Learning to work with light is an important milestone in every photographer’s career, and the ability to craft light to fit your vision for an image is a skill that cannot be overrated. Most often, that crafting of light is spoken of in terms of the <i>quality</i> and <i>quantity</i> of light. But there is an important, third component of light that heavily influences the final look of the image: the <i>color</i> of light. In <i>Chroma: A Photographer’s Guide to Lighting with Color</i>, photographer Nick Fancher helps you elevate your game when it comes to introducing the bold, creative, and intentional use of color into your work.</p> <p>Whether you’re using a high-powered strobe or a small hotshoe flash, <i>Chroma</i> is for you. Nick begins with a discussion of color theory, gels, and white balance, then examines how to determine which colors complement your subject matter (whether that’s people or products). He moves on to cover topics such as:</p> 
<ul> <li> Balancing, mixing, and overpowering ambient light with artificial light</li> <li>Layering colors for unique color combinations</li> <li>Mixing hard and soft light to achieve extremely rich color</li> <li>Lighting detail and texture</li> <li>Modifier options, such as ring flash, snoots, barn doors, softboxes, and filters</li>  <li>Gobos to control the light</li> <li>Post-processing for vibrant, powerful colors</li> <li>How (and why) to light with color, even when the end goal is a black and white image</li> </ul>
<p>Illustrated throughout with innovative and expressive imagery, <i>Chroma</i> also includes behind-the-scenes photos, lighting diagrams, and Lightroom settings so you can follow along from the initial concept through to the final edit.</p> p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Verdana} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Verdana; min-height: 13.0px}

This monumental masterwork by the renowned nineteenth century scientist and authority on color, M.E. Chevreul, is unquestionably one of the greatest books ever written on color; the first English translation is reprinted here with the original color restored and an introduction and explanatory notes by Faber Birren, the leading color authority of the present time. Chevreul's book dominated the schools of Impressionism and Neo-Impressionism, and exerted profound influence on later schools of painting including today's Op Art. Chevreul set forth principles that have become basic in color training throughout the Western world. In his illuminating commentary Mr. Birren shows how many of Chevreul's ideas on color harmony, contrast effects, optical mixtures, and legibility have been validated by modern scientific research in visual perception. mr. Birren also provides a helpful glossary of Chevreul's terminology. Lavishly illustrated, the volume contains many color plates, including 15 plates from the original French edition, photographs of Gobelins tapestries, and full-page reproductions of outstanding Impressionist and Neo-Impressionist paintings. Essential as a reference book for artist and art educators, this volume will also be a source of fresh inspiration for fashion designers, interior decorators, and all others concerned with color in any medium-and it makes good reading for all those interested in the history of men and ideas.

The Secret Lives of Colour tells the unusual stories of the 75 most fascinating shades, dyes and hues. From blonde to ginger , the brown that changed the way battles were fought to the white that protected against the plague, Picasso's blue period to the charcoal on the cave walls at Lascaux, acid yellow to kelly green , and from scarlet women to imperial purple , these surprising stories run like a bright thread throughout history. In this book Kassia St Clair has turned her lifelong obsession with colours and where they come from (whether Van Gogh's chrome yellow sunflowers or punk's fluorescent pink ) into a unique study of human civilisation. Across fashion and politics, art and war, The Secret Lives of Colour tell the vivid story of our culture.

