讲述一对美国夫妇去参加圣塞巴斯蒂安电影节，却双双出轨：妻子和一个有才华的法国导演发生婚外情，丈夫爱上了一个漂亮的当地女子。

'Walk With Me' follows a community of Zen Buddhist monks and nuns who have dedicated their lives to mastering the art of mindfulness with their world-famous teacher Thich Nhat Hanh. Filmed over three years in France and the USA, this intimate and meditative film travels deep inside a world that seems far from our everyday, and reveals how the monastics transform suffering in themselves and in others through their deep enquiry into the nature of existence, suffering, and their true selves.
《正念的奇跡》拍攝了一群禪修出家人的社群。他們畢生致力于追隨國際知名的老師一行禪師掌握正念的藝術。拍攝時間前後歷時超過三年，橫跨法國、美國。這部親切又發人深思的電影，進入了一個遠離我們日常生活的世界，並且揭示了僧侶們如何通過深入探尋存在的本質、煩惱的由來和各自真實的自己轉化自己和他人的煩惱。

In this first-of-kind book, senior psychoanalysts from around the world offer personal reflections on their own training, what it was like to become a psychoanalyst, and what they would like most to convey to the candidate of today.
With forty-two personal letters to candidates, this edited collection helps analysts in training and those recently entering the profession to reflect upon what it means to be a psychoanalytic candidate and enter the profession. Letters tackle the anxieties, ambiguities, complications, and pleasures faced in these tasks. From these reflections, the book serves as a guide through this highly personal, complex, and meaningful experience and helps readers consider the many different meanings of being a candidate in a psychanalytic institute.
Perfect for candidates and psychoanalytic educators, this book inspires analysts at all levels to think, once again, about this impossible but fascinating profession and to consider their own psychoanalytic development.

萨姆（斯宾塞·屈塞 Spencer Tracy 饰）是一名体育新闻记者，最近，他被一个女人给惹恼了，她就是同样身为记者的苔丝（凯瑟琳·赫本 Katharine Hepburn 饰）。苔丝总是在自己的专栏里抱怨体育运动是如此的无聊，而萨姆则在自己的专栏里和她针锋相对。
为了证明体育运动的魅力，萨姆和苔丝相约去看一场棒球比赛。毫不令人意外的，棒球赛结束之后，萨姆和苔丝双双坠入了情网。然而，两人的婚后生活却并不是风平浪静，截然不同的个性让他们在很多的琐事上都会爆发争吵。苔丝被选为了“时代女强人”，这让萨姆感到非常的吃醋，而为了让萨姆重新开心起来，苔丝做了一系列的努力却纷纷以失败收场。

Early in these essays, Bromberg contemplates how one might engage schizoid detachment within an interpersonal perspective. To his surprise, he finds that the road to the patient's disavowed experiences most frequently passes through the analyst's internal conversation, as multiple configurations of self-other interaction, previously dissociated, are set loose first in the analyst and then played out in the interpersonal field. This insight leads to other discoveries. Beneath the dissociative structures seen in schizoid patients, and also in other personality disorders, Bromberg regularly finds traumatic experience -- even in patients not otherwise viewed as traumatized. This discovery allows interpersonal notions of psychic structure to emerge in a new light, as Bromberg arrives at the view that all severe character pathology masks dissociative defenses erected to ward off the internal experience of trauma and to keep the external world at bay to avoid retraumatization. These insights, in turn, open to a new understanding of dissociative processes as intrinsic to the therapeutic process per se. For Bromberg, it is the unanticipated eruption of the patient's relational world, with its push-pull impact on the analyst's effort to maintain a therapeutic stance, that makes possible the deepest and most therapeutically fruitful type of analytic experience. Bromberg's essays are delightfully unpredictable, as they strive to keep the reader continually abreast of how words can and cannot capture the subtle shifts in relatedness that characterize the clinical process. Indeed, at times Bromberg's writing seems vividly to recreate the alternating states of mind of the relational analyst at work. Stirringly evocative in character and radiating clinical wisdom infused with compassion and wit, Standing in the Spaces is a classic destined to be read and reread by analysts and therapists for decades to come.

This is a book on a neglected aspect of psychoanalytic technique that should be read by everyone who hopes to develop a psychoanalytic practice. The author's emphasis on the value of analyzing a prospective patient's motives for avoiding analysis is of utmost importance. An excellent book by a seasoned and gifted analyst.'- Charles Brenner, MD'Psychoanalytic Technique and the Creation of Analytic Patients is clear, practical, and above all courageous. On the central issues from the idea of analyzability, to the objectivity of diagnosis, to attitudes toward fees, Rothstein challenges received wisdom and skewers sacred cows. The result is a book that will help all clinicians - therapist and analyst alike - to work more effectively within the realities of contemporary practice. The author forces us to re-examine many fundamental assumptions, thereby contributing to radical re-evaluation of the nature of the psychoanalytic process itself.' - Jay Greenberg, PhD'In Psychoanalytic Technique and The Creation of Analytic Patients, a successful practicing analyst shares with us many of the secrets of his success.

