收录了从周、秦至齐、梁约七、八百年间的一百三十几个知名作家和少数佚名作者的文章。并将这些文章分为三十八类。

杜甫堪称中国最伟大的诗人，历来注释和诠解杜诗的数以百家计。杜甫人生经历坎坷，其诗实际上是他所有人生经历的一个心灵史，而其诗歌所反映的社会生活的深度和广度也是很少有诗人可以与之并比的。杜甫的诗包括古体诗到近体诗，在原来范例之上开创了很多新的体制。本书选录了唐代大诗人杜甫各时期代表作品二百多首，广泛汲取了前人研究杜诗的成果，对所选诗篇作了翔实注释。前言对杜甫的诗艺作了详尽的评价。

European history of the past century is full of examples of philosophers, writers, and jurists who, whether they lived in democratic, communist, or fascist societies, supported and defended totalitarian principles and horrific regimes. But how can intellectuals, who should be alert to the evils of tyranny, betray the ideals of freedom and independent inquiry? How can they take positions that, implicitly or not, endorse oppression and human suffering on a vast scale?
In profiles of Martin Heidegger, Carl Schmitt, Walter Benjamin, Alexandre Kojeve, Michel Foucault, and Jacques Derrida, Mark Lilla demonstrates how these thinkers were so deluded by the ideologies and convulsions of their times that they closed their eyes to authoritarianism, brutality, and state terror. He shows how intellectuals who fail to master their passions can be driven into a political sphere they scarcely understand, with momentous results for our intellectual and political lives.

胡晴舫 全新小說力作
跨越台北、香港、澳門、東京、紐約，驚心動魄的戀人絮語
收集了這麼多世人的愛，要拿這大量的愛來做什麼？
人如基本粒子，懸浮在塵世
你要繼續跟我說，那座駐在你心頭的城市──
這座城市給了他們一切關於生活的想像
這是他們理解的城市，他們知道的唯一城市
那是他們稱之為家的地方
清晨的年輕男子之死。中年小說家身後的私密筆記。喪夫女子的異鄉邂逅。退休一族老愛跟自己唱反調的惡妻。延遲畢業的萬年研究生。返鄉落地失根的獨立書店老闆。高級飯店裡揮金如土的貴婦。菁英經理人即將飛往他方的最後一夜。
人人各自懷抱心事錯身而過。之間隔著的不僅生死，還有一種非常寂寞的東西。無論此刻何時，如何孤獨痛苦虛無，人對生的渴望如蜉蝣，再微小卻從不停止生息漂流。蛇樣蜿蜒，虛線般連結，命運將這些人生深深淺淺串聯相接，在最微眇之處。生命存在的本質就像在陽光下跳舞的灰塵，那般閃爍光亮，那麼耽美，卻又不可名狀地深深孤獨。
要不考慮後果地去活，不怕人生重組。
時間無論如何都會朝直線進行。
能夠改變心意隨時隨地過起另一種完全不同的日子，那是活人的權利。
死了，便沒有三心二意的餘地了。

不要再跟下一代喊話了
請看看你們手中的權力，問問自己能做些什麼
每一個人的前途，就從這一刻開始倒數
★知識分子的良心思索，全球性犀利的時論觀點
★作家　胡晴舫　年度重磅文集
跨越世紀第一個十年，歷經全球化神話崩解、世代正義、金融海嘯、地球暖化、娛樂八卦風、中產階級消失、青年失業潮席捲而至。我們活在名為焦慮的年代。
我們的世代，群眾面貌多元而繽紛。這些臉孔可以是青年學子，世界的未來與可能性，與他們緊密相連；可以是剛出社會的年輕一代人，面臨的是世代正義的問題，抵擋經濟崩壞的強大無力感，仍舊欲望行動，懷抱改變社會的理想；可以是如你我他的青壯年族群，中產階級，該是安身立命的時候；更有的是為生活打拚一輩子的年長者，他們關心未來，關心下一代的生活。不分世代，所有人都在面臨變化，每個人都被時代的浪潮衝撞動搖，我們必須做出改變。
作家胡晴舫做為一名思想者，長期在各大報刊專欄冷眼熱心剖析，身為此代人，我們所熱切的、我們的責任、我們追求的自由等種種公民倫理課題。人類總是預言世界的毀滅，指出現今體制的崩壞，並一再強調我們所熟知的世界如何之不可行。但世界崩毀或不崩毀，假設人類仍將繼續活下去，就算我們是最壞的一代人類，我們該當如何？
世界已然改變，觀念才是革命，思想就是力量。
在新的世界裡，無人是真正的孤島。
「改變社會現狀，不代表要發起一場革命，而是要靠所有人一點一滴把自己的社會角色扮演好。尤其是握有權力的人，他們的社會責任與影響力更值得期待。一個人在他的權力位置願意堅持一件事，就會改變一個社會細節。即使是一點點，都是開始。
我的中心思想無非就是思索在如此時代中當『人』的意義。資訊瘋狂流通，人群不停碰撞，許多道德倫理每天不斷調整變化，我就是一直在思考這些新道德、新倫理的要求與合理性，而作為一個『人』，我如何安身立命。
我想，重點是改變議題的方向。」
──胡晴舫

