AMERICAN SURFACES is a highly influential body of work by a master photographer who helped establish colour photography as a legitimate medium of artistic expression. The book is comprised of a chronological sequence of photographs of vernacular America taken in the early 1970s, most of which are previously unpublished. These photographs have been widely exhibited and discussed throughout Europe and the United States. AMERICAN SURFACES is styled as a photo-diary of Shore's travels across America, bridging the gap between the road trip tradition of Walker Evans and Robert Frank and the fascination with the ordinary exhibited by Bernd and Hilla Becher and Martin Parr. This new paperback edition is a must-have for everyone interested in the history of twentieth-century photography, and it is perfect for art and photography students.

《No Man's Land》是一个拍摄时间长达10年的摄影项目，Larry Towell在这本画册里用黑与白的画面描述了横跨于以色列与巴勒斯坦人之间的物理以及心理上的隔离之墙，这本画册的完成亦得到了Henri Cartier-Bresson摄影奖金的支持。

One Hundred Young Americans is the first book to paint the full picture of youth culture in America today. </p>
Gorgeously photographed and meticulously researched, this year-long project represents photographer Michael Franzini's 30,000-mile journey in search of what it truly means to be a teenager in this hyper-connected, media-driven society. </p>
The book is packed with first-hand accounts of youth culture in America from 100 teenagers in 50 states. More than two hundred stunning images show every kind of teenager from every part of our nation, mirroring census data for gender, race, religion and sexual orientation and to strike a balance between urban, rural, suburban and small-town locations. </p>
Unlike previous generations, these young people have all grown up with unprecedented access to media and information, and their private lives are more public than ever before. </p>
You will read stories that will inspire, move, excite, and even anger you. Along this journey, you will meet people who share your experiences, who remind you of others, and who are unlike anyone you have ever met. </p>
You will meet every kind of teenager. The cheerleaders, football jocks, student body presidents, prom queens and other popular kids. The nerds, band geeks, gamers and other not-so-popular kids. Also the skaters, stoners, goths, punks, druggies and a lot of kids whose uniqueness defies labels. </p>
What they ultimately have in common is that they are struggling to find their identity and become independent. They are growing up. Prepare yourself. This is what it really means to be young in America today. </p>

First Book to Feature over 300 of Warhol's Famous Faces"I think everybody is my friend." -Andy Warhol To the general public, Andy Warhol is known as a painter of legendaryicons, from Marilyn and Jackie O to his own ever-changing self-portrait. Less known are the portraits he made of socialites, art dealers,collectors, politicians, fashion designers and a variety of contemporarycult figures, mostly commissioned work that helped finance Warhol's manyother artistic activities.Never before has there been a book thatprovides a comprehensive overview of all of Warhol's famous faces. ANDY WARHOL PORTRAITS by Tony Shafrazi, is the first book to provide acomplete overview of Warhol's many celebrity portraits, from the famous tothe infamous.It features over 300 glamorous portraits including manyworks largely unknown even by avid fans.ANDY WARHOL PORTRAITS grew out of an exhibition that was organized by theTony Shafrazi Gallery, New York in 2005.Shafrazi paid homage to a seminaldisplay of Warhol's portraits that took place at the Whitney Museum ofAmerican Art in 1979-80.The Whitney exhibition presented for the firsttime a large array of the commissioned portraits that the artist began inthe early 1970s as a way to offset the cost of multiplying activities atthe Factory.Shafrazi's exhibition included many portraits from theoriginal Whitney exhibition as well as others.ANDY WARHOL PORTRAITS takesShafrazi's exhibition even further, nearly doubling the number of worksshown.On the 20th anniversary of Warhol's death in 1987, there has never been abetter time to reflect on Warhol's life and influence on pop culture today. According to a recent interview with Charlotte Abbot from PublishersWeekly, "It's a good moment for Andy Warhol.Culturally, he is still ontop."Art historians and critics have long neglected this body of Warhol's work,preferring to discuss and study the more iconic Marilyns or Campbell SoupCans of the 1960's.ANDY WARHOL PORTRAITS includes, in addition to famousportraits of Marlon Brando, Liz Taylor and Dennis Hopper, lesser-knownimages of actors Bill Murray and Meryl Streep, fellow artists Donald Juddand Cy Twombly and royal family members such as Princess Diana and PrincessCaroline.It also features a number of musicians, including Prince andDolly Parton, and fashion icons including Diane von Furstenberg and GiorgioArmani. The book begins with an introduction by Tony Shafrazi, and features essaysby established art historians/critics Carter Ratcliff and Robert Rosenblum,who lend insight into one of the least fully known but neverthelessprolific aspects of Warhol's endlessly fascinating career.The book makesthe perfect gift for any pop culture fan.

Since its founding in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger, and David "Chim" Seymour, Magnum Photos, the legendary co-operative, has powerfully chronicled the peoples, cultures, events, and issues of the time.
Magnum Magnum brings together the best work, celebrating the vision, imagination, and brilliance of Magnum photographers, both the acknowledged greats of photography in the twentieth century—among them Henri Cartier-Bresson, Robert Capa, Eve Arnold, Marc Riboud, and Werner Bischof—and the modern masters and rising stars of our time, such as Martin Parr, Susan Meiselas, Alec Soth, and Donovan Wylie. And it shows the work at a breathtaking scale: the vast page size of Magnum Magnum—12¾ by 15¾—gives the photos an impact never seen before in book form.
Organized by photographer, the book harks back to the agency's early days and the spirit that made it such a unique and creative environment, one in which each of the four founding members picture-edited the others' photographs. Here a current Magnum photographer selects and critiques six key works by each of the sixty-nine featured photographers, with a commentary explaining the rationale behind the choice.
This groundbreaking publication is at once a permanent record of iconic images from the last sixty years and an insight, as seen through the critical eyes and minds of Magnum photographers, into what makes a memorable photograph. This first edition of Magnum Magnum will become one of the great collectibles—an essential book for anyone interested in photography or the world depicted by it. 400+ photographs in color and duotone.

