研究中国基督教（新教），本色化是一个无法回避的重要问题之一。什么是本色化？中国近现代较为著名的基督教学者们对它所下的定义不尽相同。应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括，认为所谓本色的基督教会应有以下几个特点：“一是中华国民的教会；二是根据中国基督教徒自己的经验而设立的；三是富有中国文化的质素的；四是要把基督教与中国文化合而为一的；五是能适合中华民族的精神和心理的；六是能使中国基督徒的宗教生活和经验合乎中国风土的。”
对于“本色化”这个名词的理解，教会人士从一开始就有不同的阐释，但大家都承认一个不争的事实：一种外来宗教要在某地生根，必须与当地的社会与文化相适应，否则必然被淘汰；对中国基督教来说，“本色化”就是跟随时代，调整自己，以适应中国的社会与文化的客观现实。事实上，基督教从传人中国的一开始就存在着与自身生存发展的“本色化”问题，这个问题也始终贯穿在中国基督教历史的进程中。本书着力对中国基督教的这一历史使命进行探讨，我们认为“本色化”、“本土化”、“处境处”等都是同义词，所以仍然使用“本色化”这个名词。历史就是历史，尊重历史是研究历史的基本原则。

《尘曲》分为游记，散文，小说，三个部分。游记和散文，皆配。以非常具有美感的旅途摄影插图。游记以行走路线为线索，所见所闻所感，行文清新淡雅，无不体现着作者高雅脱俗的审美情趣。散文则是对以往经历、情感的一次回顾和思考，对人生和世事的领会，字里行间蕴藏着丰盛的情感和的深度的思考。
全新创作小说《尘曲》讲述一个家庭在一天之间，集由机缘巧合，导致平和表面下的激烈矛盾集中爆发。故事如戏剧一般展开，每个家庭成员各自在心底的隐秘往事一幕幕上演：父亲早年的与前妻的情感纠葛；儿子作为一个非异性恋者隐藏多年的爱情故事；以及女儿在大学期间独特的经历。一个屋檐下的一家人却各怀心事，那些悲怆旧事宁肯与几近陌生的人分享却不肯与至亲之人坦白相对，全因中国式的亲情带着巨大疏离感和拒绝沟通的枷锁，细腻呈现出每个人内心深处痛苦的挣扎与纠结。

In Persepolis, heralded by the Los Angeles Times as “one of the freshest and most original memoirs of our day,” Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story.
In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.
Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.
As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up—here compounded by Marjane’s status as an outsider both abroad and at home—it is raw, honest, and incredibly illuminating.

"Prepare to be disturbed and blown away. The stuff is remarkable, amazing."--"Los Angeles Times""Good-Bye" is the third in a series of collected short stories from Drawn and Quarterly by the legendary Japanese cartoonist Yoshihiro Tatsumi, whose previous work has been selected for several annual "top 10" lists, including those compiled by Amazon and Time.com. Drawn in 1971 and 1972, these stories expand the prolific artist's vocabulary for characters contextualized by themes of depravity and disorientation in twentieth-century Japan. Some of the tales focus on the devastation the country felt directly as a result of World War II: a prostitute loses all hope when American GIs go home to their wives; a man devotes twenty years of his life to preserving the memory of those killed at Hiroshima, only to discover a horrible misconception at the heart of his tribute. Yet, while American influence does play a role in the disturbing and bizarre stories contained within this volume, it is hardly the overriding theme. A philanthropic foot fetishist, a rash-ridden retiree, and a lonely public onanist are but a few of the characters etching out darkly nuanced lives in the midst of isolated despair and fleeting pleasure.

A collection of short stories from the grandfather of Japanese alternative comics. Legendary cartoonist Yoshihiro Tatsumi is the grandfather of alternative manga for the adult reader. Predating the advent of the literary graphic novel movement in the United States by thirty years, Tatsumi created a library of literary comics that draws parallels with modern prose fiction and today's alternative comics. Designed and edited by one of today's most popular cartoonists, Adrian Tomine, "The Push Man and Other Stories" is the debut volume in a groundbreaking new series that collects Tatsumi's short stories about Japanese urban life. Tatsumi's stories are simultaneously haunting, disturbing, and darkly humorous, commenting on the interplay between an overwhelming, bustling, crowded modern society and the troubled emotional and sexual life of the individual.

