这张专辑是她的一本日记——是袒露和绝对的隐喻。
日记里也许这样写道：
“一颗赤裸的心照常升起，而我的身体和意识确然随着时间变化了，内心就此浮现出了‘女人’二字——不必成为他的妻子，也没有孕育一个孩子；也许并没有成为谁的榜样和骄傲，依然这般如此的走到了现在…”
写道：
“我如此热爱女人，如同热爱着自己。我用一双视线并不清晰的眼、一颗大部分时刻明朗着的心、一些思绪，编织出了现实与梦、激情与平静的交汇。”
又写道：
“其中有我的梦，也有某日我坐在别人身旁听到的故事；有我视线内的景观，亦有我的人生与主观；有痛苦、思辨、患得患失，也有一刀两断与毫不留情......这是一个慢慢让重要性层面浮出水面的过程，即便我如此擅长为世界流眼泪，也渐渐意识到爱、能量甚至善意是有限的，正如同生命有期限；而即便学会了切割放弃，也不得不面对毫无选择时的困境。“
再写道：
“那就让我如此生活吧，生命力迸发在悬崖峭壁。”
“她不再属于任何地方，整个大地连成了一片，去哪里都可以，你称之为广袤天地。”
“一无所有，独特的境遇，于边角捕捉些许永恒的闪耀。”
在这本日记里，文字与音乐于此交汇了，激越与思辨碰撞，困境与无尽的想象共存亡。
专辑制作人：祁紫檀 封面摄影：郑大瑶

《有一个人》这张专辑的词作全部来自诗人的诗歌作品，由城振铭、吴丽晖钢琴伴奏，李泰祥编曲。李泰祥是学古典音乐出身的学院派音乐人，在台湾被誉为大师。齐豫以唱校园民歌成名，却是演绎李泰祥的音乐文学而获得成就。李泰祥的理念是：能够把文学做成有声的音乐形式，而这个音乐应该是和当时推崇的校园民歌一样传唱的，但又不能像民歌一样通俗易懂，要高一个层次，要艺术化高雅。最成功的尝试，则不能算当时的这种校园歌曲了，而是古典巴洛克艺术歌曲，很难唱，在听的时候有肃然起敬之感。
原本这些歌曲应该是学院派歌唱家来演绎的，至少声音是应该是美声才能驾驭的，可是齐豫并不是美声，却有着和美声一样飘渺的高音。齐豫并不是专业出身，却有着比正宗歌唱家要深厚的文学功底。这才使她把自己深刻地领会到李泰祥的音乐文学精华，恰如其分地演绎这些高难度艺术歌曲。同样后来的许景淳，徐芊君，均是学院派正宗声乐行家，唱李泰祥作品总是觉得缺少什么。李泰祥的歌，比起古典咏叹调来少了严谨的调式，比起流行歌曲了多了份深沉，而齐豫的声音又是夹在古典和流行之间的假声，因此他们的搭档是前无古人后无来者的。
看上去这些作品放在一起，像是一本诗集——却出现在了一张唱片中，放在如今的唱片界，这是一张奢侈的作品。的确，这是一张可以称得上非常“华丽”的专辑。一张吟诗演唱作品，一张1984年的作品，获得了当年金鼎奖最佳演唱大奖的优秀专辑。
作词者：
徐志摩：《去罢》、《渺小》、《别拧我，疼》
林绿：《山之旅》
罗门：《水天吟》、《山云游》
李敏勇：《有一个人》（译写）
席慕容：《戏子》
痖弦：《歌》
郑愁予：《雨丝》

THIS CD FEATURES A FREE RINGTONE AND MOBILE PHONE WALLPAPER (see insert for details)

M.I.A. is hailed as one of the most freshly creative artists to hit the scene, paving the way for fierce and adventurous females to break the mold. With KALA, she pulls even more globe-trekking, and genre bending into her musical mix.

Recorded in India, Trinidad, Australia, London, New York and Baltimore, M.I.A. has crafted an international sound that is as excitingly undefineable as it is infectious.

The first single from KALA, "Boyz" was just listed at #1 Rolling Stone's Hot List, and #1 song of the Month in Blender magazine!

"Electrifying" - The New York Times

Nightclubbing is the fifth studio album by Jamaican singer Grace Jones, released on 11 May 1981 by Island Records. Recorded at Compass Point Studios with producers Alex Sadkin and Island Records' president Chris Blackwell, as well as a team of session musicians rooted by rhythm section Sly & Robbie, the album marked her second foray into a new wave style that blends a variety of genres, including reggae, art pop, dub, synth-pop and funk. The album comprises a mixture of cover versions from artists including Bill Withers, Iggy Pop and Astor Piazzolla, and original songs, three of which were co-written by Jones.
The album received positive reviews upon its release, including being voted best album of the year by writers of the UK music magazine NME, and continues to be praised by critics, with reviewers commending the singer's unique sound and organic fusion of genres. The album entered in the top 10 in five countries, and became Jones' highest-ranking record on the US Billboard mainstream albums and R&B charts. Six singles were released from the album, including the hits "Pull Up to the Bumper" and "I've Seen That Face Before (Libertango)".
Critics and scholars have noted the album's influence on popular music, especially how its unique sound has been emulated by both pop and alternative acts, and how the persona Jones adopted – deeply influenced by art and fashion – has had an enduring influence in modern female pop singers. Around the time of the album's release, she adopted her characteristic androgynous look which would become popular in fashion. Nightclubbing is now widely considered Jones' best studio album[1] and the record that cemented her pop icon status.

