Future Islands share new song “Haunted by You” — listen
B-side to the band's exclusive Record Store Day single

Familiars, the highly anticipated new album from The Antlers, will be released on
Anti- Records on June 17 and on Transgressive Records in the U.K. June 16. Their fourth studio album follows 2011’s critically lauded Burst Apart, which Pitchfork named Best New Music and NPR called “a delicate mixture of grace and intensity.” The video for first single “Palace” is streaming via Pitchfork (INSERT HYPERLINK HERE). Preorder Familiars here:
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Familiars was recorded, engineered and produced by the band in their Brooklyn studio and mixed by Chris Coady (Yeah Yeah Yeahs, TV on the Radio, Beach House) at DNA Downtown Studios.

Lower Dens have announced the follow-up to their 2012 album Nootropics. Escape From Evil is out March 31 in North America and March 30 everywhere else via Ribbon Music.
The album was produced by the band's Jana Hunter. It was co-produced and mixed by Chris Coady (Yeah Yeah Yeahs, Beach House, Future Islands). The band also collaborated with Ariel Rechtshaid (Vampire Weekend, Sky Ferreira, Haim), John Congleton (Swans, St. Vincent, Cloud Nothings), and others on the album. On March 31, Lower Dens will play an album release show at Brooklyn's Baby's All Right.

Too is the second studio album by California skate punk band FIDLAR, set to release on September 4, 2015. 2 of the 12 songs to be released on the record, "40oz. On Repeat" and "West Coast" officially premiered already before the album's release as promotional singles on the band's YouTube channel. The promotional music video to "40oz. On Repeat" was published on Fidlar's channel on 2 June 2015 and the music video to "West Coast" on 15 July 2015. Before the second release of "West Coast", it's pre-Too version was released in 2012.

For most, a brush with death would be cause for retreat, reflection, and reluctance, but Seattle band La Luz found something different in it: resilience. Having survived a high-speed highway collision shortly after releasing their 2013 debut LP It’s Alive, La Luz, despite lasting trauma, returned to touring with a frequency and tirelessness that put their peers to shame. Over the past year-and-a-half of performing, the band arrived at a greater awareness of their music’s ability to whip eager crowds into a frenzy. In response, frontwoman Shana Cleveland’s guitar solos took on a more unhinged quality. The basslines (from newly-installed member Lena Simon) became more lithe and elastic. Stage-dives and crowd-surfing grew to be as indelible a part of the La Luz live experience as their onstage doo-wop-indebted dance moves. When it came time to record Weirdo Shrine, their second album—due out August 7th—the goal was to capture the band’s restless live energy and commit it to tape. In early 2015, Cleveland and Co. adjourned to a surf shop in San Dimas, California where, with the help of producer/engineer Ty Segall, they realized this vision. Tracking most of the album live in shared quarters, La Luz chose to leave in any happy accidents and spur-of-the-moment flourishes that occurred while recording. Cleveland’s newly fuzzed-up guitar solos—which now incorporated the influence of Japanese Eleki players in addition to the twang of American surf and country—were juxtaposed against the group’s most angelic four-part harmonies to date. The organs of Alice Sandahl and the drumming of Marian Li Pino were granted extra heft and dimension. Thematically, Cleveland channeled Washingtonian poet Richard Brautigan on “You Disappear” and “Oranges,” and sought inspiration from Charles Burns’ Seattle-set graphic novel Black Hole. The resulting album is a natural evolution of the band’s self-styled “surf noir” sound—a rawer, turbo-charged sequel that charts themes of loneliness, infatuation, obsession and death across eleven tracks, from the opening credits siren song of “Sleep Till They Die” to the widescreen, receding-skyline send-off of “Oranges” and its bittersweet epilogue, “True Love Knows.” In describing Weirdo Shrine, Segall remarked that it gave him a vision of a “world…burning with colors [he’d] never seen, like mauve that is living.” In “Oranges,” the Brautigan poem which inspired the aforementioned track of the same name, the poet writes of a surreal “orange wind / that glows from your footsteps.” These hue-based allusions are apt: the sound of La Luz is (appropriately) vibrant, and alive with a kaleidoscopic passion. Weirdo Shrine finds them at their most saturated and cinematic.

"Sorry" is the upcoming debut studio album by American singer-songwriter and emerging artist Meg Myers. It's scheduled to be released on digital retailers on 18 September 2015 via Atlantic Records.
The album comes preceded by the lead single and albm's title track "Sorry", released on March 3rd. The second single "Lemon Eyes" was premiered on July 23rd.
Three extra tracks called "Desire", "Make a Shadow", and "The Morning After" were also released as instant grat along the pre-order of the album on July 24th.

作为Two Steps from Hell的创始人之一Thomas Bergersen，用了3年的时间Thomas Bergersen完成了自己的首张专辑。
"Illusions" 融合了来自世界各地的民族风味的传统西方管弦乐团和合唱团。包括了爱尔兰民间合唱团，Armenian Duduk，日本尺八，奈伊长笛和世界著名爱尔兰爱尔兰风笛演奏家Chris Bleth。
专辑里面的合唱以女声为主，最值得一提的是专辑大多数曲目收录于大家期待已久的复仇女神2之中，整张预告片音乐的风格寄予了复仇女神1当中悲壮的气质，有一种仿佛目睹了古罗马战争的尾声，悠远而雄壮。比较新意的是部分曲目融入了部落元素。

Dare to stay the night in an old haunted mansion that looms beyond the graveyard, where dark secrets lie in wait.

Oneohtrix Point Never Announces New Album Garden of Delete Via Internet Rabbit Hole.
This morning, Daniel Lopatin, aka Oneohtrix Point Never, updated his website with a link to a cryptic PDF. In the text, Lopatin writes a hallucinatory letter about attempting to work on new music, before beginning to collaborate with an alien named Ezra. The PDF includes a questionnaire said to be taken by the alien, in which a link to a blog is included.
On that blog is a series of mysterious posts backdated to 1994, the most recent of which is an extended interview between Lopatin and Ezra. In that interview, Lopatin appears to announce a new album called Garden of Delete ("or G.O.D. for short"), which he says will be out in November.

New Bermuda is the upcoming third studio album by American black metal band Deafheaven. It will be released on October 2, 2015 through ANTI- record label.
The album was recorded live in April 2015 with Sunbather producer and engineer Jack Shirley at 25th Street Recording in Oakland, California and Atomic Garden Recording in Palo Alto, California. The cover art of the album features an oil painting by Allison Schulnik.
The album trailer was released on July 27, 2015. On August 18, 2015, the band shared the track "Brought to the Water," from the album. On September 15, 2015 the band shared a new track "Come Back" from the album.