《社会性自我:自我与社会面面观》包括了西方有关个体自我的一些观念、社会个体性的观念、自我的文化形成与历史形成、莱恩论分裂的自我与分裂的身体、作为认同与展演的生理性别和社会性别、社会饱和与饱和自我等内容。

这本诗集首次结集了张枣迄今为止所见的全部诗歌作品130多首，展示了这位当代最“低产”的杰出诗人的全部诗歌面貌。其中首次收集了诗人《镜中》之前的许多作品，给读者展示了一个《镜中》之前张枣。也收入了张枣后期的全部重要诗作。如《大地之歌》、《父亲》、《告别孤独堡》以及诸多短诗，包括张枣在病中的诗作。张枣生前的好友及学生搜集了诗人迄今能见到的全部诗作，编成这本诗集。

塞外江南的寓意，因愁予詩而明朗；臺灣鄉土的意識，在愁予詩中落實為山岳、海灣、村莊。此書收鄭愁予赴美以前全部作品為一巨冊，包括坊間各種詩集已錄及未錄之作，舊版原刊於一九七九年，風行海內外二十多年，現經詩人重編，全新排印，規模最大，體例最嚴，為研究和欣賞愁予詩者不可或缺的定本。

围绕三条线索展开：
美猴王大闹天宫是中国家喻户晓的神话故事，而《美生中国人》展现的是一个新鲜的美国版本，有练功，有复仇，有挑战，有失败，有救赎：美猴王有着与生俱来的王者气魄，精通玄妙的功夫和法术，为猴子猴孙敬仰，是世界上最伟大的猴子。但是他不甘心做只猴子，他大闹天宫，想要成为受人朝拜的天神。
美国的华裔少年王谨，在听妈妈讲完“孟母三迁”的中国古代故事之后，跟随父母从住了9年的旧金山唐人街搬到了纯粹的白人社区。他发现自己是学校里唯一的华裔，受尽了欺负，几乎没有朋友。更糟糕的是，他还爱上了一个白人女孩……
中国人钦西是美国人眼中刻板的中国佬形象，聪明而粗俗，令人生厌。他每年都会从中国去看望美国的表弟丹尼，扰乱他的生活。而丹尼是一名篮球运动员，学校的风云人物，每年都不得不转学以逃避钦西带来的羞耻。这一年，情况更糟了……
到最后，三条看似毫不相干的线索神奇地融合在一起，令人赞叹地形成了一个融入中国功夫和校园风云的现代寓言，喧闹而发人深醒。这本了不起的漫画线条简单流畅．糅合了中西画风，在东方化的动作和对白设计中，又处处散发出西式幽默。这个以崭新手法讲述ABC少年痛苦，艰辛的身份认同的故事，这趟情节起伏跌宕、峰回略转的自我发现之旅，引起读者的不断喝彩，使越来越多的人坚信：作者杨谨伦是个天才。
《美生中国人》是第1本进入美国小学课本的漫画书；第1本入围美国国家图书奖的漫画书；第1本荣获美国普林兹文学奖的漫画书。
亚马逊网站2006年度最佳漫画书 《出版人周刊》2006年度最佳图书、最佳漫画书、鲁本奖2006年最佳漫画书奖。
埃斯纳奖2007年最佳漫画新书奖。
天才画家用五年心血打造的自传体漫画，借美国版《西游记》诉说美国华人的困境！
中英文双语版方便学习地道校园美语，告诉你一个华裔美国梦的真实侧面，考托福、送孩子出国前一定要看《美生中国人》！

这是池莉的中短篇小说集，系《池莉经典文集》中的一种，包括《你以为你是谁》、《化蛹为蝶》、《绝代佳人》、《汉口永远的浪漫》、《两个人》、《云破处》、《霍乱之乱》、《不要与陌生人说话》、《致无尽岁月》九个中短篇小说。这些小说绝大多数写于新世纪。小说写得激情澎湃，非常吸引人，可读性极强。

《韦伯作品集》总序 余英时
序言 苏国勋
说明 康乐
前言
第一部 新教伦理与资本主义精神
文献
第一卷 问题
第一章 宗教信仰与社会阶层
第二章 资本主义的精神
第三章 路德的职业观：研究的课题
第二卷 禁欲新教的职业伦理
第一章 人世禁欲的宗教基础
第二章 禁欲与资本主义精神
第二部 新教教派与资本主义精神
附录
译名对照表
索引