《Hello!》是达达乐队的第三张录音室专辑，距离上一张已整整19年。这期间世事巨变，一代人出生并成年，而这张专辑听起来却鲜活耀眼，几无岁月痕迹。多元的曲风和层次饱满的听感令人惊喜且满足，但在乐队看来，技术手段的更新只是其次，他们要为音乐注入炽烈如初的生命能量，去消弭一切阻隔，令世界再次敞开——这声“Hello!”既是对当下世界的问候，也是对乐队自身可能性的重新认知。

作曲：吴国敬
作词：小美
编曲：谭国政
合唱：Sing Along Kids 儿童合唱团

《We Are 3unshine》Vinyl Record 2019.09.02 开启预售！
限量版粉胶专辑除完整收录所有 3unshine组合 Hit Songs外，还收录了像3unshine二次元女孩 等4首新歌。
值得一提的是，单曲 3unshine朵蜜 将还原@3unshine-Dora 最真实的纯真嗓音，同时在3unshine好肉 中大家还将听到最Slay的“朵式新说唱”！?
另外，随限量版粉胶专辑附赠海报，欢迎歌迷届时抢购！?️✌️

Janet Damita Jo Jackson is an American singer, songwriter, actress, dancer and record producer. A prominent figure in popular culture, she is noted for her sonically innovative, socially conscious and sexually provocative records, and elaborate stage shows.

凭借个人首张同名专辑《Whitney Houston》中充满力量感的嗓音、自由流畅的转音以及宽广的音域，Whitney Houston 一跃成为美国家喻户晓的金牌唱将，同时也成为灵魂乐、福音音乐以及 R&B 曲风的代表人物。创作第二张录音室专辑《Whitney》时，其伯乐 Clive Davis 特意邀来知名制作人 Narada Michael Walden 担任监制，希望能帮她跳出前作过于保守的框架，呈现更加饱满完整的一面。这张专辑提升了快节奏舞曲的比重，编曲的设计感更为丰富，凸显 Whitney Houston 歌声中的活力动感。《I Wanna Dance with Somebody (Who Loves Me)》《So Emotional》和《Love Will Save the Day》是当时最受年轻人喜爱的流行舞曲风格，Whitney 游刃有余又随性自由的演绎，在灵魂乐、Funk 和 R&B 的相互交织下营造出摩登都市的氛围。专辑末尾还收录了 Whitney Houston 与母亲 Cissy Houston 合作诠释的音乐剧主题曲《I Know Him So Well》，深情的演唱仿佛重现 80 年代两人同在夜总会表演时的场景。Whitney Houston 以极强的可塑性再次获得了商业上的巨大成功，并斩获第 30 届格莱美最佳流行女歌手奖。

2007 single disc anthology that brings the legendary guitarist's best recordings of his Arista Records era together with his greatest classics from the Columbia Records years on a single compact disc. Among the 18 tracks are the chart toppers 'Smooth', 'Maria Maria', 'Black Magic Woman', 'The Game Of Love' (with both Michelle Brance and Tina Turner), 'Oye Como Va' and many more. Sony/BMG. 2007.

详细内容: DISC ONE01 逝去的诺言02 反叛03 跳舞街04 Dancing boy 05 一对寂寞的心（张学友/陈慧娴）06 从来是一对07 贪、贪、贪08 变、变、变09 为何仍是你10 可否11 Love me once again12 秋色13 孤单背影14 Joe Le taxi15 与泪抱拥16 夜半轻私语17 今天夜里总下雨DISC TWO01 明日有明天 02 柯德莉夏萍穿过的鞋03 情意结04 到处留情05 拈花惹草（陈慧娴/关心妍合唱）06 萧邦与我07 Gloomy Sunday 08 把悲伤看透时09 Tomorrow is Another day10 傻女的新衣广告语: 尽管她和林忆莲，刘美君，邝美云曾被并称为“四大花旦”，但听到她的名字肯定不会象听到罗大佑那样，马上陷入对一个时代回忆，也没有过象王菲一样红的发紫的时候……从来没有太多人去刻意收集她的音乐，但是那些美妙的歌曲却最终被我们大多数人所熟悉的不能再熟悉：夜机，痴情意外，傻女，人生何处不相逢，千千阙歌……华语歌坛传奇人物、一线“天后”级歌手陈慧娴歌曲全收录！她带着她那明亮快快的曲风，让你重温昔日的动人时光。有无歌词: 有

本盘为陈慧娴的个人演唱会专辑