɐ̯k], lit. "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.

This brings us to the here and now with their 5th album Hy-brasil. For Hy-Brasil the band is back to the core duo of Mike Ystad and Chris Schafer. The absence of Mike Rush's guitars have left enough open space for the duo to explore more visceral sometimes 'Vangelian' synthwork, warm emotive cello passages and more dexterous electronic beat workouts. From the opening track onward each composition on Hy-Brasil twists and turns through organic and synthetic seamlessly while yielding what could very well be their most dynamic, expansive and universally accessible album to date.

*Now re-pressed - Deluxe gatefold oversized Digipak including two CD's featuring the "Passed Me By" and "We Stay Together" albums in full, plus 25 minutes of bonus material* Andy Stott entered a compelling new phase of evolution on 'Passed Me By', inverting the energy of his Juke and Technoid hardcore excursions into something more brooding and subtly visceral. Folding in a wider palette of influences from Kassem Mosse to Arthur Russell, to Actress and James Ferraro, 'New Ground' opens the set proper and we're dominated by bone crushing bass weight, pinned under relentless waves of subbass whilst shards of hypnagogic exhalations struggle for air in his autoerotic pressure system. That slow, vice-turning intensity is breathlessly transferred to the aquatic swing jack of 'North To South', before the gasping Linn drums and glazed boogie licks of 'Intermittent' offer halfway resolution. Their pent up tension is released in 'Dark Details', suggesting a lonely silhouette left in the warehouse after the crowd has gone, dancing like the Moving Shadow logo come to life before the screwed zombie swagger of 'Execution' and that staggering title track slowly shuts down your system with shark-eyed intent. 'We Stay Together' followed some months later, amping the pressure to throttling degrees. Entering the digital compression chamber of 'Submission' you become a willing participant, before the lights are cut and you're forced to adjust to the humid atmosphere and bruising, muscle-contracting darkroom throb of 'Posers'. Suitably initiated, the EP's fearless centrepiece 'Bad Wires' plunges into full on mud-party mode, dropping the tempo while intensifying the kinaesthetic funk with slow, clusterf*cked syncopation until you're drowning in crushed-glass textures. Fully submerged by 'We Stay Together (Part One)' time becomes elasticated like worn VHS tape, calling to mind Jamal Moss soundtracking a rave in a sodden, flooded sauna, before inescapably tumbling into the sheer black hole of 'Cherry Eye' and left to the slompy jack of 'Cracked'. The 25 minutes of extra material is split over four tracks, from the crushed mobile phone re-wiring of "Work Gate" to the skeletal R&B-mining "Stitch House" all the way to the engrossing, light-filled beauty of closing track "We Stay Togethr(Part Two).

The first full-length from Manitoba (aka Dan Snaith) on Domino Records. Start Breaking My Heart is spliced with arcs of rainbow melody, hopscotch percussion patterns, and playground children laughing. Humanity and nature are strong threads through this album. Features the entire Give'r EP (2001) as bonus tracks 'Dundas, Ontario' (remix), 'Tits And Ass-The Great Canadian Weekend' & 'Webers'. 2002.