劉別謙遺作，其筆觸修成了正果。孤女要步叔父後塵當水管工，卻跟英國這個講究階級與男女有別的社會格格不入。逃出納粹魔掌的波蘭詩人，像找到同道中人般發現了她，但她這時卻跑去當女傭，還打算像正常人一樣嫁入尋常紳士家。來了美國二十多年，劉別謙才將自身處境總結起來。片中上至貴族下至僕人儘管嘴臉可笑，但不致面目可憎，反而都有幾許人性的落墨，也許這才是劉別謙筆觸的最高境界。更厲害的是，這些筆觸彷彿都融會在兩個主角身上，不經意間能跟觀眾心靈互通。今天回看，這是他最歐洲化的作品，近親不就是雷諾亞。
Source: 28th HKIFF

Edgar A. Levenson is a key figure in the development of interpersonal psychoanalysis whose ideas remain influential. Interpersonal Psychoanalysis and the Enigma of Consciousness builds on his previously published work in his key areas of expertise such as interpersonal psychoanalysis, transference and countertransference, and the philosophy of psychoanalysis, and sets his ideas into contemporary context. Combining a selection of Levenson’s own writings with extensive discussion and analysis of his work by Stern and Slomowitz, it provides an invaluable guide to how his most recent, mature ideas may be understood and applied by contemporary psychoanalysts in their own practice.
This book explores how the rational algorithm of psychoanalytic engagement and the mysterious flows of consciousness interact; this has traditionally been thought of as dialectical, an unresolvable duality in psychoanalytic practice. Analysts move back and forth between the two perspectives, rather like a gestalt leap, finding themselves listening either to the "interpersonal" or to the "intrapsychic" in what feels like a self-state leap. But the interpersonal is not in dialectical opposition to the intrapsychic; rather a manifestation of it, a subset. The chapters pick up from the themes explored in The Purloined Self, shifting the emphasis from the interpersonal field to the exploration of the enigma of the flow of consciousness that underlies the therapeutic process. This is not the Freudian Unconscious nor the consciousness of awareness, but the mysterious Jamesian matrix of being. Any effort at influence provokes resistance and refusal by the patient. Permitted a "working space," the patient ultimately cures herself. How that happens is a mystery wrapped up in the greater mystery of unconscious process, which in turn is wrapped into the greatest philosophical and neurological enigma of all―the nature of consciousness.
Interpersonal Psychoanalysis and the Enigma of Consciousness will be highly engaging and readable; Levenson’s witty essayist style and original perspective will make it greatly appealing and accessible to undergraduate and postgraduate students of psychoanalysis and psychoanalytic psychotherapy, as well as practitioners in these fields.

Joe Christmas does not know whether he is black or white. Faulkner makes of Joe's tragedy a powerful indictment of racism; at the same time Joe's life is a study of the divided self and becomes a symbol of 20th century man.

The culmination of master psychiatrist Dr. Irvin D. Yalom's more than thirty-five years in clinical practice, The Gift of Therapy is a remarkable and essential guidebook that illustrates through real case studies how patients and therapists alike can get the most out of therapy. The bestselling author of Love's Executioner shares his uniquely fresh approach and the valuable insights he has gained—presented as eighty-five personal and provocative "tips for beginner therapists," including: Let the patient matter to you Acknowledge your errors Create a new therapy for each patient Do home visits (Almost) never make decisions for the patient Freud was not always wrong A book aimed at enriching the therapeutic process for a new generation of patients and counselors, Yalom's Gift of Therapy is an entertaining, informative, and insightful read for anyone with an interest in the subject.