大正~昭和初期のモダンな色づかい348パターンを収録。
現代によみがえるコンパクトな配色見本帖！
「配色」という概念が一般に認識されていなかった
大正~昭和初期において、いち早く色彩の必要性に着目 し、
『配色總鑑』（全6巻・1933年~）を編纂した和田三造。
それは、わが国の色彩文化のさきがけとも言うべ きもので、
具体的な配色パターンを表した画期的な「配色見本帖」でした。
本書は名著「配色總鑑」を新装・改訂版 として復刻。
収録された配色は、大正・昭和の資料のみならず、
現代においても活用できる普遍的な感性が読み取ら れます。
■348通りの配色見本を収録
■すべての色表にCMYK値、カラーチップ 付
■カラーコーディネーター、インテリアコーディネーターほか
あらゆる分野の研究、実用に最適で す
和田三造（わだ・さんぞう）
昭和初期、色彩の重要性に着目し、日本標準色協会（現、日本 色彩研究所）を設立。
色彩研究に大きな足跡を残す。
洋画家としても知られ、映画、舞台美術、ファッションデザイ ンなどマルチに活躍。
1954年には『地獄門』でアカデミー賞衣装デザイン賞受賞。文化功労 者。
解説：近江源太郎（財団法人日本色彩研究所理事長）

《明室:摄影纵横谈》分为上下两篇，有照片的特性、难于归类的摄影、以感动为出发点、摄影师、幻象和看照片的人、被拍照的人、看照片的人：趣味混乱、摄影如奇遇、不受拘束的现象学、二元性、“STUDIUM”和“PUNCTUM”、“STUDIUM”、传递信息、绘画、出其不意地拆除照等。

This first survey of building types ever written remains an essential guide to vital and often overlooked features of the architectural and social inheritance of the West. Here Nikolaus Pevsner shares his immense erudition and keenly discerning eye with readers curious about the ways in which architecture reflects the character of society. He describes twenty types of buildings ranging from the most monumental to the least, from the most ideal to the most utilitarian. More than seven hundred illustrations illuminate the text.

A two-volume study of political thought from the late thirteenth to the end of the sixteenth century, the decisive period of transition from medieval to modern political theory. The work is intended to be both an introduction to the period for students, and a presentation and justification of a particular approach to the interpretation of historical texts. Quentin Skinner gives an outline account of all the principal texts of the period, discussing in turn the chief political writings of Dante, Marsiglio, Bartolus, Machiavelli, Erasmus and more, Luther and Calvin, Bodin and the Calvinist revolutionaries. But he also examines a very large number of lesser writers in order to explain the general social and intellectual context in which these leading theorists worked. He thus presents the history not as a procession of 'classic texts' but are more readily intelligible. He traces by this means the gradual emergence of the vocabulary of modern political thought, and in particular the crucial concept of the State. We are given an insight into the actual processes of the formation of ideologies and into some of the linkages between political theory and practice. Professor Skinner has been awarded the Balzan Prize Life Time Achievement Award for Political Thought, History and Theory. Full details of this award can be found at http://www.balzan.it/News_eng.aspx?ID=2474

The most significant contribution in any language to the history of early modern Austrian Habsburgs.

From our twentieth-century perspective, we tend to think of the Europe of the past as a colonizer, a series of empires that conquered lands beyond their borders and forced European cultural values on other peoples. This provocative book shows that Europe in the Middle Ages was as much a product of a process of conquest and colonization as it was later a colonizer.

Throughout history, the Balkans have been a crossroads, a zone of endless military, cultural, and economic mixing and clashing between Europe and Asia, Christianity and Islam, Catholicism and Orthodoxy. In this highly acclaimed short history, Mark Mazower sheds light on what has been called the tinderbox of Europe, whose troubles have ignited wider wars for hundreds of years. Focusing on events from the emergence of the nation-state onward, The Balkans reveals with piercing clarity the historical roots of current conflicts and gives a landmark reassessment of the region’s history, from the world wars and the Cold War to the collapse of communism, the disintegration of Yugoslavia, and the continuing search for stability in southeastern Europe.

At a time when men and women were prepared to kill—and be killed—for their faith, the Reformation tore the western world apart. Acclaimed as the definitive account of these epochal events, Diarmaid MacCulloch's history brilliant re-creates the religious battles of priests, monarchs, scholars and politicians, from the zealous Luther to the radical Loyola, from the tortured Cranmer to the ambitious Philip II.

Weaving together the many strands of Reformation and Counter-Reformation, ranging widely across Europe and even to the New World, MacCulloch also reveals as never before how these upheavals affected everyday lives—overturning ideas of love, sex, death and the supernatural, and shaping the modern age.