While Mitch Epstein is widely acknowledged as one of the world's most distinguished art photographers, a complete survey of his work has never been published until now. Mitch Epstein: Work invites readers to trace the evolution of Epstein's entire career, following formal and thematic concerns that reveal how his aesthetics, his techniques and his politics have shifted and influenced one another over time. His early work on recreation is given its most natural yet unexpected configuration: Images from the United States are mixed with those from other parts of the world. Each of his major projects cover "Common Practice" (1973-1989), "Vietnam" (1992-1995), "The City" (1995-1998), "Family Business" (2000-2003), and the current, ongoing "American Power." The beginning of each chapter includes a short essay by the artist or an excerpt from his previously published writings. An afterword by Eliot Weinberger and a DVD of Epstein's film "Dad" round out the package. Many of the pictures here have never before been exhibited or published.

作者以数十幅“二战”中犹太人集中营被害儿童的幸存画作为主，围绕在苦难中坚守人的尊严、坚持美的创造和智慧的思考这一核心内容，讲述相关背景和有记载的人物及故事，内容涉及普通的犹太家庭、犹太儿童、犹太艺术家等大批浩劫受难者的遭遇和他们不懈的精神追求。

Richard Kalvar, a member of the elite club of Magnum photographers, has an exceptional eye and a talent for catching moments when societal behavior becomes humorous or shifts into the absurd. His compelling duotone photographs document the human condition. Kalvar seeks to emphasize the unusual, and his penetrating lens reveals a unique brand of humanity. He explores everyday life but with an altogether fresh perspective, at times funnier or darker. This collector's monograph was produced in conjunction with the artist from photographic "evidence" compiled on his travels from Rome to Paris, New York to Varsovie, and San Francisco to Tokyo.This is the first monograph published on Kalvar, one of the world's most important post war photographers.

By way of follow-up to his critically acclaimed debut monograph "Sleeping by the Mississippi," Alec Soth turns his eye to another iconic body of water, Niagara Falls. And as with his photographs of the Mississippi, these images are less about natural wonder than human desire. "I went to Niagara for the same reason as the honeymooners and suicide jumpers," says Soth, "the relentless thunder of the Falls just calls for big passion." The subject may be hot, but the pictures are quiet, the rigorously composed and richly detailed products of a large-format 8x10 camera. Working over the course of two years on both the American and Canadian sides of the Falls, Soth edited the results of his labors down to a tight and surprising album. He depicts newlyweds and naked lovers, motel parking lots, pawnshop wedding rings and love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide. Oscar Wilde wrote, "The sight of the stupendous waterfall must be one of the earliest, if not the keenest, disappointments in American married life." Niagara brings viewers both the passion and the disappointment--a remarkable portrayal of modern love and its aftermath.

《蔡国强艺术展》收录蔡国强作品：上纲、梦、写生油画、胎动、射日、延长等。《蔡国强艺术展》还收录了马克西莫夫绘画作品：彼列斯拉夫的刺绣女工、祖母、吴作人、穿紫毛衣的女孩等油画。

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

Over the past three decades, Vancouver artist Jeff Wall's large color transparencies have won international acclaim. Wall has created a unique, seductive and complex pictorial universe by drawing upon philosophy, literature, nineteenth-century painting, Neo-Realist cinema and the traditions of both Conceptual art and documentary photography. Organized by The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, Wall's 2007 American traveling retrospective will include all of the artist's major works to date. In addition to color plates and illuminating details, the exhibition catalogue includes an essay by Peter Galassi that explores the full range of Wall's artistic and intellectual interests and offers fresh perspectives on one of the most adventurous creative achievements of our time. The essay is followed by an interview with the artist by James Rondeau, Curator of Modern and Contemporary Art at the Art Institute of Chicago, where the exhibition will be on view during the Summer of 2007. Also available from The Museum of Modern Art, New York: Jeff Wall: Selected Essays and Interviews.

The Jeff Wall Catalogue Raisonné traces the gradual evolution of Wall’s pictorial concept. In an allusion to Charles Baudelaire’s dictum on Manet, Wall describes his work as the “painting of modern life”. Wall’s color photographs consist of large-format transparencies, mounted in aluminium boxes and illuminated from behind. Since 1996, the artist has also produced large-format black-and-white photographs.
This book is the first systematic compilation of information and materials on Wall’s individual works, comprising works from 1978 to 2004 and containing 120 catalogue entries. It includes technical data as well as information on their history and commentaries by the artist.

常希望我自己和我的照相机都更加纯真一些，不必承载什么苦难的意义，这个时代已经不再有高高在上的圣像了，所谓摄影的真实存在感在这个不真实的世界的反衬下，早就变得面目可疑了，所以，无论我怎么自负地自认为师出有名，我的照片最后也只能成为一个小小的寓言，或者说是一场草台班子的演出而已，仅止于此！我渴求的是观众的掌声和微笑，然后鞠躬谢幕或者再为大家加演一个节目什么的，一切都是如此简单，多好啊…马良