In this beautiful work of reflection and self-reflection, Joyce Slochower wrestles with a seldom acknowledged dimension of being a psychoanalyst - the dialectic between illusions and less ideal realities that complicate the analyst's sense of who she is and of how best to meet her clinical obligations. Psychoanalytic Collisions details the various ways in which the analyst's wishes (both professional and personal) collide with the less-than-perfect actualities of everyday clinical work. The collisions in question are often rooted in the analyst's own illusions: illusions of therapeutic possibility in the face of ordinary human existence or illusions of therapeutic selflessness in the face of one's own "immutably self-centered humanity." Such collisions may complicate nonclinical professional activities such as writing, in which the analyst's desire to develop a personal idiom collides with self doubt and the imagined rebuff of teachers and colleagues. Other collisions coalesce dyadically in the consulting room. They may reflect sharp dissonance between what the patient needs the analyst to feel and what the latter actually feels, as in discrepant experiences of erotic desire. They may grow out of colliding idealizations of analyst and patient, each of the other. And they may arise in the wake of traumatizing life events that destroy the shared illusions on which treatment has rested. In finely wrought examinations of these eventualities, Slochower is guided by the belief that collisions are intrinsic both to forging an analytic identity and to practicing in a manner consonant with that identity. Psychoanalytic collisions, she enjoins, often cannot be resolved, but they can usually be productively engaged. And the very act of engagement - be it establishing new grounds for collaboration in the wake of real-world catastrophe, or wrestling with clinical impasse grounded in the radically divergent expectations of analyst and patient, or owning up to what Slochower terms "secret delinquencies" - can provide the basis for a vision of the "good enough" analyst in which therapeutic hopefulness coexists with acceptance of the analyst's all-to-human fallibility.

Emotional Presence in Psychoanalysis provides a detailed look at the intricacies of attaining emotional presence in psychoanalytic work. John Madonna and a distinguished group of contributors draw on both the relational and modern psychoanalytic schools of thought to examine a variety of different problems commonly experienced in achieving emotional resonance between analyst and patient, setting out ways in which such difficulties may be overcome in psychoanalytic treatment, practical clinical settings and in training contexts.
A focused review of relevant comparative literature is followed by chapters featuring individual clinical case studies, each illustrating particularly challenging aspects. The uniqueness of this book lays not simply in the espousal of the commonly accepted importance of emotional resonance between analyst and patient; rather it is in the way in which emotional presence is registered by both participants, requiring a working through, which at times can be not only difficult but dangerous. Such efforts involve a theory which enables the lens to understanding, an effective methodology which guides intervention. The book also calls for the art of the analyst to construct with patients meanings which heal, and possess the heart to persist in commitment despite the odds. Emotional Presence in Psychoanalysis is about patients who suffer, struggle, resist and prevail. It offers distinctive, transparently told accounts of analysts who engage with patients, navigating through states of confusion, hatred and more controversial feelings of love.
Emotional Presence in Psychoanalysis features highly compelling material written in an accessible and easily understood style. It will be a valuable resource for psychoanalysts and psychoanalytic psychotherapists, psychologists and clinical social workers as well as teachers, trainers and students seeking to understand the power and potential of the analytic process and the resistances to it.

《众病之王：癌症传》是一部饱含人文主义色彩的社科文化著作。作者悉达多•穆克吉历时六年，凭借翔实的历史资料、专业文献、媒体报道、患者专访等众多信息，向读者阐述了癌症的起源与发展，人类对抗癌症、预防癌症的斗争史。作者借由医学、文化、社会、政治等视角透露出一种社会化关怀；生动、文学性的写作手法展现出鲜活的人物和历史事件，让读者为之动容。

弗兰·利波维兹与马丁·史柯西斯面对面对谈，带观众和这位善于揶揄的作家、幽默人士兼说书人一同漫步纽约街道，领会她的迷人思绪。

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie. Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by prominent Williams scholar Robert Bray, editor of The Tennessee Williams Annual Review, reappraises the play more than half a century after it won the New York Drama Critics Circle Award: "More than fifty years after telling his story of a family whose lives form a triangle of quiet desperation, Williams's mellifluous voice still resonates deeply and universally." This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." The cover features the classic line drawing by Alvin Lustig, originally done for the 1949 New Directions edition.

Two girls who grow up to become women. Two friends who become something worse than enemies. In this brilliantly imagined novel, Toni Morrison tells the story of Nel Wright and Sula Peace, who meet as children in the small town of Medallion, Ohio. Their devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.

哈瑞（杰瑞德·莱托 Jared Leto 饰）和玛丽安（詹妮弗·康纳利 Jennifer Connelly 饰）彼此相爱，梦想着开个服装店，梦想着有个美好的明天。然而他们都离不开毒品，并想着以销毒赚得第一桶金。哈瑞的母亲是个彻底的电视迷，最大的梦想是上电视，为此不顾年迈吞食减肥药。由于药品里的毒品成分，她渐渐上了瘾。哈瑞的朋友狄龙（马龙·韦恩斯 Marlon Wayans 饰）同样是个瘾君子，为了挣大钱加入了黑社会。为了梦想，他们努力着，却一步步深陷毒品难以自拔。 哈瑞的胳膊因注射毒品感染而被割去；玛丽安为了毒品出卖肉体和自尊；哈瑞的母亲最终住进了精神病院受尽折磨；狄龙锒铛入狱。当视线变得模糊，梦在遥远处呼唤，迷失的人该以怎样的姿态安抚自己的灵魂。