Shopping was as important in the Renaissance as it is today. This fascinating and original book breaks new ground in the area of Renaissance material culture, focusing on the marketplace and such related topics as middle-class to courtly consumption, the provision of foodstuffs, and the acquisition of antiquities and holy relics. The book investigates how men and women of different social classes went to the streets, squares, and shops to buy goods they needed and wanted on a daily—or a once-in-a-lifetime—basis, during the Renaissance period. Evelyn Welch draws on wide-ranging sources to expose the fears, anxieties, and social possibilities of the Renaissance marketplace and to show the impact of these attitudes on developing urban spaces. She considers transient forms of sales such as fairs, auctions, and lotteries as well as consumers themselves. Finally, she explores antiquities and indulgences, both of which posed dramatic challenges to contemporary notions of market value and to the concept of commodification itself.

'Of the "Great Powers" that dominated Europe from the eighteenth to the twentieth centuries, Prussia is the only one to have vanished ... Iron Kingdom is not just good: it is everything a history book ought to be ... The nemesis of Prussia has cast such a long shadow that German historians have tiptoed around the subject. Thus it was left to an Englishman to write what is surely the best history of Prussia in any language' Sunday Telegraph

Was Europe's domination of the modern international order the inevitable rise of a superior civilization or the piratical hijacking of an evolving world system? A little of both, and a lot of neither, this ambitious comparative study argues—because world history's real center of gravity sits in Eurasia. Historian Darwin (The End of the British Empire) contends that an ascendant Western imperialism was a sideshow to vast, wealthy and dynamic Asian empires—in China, Mughal India, the Ottoman Middle East and Safavid Iran—which proved resistant to Western encroachment and shaped the world into the 21st century. Europe's overseas colonial empires as well as the expansions of the United States across North America and Russia across Siberia—was not inevitable, but rather a slow, fitful and often marginal enterprise that didn't accelerate until the mid-19th century. Darwin analyzes the technological, organizational and economic advantages Europeans accrued over time, but shows how dependent their success was on the vagaries of world trade (the driving force of modern imperialism, in his account) and the internal politics of the countries they tried to control. Nicely balanced between sweeping overview and illuminating detail, this lucid survey complicates and deepens our understanding of modern world history.

Dance was at the core of Renaissance social activity in France and had important connections with most major issues of the period. This finely illustrated book provides the first full account of the pivotal place and high status of dance in sixteenth-century French culture and society.
 
Margaret M. McGowan examines the diverse forms of dance in the Renaissance, contemporary attitudes toward dance, and the light this throws on moral, political, and aesthetic concerns of the time. Among the subjects she covers are: expectations of dance; style, costume, music, and social coding; court dance versus social dancing; dance and the Valois dynasty; professional dancers, virtuosos, and choreographers; burlesque; opposition to dance; and dance and the people. Nearly one hundred illustrations, many of them rare, accompany the engrossing text.

WINNER OF THE WOLFSON HISTORY PRIZE 2008

'The world's most controversial classicist debunks our movie-style myths about the Roman town with meticulous scholarship and propulsive energy' Laura Silverman, Daily Mail

The ruins of Pompeii, buried by an explosion of Vesuvius in 79 CE, offer the best evidence we have of everyday life in the Roman empire. This remarkable book rises to the challenge of making sense of those remains, as well as exploding many myths: the very date of the eruption, probably a few months later than usually thought; or the hygiene of the baths which must have been hotbeds of germs; or the legendary number of brothels, most likely only one; or the massive death count, maybe less than ten per cent of the population.

An extraordinary and involving portrait of an ancient town, its life and its continuing re-discovery, by Britain's favourite classicist.

