2011 release, the first album in five years from the Experimental duo. Both the time invested, and the wait, have been well rewarded with this return. Common Era shows extraordinary progression from that first album of dense, scorched earth instrumentals, hints of a new direction having been revealed on the Colorless Record EP from 2008. The new material has such common pop elements as songs, vocals and drum machines, but the results could hardly be called conventional and are like little else happening on the current scene. The songs themselves are akin to radio transmissions received from another time and place, just as likely to be the future as the past, or even from a contemporary alternate universe. They are both passionate and dispassionate, grey yet technicolor, ghostly and palpable, distant yet immediate, grainy and focused. Upon listening these conceptual contradictions are dismissed with ease, as the recordings reveal that they fit all of these descriptors simultaneously, an extraordinary balancing act.

‘Heads Up’ was recorded after the band spent 2015 apart working on solo projects. Reuniting in January this year, the band started to work with producer Jacob Bercovici, whom they had worked on their debut EP ‘Exquisite Corpse’ – into the studio to begin work on the new LP.
The album was recorded in House on The Hill studio in downtown LA, their home studios and Papap’s Palace and for the first time ever, recorded in pairs and alone rather than as a full band.
‘The doors were a little more open in terms of what was accepted and what wasn’t, because we were sharing ideas so rapidly between us” says the band drummer Stella Mozgawa of the recording process. “
“Everybody was allowed to have their space, time and creative freedom with songs and figure out, ‘I wonder what the best notes would be? I wonder what the best would be to play?” says bassist Jenny Lee Linberg “Everybody got to sit and go, “What do I want to do to this? What’s my part? What’s My Role? How can I make it the best?”

If You See Me, Say Yes is the debut album by the Baltimore-based artist, Flock of Dimes, also known as Jenn Wasner of the indie band Wye Oak. The album was released on September 15, 2016 by Partisan Records.

A timely reissue of this prescient Midwest emo band’s back catalog—including their second and best album—shows how they transformed sadness into searching euphoria.

Direct Hits is a forthcoming greatest hits compilation album by American rock band The Killers, due for release on November 11, 2013 on Island Records. The album includes singles from the band's four studio albums to date, and features two new tracks, "Shot at the Night" and "Just Another Girl", produced by M83 and Stuart Price, respectively.
Regarding the album's release, vocalist Brandon Flowers noted, "This record feels like a great way to clean everything up and move onto the next thing."
Direct Hits was announced on September 16, 2013; the ten-year anniversary of the band's first UK show, which took place at London's Dublin Castle. Regarding this, Brandon Flowers noted, "We were so excited about being on English soil for the first time that night. I remember falling on my ass during "Jenny Was a Friend of Mine", but NME gave the show a positive review, and that really helped to launch us."
The album will be released in a deluxe format which includes a DVD documentary and three additional bonus tracks, including a demo recording of "Mr. Brightside" and a Calvin Harris remix of "When You Were Young".

22, A Million is part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. The album’s 10 poly-fi recordings are a collection of sacred moments, love’s torment and salvation, contexts of intense memories, signs that you can pin meaning onto or disregard as coincidence. If Bon Iver, Bon Iver built a habitat rooted in physical spaces, then 22, A Million is the letting go of that attachment to a place.

Devoted is a primal sonic rarity that delves head first into the heaviest subject matter of loss, love and heartache. A record that makes you head bang to anthems "Ride or Die" and "Devoted", this album is unapologetic in crossing the electronic/r&b genres while creating a world all its own.sounds like Massive Attack/Portishead meets the Weeknd

On her debut LP, Color, the LA based, singer-songwriter-producer Katie Gately has built seven maximalist electronic compositions based on the idea that more is more. Meticulously composed from layers of found sounds and manipulations of her own voice, Color pulses, lurches, and throbs with the excitement of a million barely-controlled ideas and the energy of a sped up cartoon. The cacophony of sounds could easily slide into chaos were it not for Gately's uncanny knack for melody. Even at their wildest, songs like "Tuck", "Sire", and "Frisk" all boast some sort of accessible emotional core - be it an earworm melody or the kind of winding, circular beat that becomes almost impossible not to hum or sing or feel.

这张同名电影的原创音乐专辑获得了空前的成功。专辑于1992年出版，收录12首歌曲和音乐，其中有6首歌曲惠妮·休斯顿演唱，其中一首《I'll Always Love You》至今仍是全球乐迷心中的至爱金曲。专辑获得了当年格莱美音乐奖“年度最佳专辑奖”。
惠妮·休斯顿同克莱夫·戴维斯一起参与了专辑的制作。同时，惠妮也是同名电影的主演。
专辑在澳大利亚、奥地利、巴西、加拿大、法国、德国、意大利、日本、荷兰、新西兰、挪威、瑞典、瑞士、英国以及美国都拿到排行榜冠军。单在美国，专辑的销量就达到17白金，全球销量更是达到惊人的4200万张，成为史上最畅销的电影原声专辑。

Bruce Springsteen在他的第五张专辑里探讨了“真正的人际关系”，即人在孤独中彼此寻找安慰的感觉，于是诞生了他的第一首Top 5歌曲《Hungry Heart》（饥渴的心），这首歌唱到了无数都市人的心里，加上Bruce随后举行的长期巡演，这张专辑在美国热卖了500万张，在欧洲也取得了非常大的影响。这张专辑本来想起名为The Ties That Bind，不过Bruce想来想去，觉得这个名字太过直白，于是用了The River，而这首歌也确实具有专辑同名歌曲的实力，非常动听。
本专辑在滚石杂志评出的500张历代最强专辑中排名第250位。