Code 666 Records will release the album in Europe in late March. Profound Lore
will handle releasing the album in North America, which is currently slated for
sometime in April.

TARAB (in literary arabic - euphoria, secular exaltation, ecstasy), their sixth release on Sub Rosa, is the result of live recordings captured during the AL-'AN! tour .
In a handful of improvised albums circumnavigating the troubled waters of the contemporary Mediterranean - Greece, with the eponymous Oiseaux-Tempête (2013), Turkey and Sicily for ÜTOPIYA? (2015), Lebanon with AL-'AN (2017) - the collective OISEAUX-TEMPÊTE has stretched its electric arc over musicalgenres and borders, imposing itself in a river of tours and releases like a wild UFO within the hexagonal indie scene. Navigating instinct, as attracted by disorder, the music of OISEAUX TEMPÊTE has always increased tenfold in live performance. It is little surprise that following the remixes album (Re-Works, 2014) and collection of BSides (Unworks & Rarities, 2016), OISEAUX TEMPÊTE unveils, by way of a new opus, an album entirely recorded in concert.
TARAB (in literary arabic - euphoria, secular exaltation, ecstasy) is the result of live recordings captured during the AL-'AN! tour which led the group, after a preliminary residency at l'Autre Canal in Nancy, to cross Europe and into Canada, performing at the prestigious festival Le Guess Who? in Utrecht, opening for Suuns & Jerusalem In My Heart in Montreal and Toronto, following the same Jerusalem In My Heart through France then from Brussels to Berlin, and finally closing the loop at the Irtijal festival in Beirut. A record, rooted in the soil, hypnotic in pulsation, TARAB is a meeting of the Parisian founding members Frédéric D. Oberland and Stéphane Pigneul, electronic sound wizard Mondkopf, G.W.Sok from The Ex, Sylvain Joasson of Mendelson, videographers As Human Pattern and the Lebanese musicians Charbel Haber, Abed Kobeissy and Ali El Hout (aka Two Or The Dragon). The studio pieces are here stretched, deconstructed and rearranged while new works from the road , poems 'Grasse Matinée' by Jacques Prévert and "Tuesday And The Weather Is Clear "by Mahmoud Darwish, find unique musical settings, weaved, twisted and reimagined.
It is in symbiosis, in the fever and visceral experimentation of the concert, that the musicians of OISEAUX-TEMPÊTE seek rapture. Arranged in a semicircle, they invoke the elements and attempt the catharsis, inviting the spectator to spiral with them, entwined in the sonic explosions, finding beauty and peace in the spaces of improvisation and elaboration. Marrying free-rock, organic electronics, traditional instruments and unbridled electricity, TARAB, far beyond the vibrant testimony, is a generous invitation to experience, to meditate and to share.

Billingual, compelling upbeat second from modern day pop star Christine and the Queens. Titled Chris the album is released as double CD and vinyl versions, as well as limited edition boxset, There are two versions of the album; one sung exclusively in English and one sung exclusively in French. Each track has earworm irresistibility with losing any edge. The album celebrates her polysexual desire, without sidelining her emotional pain, It's a lean, thrilling muscular set from a real talent that sits next to Michael Jackson, Madonna, Chic and Peter Gabriel.

"Heldon moved into 1978 in good stead, Pinhas taking some time off to become involved in sessions with fellow Parisian Herve Picart's "OSE", recording an LP for EGG Records ... The result was entitled "Adonia", and has to do with goings on in an earth colony on a distant planet. Picart's (Synthesizers, Keyboards, Guitars) compositions are in the French progressive tradition, but that not withstanding, the presence of Pinhas (Synthesizers. Sequencers, Guitar) and Francois Auger (Drums) assure that this is a Heldon LP, despite Picart's composition of this suite ... An interesting LP that gives an insight to the ability of these musicians to bring together two related but oft divided musical streams." (Mutant Sounds)
Richard Pinhas & François Auger appear by courtesy of The Heldon International Imperium Holding Inc. & Cobra Records.
Recorded and mixed at Studio A Barclay-Hoche (Paris), June 1978.
Mixed with Aphex aural exciter system.
Mastering: Barclay.
An Egg Production.
℗ 1978 Barclay/Egg
Made in France
Cat# given on sleeve: 90.277 / on labels: 90 277.

Ruby My Dear’s new album is a joyful organic mess peppered with shouts, rustles and bleats. It is dense and lively, mixing opera singing and metal screaming. Using real instruments, Ruby My Dear takes you through a brutal fantasy at the margins of breakcore, where jazz meets hunting horn meets classical music. Following on from Maigre, Brame goes further to create a new teeming and mind-blowing world, in which Ruby My Dear invited talented artists like Igorrr (guitars & mastering), Laure Le Prunenec (vocals) and Anthony Miranda from Pryapisme (flute). Brame will be out on January 30th on PRSPCT.