For millennia, the Mediterranean has been one of the global cockpits of human endeavor. World- class interpretations exist of its classical and subsequent history, but there has been remarkably little holistic exploration of how its societies, culture, and economies first came into being, despite the fact that almost all the fundamental developments originated well before 500 BCE. The Making of the Middle Sea offers a full interpretive exploration into the rise of the Mediterranean world from its beginning, before the emergence of our own species, up to the threshold of classical times.Extensively illustrated and ranging across disciplines, subject matter, and chronology, from early humans and the origins of farming and metallurgy to the rise of civilizations--Egyptian, Levantine, Hispanic, Minoan, Mycenaean, Phoenician, Etruscan, early Greek--the book is a masterpiece of archaeological and historical writing. Now featuring a new preface exploring the most recent archaeological research on the Mediterranean world.

WINNER OF THE WOLFSON PRIZE 2013 HERALD BOOKS OF THE YEAR 2014

The extraordinary story of the Kremlin - from prize-winning author and historian Catherine Merridale Both beautiful and profoundly menacing, the Kremlin has dominated Moscow for many centuries. Behind its great red walls and towers many of the most startling events in Russia's history have been acted out. It is both a real place and an imaginative idea; a shorthand for a certain kind of secretive power, but also the heart of a specific Russian authenticity. Catherine Merridale's exceptional book revels in both the drama of the Kremlin and its sheer unexpectedness: an impregnable fortress which has repeatedly been devastated, a symbol of all that is Russian substantially created by Italians. The many inhabitants of the Kremlin have continually reshaped it to accord with shifting ideological needs, with buildings conjured up or demolished to conform with the current ruler's social, spiritual, military or regal priorities. In the process, all have claimed to be the heirs of Russia's great historic destiny.

Christopher Duggan's new history of fascist Italy explores how the movement became embodied in the person of Benito Mussolini who occupied for many an almost divine status and gave millions of men and women a sense of pride and hope, offering the prospect of national regeneration after decades of disappointment.

A work of exceptional authority and originality, Fascist Voices makes use of rarely examined sources - letters and private diaries, newspaper reports and secret police files - to uncover how ordinary people experienced fascism on a daily basis and how its ideology influenced their beliefs, values, language and lifestyle.

Tracing fascism from its conception to its legacy, Christopher Duggan unpicks why the regime enjoyed so much support among the majority of the Italian population. He examines the extraordinary personal relationships that millions of Italians had with Mussolini, explores the religious dimensions of totalitarianism, and discusses why the 'cult of the Duce' still resonates in contemporary Italy.

Fascist Voices is a fresh and disturbing look at a country in thrall to a charismatic dictator.

It was known as ‘the vast prison without a roof.’ From the beginning of the nineteenth century until the Russian Revolution, the tsars exiled more than one million prisoners and their families beyond the Ural Mountains to Siberia. Daniel Beer illuminates both the brutal realities of this inhuman system and the tragic and inspiring fates of those who endured it. Here are the vividly told stories of petty criminals and mass murderers, bookish radicals and violent terrorists, fugitives and bounty hunters, and the innocent women and children who followed their husbands and fathers into exile.
Siberia was intended to serve not only as a dumping ground for criminals but also as a colony. Just as exile would purge Russia of its villains so too would it purge villains of their vices. In theory, Russia’s most unruly criminals would be transformed into hardy frontiersmen and settlers. But in reality, the system peopled Siberia with an army of destitute and desperate vagabonds who visited a plague of crime on the indigenous population. Even the aim of securing law and order in the rest of the Empire met with disaster: Expecting Siberia also to provide the ultimate quarantine against rebellion, the tsars condemned generations of republicans, nationalists and socialists to oblivion thousands of kilometers from Moscow. Over the nineteenth century, however, these political exiles transformed Siberia’s mines, settlements and penal forts into a virtual laboratory of revolution. Exile became the defining experience for the men and women who would one day rule the Soviet Union.
Unearthing a treasure trove of new archival evidence, this masterly and original work tells the epic story of Russia’s struggle to govern its prison continent and Siberia’s own decisive influence on the political forces of the modern world. In
, Daniel Beer brings to light a dark and gripping reality of mythic proportions.