Numerous reports of “cancer villages” have appeared in the past decade in both Chinese and Western media, highlighting the downside of China’s economic development. Less generally known is how people experience and understand cancer in areas where there is no agreement on its cause. Who or what do they blame? How do they cope with its onset? Fighting for Breath is the first ethnography to offer a bottom-up account of how rural families strive to make sense of cancer and care for sufferers. It addresses crucial areas of concern such as health, development, morality, and social change in an effort to understand what is at stake in the contemporary Chinese countryside.
Encounters with cancer are instances in which social and moral fault lines may become visible. Anna Lora-Wainwright combines powerful narratives and critical engagement with an array of scholarly debates in sociocultural and medical anthropology and in the anthropology of China. The result is a moving exploration of the social inequities endemic to post-1949 China and the enduring rural-urban divide that continues to challenge social justice in the People’s Republic. In-depth case studies present villagers’ “fight for breath” as both a physical and social struggle to reclaim a moral life, ensure family and neighborly support, and critique the state for its uneven welfare provision. Lora-Wainwright depicts their suffering as lived experience, but also as embedded in domestic economies and in the commodification of care that has placed the burden on families and individuals.
Fighting for Breath will be of interest to students, teachers, and researchers in Chinese studies, sociocultural and medical anthropology, human geography, development studies, and the social study of medicine.
12 illus.
http://www.uhpress.hawaii.edu/p-8979-9780824836825.aspx

Deep China investigates the emotional and moral lives of the Chinese people as they adjust to the challenges of modernity. Sharing a medical anthropology and cultural psychiatry perspective, Arthur Kleinman, Yunxiang Yan, Jing Jun, Sing Lee, Everett Zhang, Pan Tianshu, Wu Fei, and Guo Jinhua delve into intimate and sometimes hidden areas of personal life and social practice to observe and narrate the drama of Chinese individualization. The essays explore the remaking of the moral person during China’s profound social and economic transformation, unraveling the shifting practices and struggles of contemporary life.

晓南，人太不一样，秉性最后显出来的时候，太残酷。但毕竟有过那如花如月的一刻，我们在一起，向这边看着。照片还是挺美好的，再给我一点照片吧。

在书里有我们所有见面的日子。出书的时候我不一定看得到了。
－－顾城

Despite massive changes to its economic policies, China continues to define itself as socialist; since 1949 and into the present, the Maoist slogan "Serve the People" has been a central point of moral and political orientation. Yet several decades of market-based reforms have resulted in high urban unemployment, transforming the proletariat vanguard into a new urban poor. How do unemployed workers come to terms with their split status, economically marginalized but still rhetorically central to the way China claims to understand itself? How does a state dedicated to serving "the people" manage the poverty of its citizens? Mun Young Cho addresses these questions in a book based on more than two years of fieldwork in a decaying residential area of Harbin in the northeast province of Heilongjiang.
Cho analyzes the different experiences of poverty among laid-off urban workers and recent rural-to-urban migrants, two groups that share a common economic duress in China's Rustbelt cities but who rarely unite as one class owed protection by the state. Impoverished workers, she shows, seek protection and recognition by making claims about “the people” and what they deserve. They redeploy the very language that the party-state had once used to venerate them, although their claim often contradicts government directives regarding how “the people” should be reborn as self-managing subjects. The slogan “serve the people” is no longer a promise of the party-state but rather a demand made by the unemployed and the poor.

China's one-child rule is unassailably one of the most controversial social policies of all time. In the first book of its kind, Susan Greenhalgh draws on twenty years of research into China's population politics to explain how the leaders of a nation of one billion decided to limit all couples to one child. Focusing on the historic period 1978-80, when China was just reentering the global capitalist system after decades of self-imposed isolation, Greenhalgh documents the extraordinary manner in which a handful of leading aerospace engineers hijacked the population policymaking process and formulated a strategy that treated people like missiles. Just One Child situates these science- and policymaking practices in their broader contexts--the scientization and statisticalization of sociopolitical life--and provides the most detailed and incisive account yet of the origins of the one-child policy.

Placing meanings of health and disease at the center of modern Chinese consciousness, Ruth Rogaski reveals how hygiene became a crucial element in the formulation of Chinese modernity in the nineteenth and twentieth centuries. Rogaski focuses on multiple manifestations across time of a single Chinese concept, weisheng—which has been rendered into English as "hygiene," "sanitary," "health," or "public health"—as it emerged in the complex treaty-port environment of Tianjin. Before the late nineteenth century, weisheng was associated with diverse regimens of diet, meditation, and self-medication. Hygienic Modernity reveals how meanings of weisheng, with the arrival of violent imperialism, shifted from Chinese cosmology to encompass such ideas as national sovereignty, laboratory knowledge, the cleanliness of bodies, and the fitness of races: categories in which the Chinese were often deemed lacking by foreign observers and Chinese elites alike.