A revolutionary figure in the literary avant-garde of his time, Antonin Artaud (1896-1948) is now seen to be central to the development of post-modernism. His writings comprise verse, prose poems, film scenarios, a historical novel, plays, essays on film, theater, art, and literature, and many letters. Susan Sontag's selection conveys the genius of this singular writer.

本书是法国戏剧大师安托南·阿尔托论述戏剧的名著，其中包括论述的文章、讲座、宣言以及信件。阿尔托主张戏剧应该是残酷的，应该表现“生的欲望、宇宙的严峻以及无法改变的必然性”。戏剧的功力在于使观众入戏，观众不再是外在的、冷漠的欣赏者。在理想的剧场中，舞台与观众席应融于一体。此外，在戏剧的表现手段中，最重要的表现手段已不再是舞台对白，而是形体语言，通过形体语言表达有声语言所无力表达的一切。这就要求导演的作用举足轻重，他需要在舞台空间中创造。

Genetically modified food, art in the form of a phosphorescent rabbit implanted with jellyfish DNA, and robots that simulate human emotion would seem to be evidence for the blurring boundary between the natural and the artificial. Yet because the deeply rooted concept of nature functions as a cultural value, a social norm, and a moral authority, we cannot simply dismiss the distinction between art and nature as a nostalgic relic. Disentangling the cultural roots of many current debates about new technologies, the essays in this volume examine notions of nature and art as they have been defined and redefined in Western culture, from the Hippocratic writers' ideas of physis and techne [note: bar over e] and Aristotle's designation of mimetic arts to nineteenth-century chemistry and twenty-first century biomimetics. These essays--by specialists of different periods and various disciplines--reveal that the division between nature and art has been continually challenged and reassessed in Western thought. In antiquity, for example, mechanical devices were seen as working "against nature"; centuries later, Descartes not only claimed the opposite but argued that nature itself was mechanical. Nature and art, the essays show, are mutually constructed, defining and redefining themselves, partners in a continuous dance over the centuries.ContributorsBernadette Bensaude-Vincent, Horst Bredekamp, John Hedley Brooke, Dennis Des Chene, Alan Gabbey, Anthony Grafton, Roald Hoffmann, Thomas DaCosta Kaufmann, William R. Newman, Jessica Riskin, Heinrich Von Staden, Francis Wolff, Mark J. Schiefsky Bernadette Bensaude-Vincent is Professor of History at the University of Paris X. She is the author of A History of Chemistry and other books. William R. Newman is Ruth Halls Professor of History and Philosophy of Science at Indiana University, Bloomington. He is the coeditor of Secrets of Nature (MIT Press, 1999) and author or editor of several other books.

With the unusual clarity, distinctive and engaging style, and penetrating insight that have drawn such a wide range of readers to his work, Ian Hacking here offers his reflections on the philosophical uses of history. The focus of this volume, which collects both recent and now-classic essays, is the historical emergence of concepts and objects, through new uses of words and sentences in specific settings, and new patterns or styles of reasoning within those sentences. In its lucid and thoroughgoing look at the historical dimension of concepts, the book is at once a systematic formulation of Hacking's approach and its relation to other types of intellectual history, and a valuable contribution to philosophical understanding. Hacking opens the volume with an extended meditation on the philosophical significance of history. The importance of Michel Foucault--for the development of this theme, and for Hacking's own work in intellectual history--emerges in the following chapters, which place Hacking's classic essays on Foucault within the wider context of general reflections on historical methodology. Against this background, Hacking then develops ideas about how language, styles of reasoning, and "psychological" phenomena figure in the articulation of concepts--and in the very prospect of doing philosophy as historical ontology.

Religion in India is an ideal first introduction to India's fascinating and varied religious history. Fred Clothey surveys the religions of India from prehistory and Indo-European migration through to the modern period. Exploring the interactions between different religious movements over time, and engaging with some of the liveliest debates in religious studies, he examines the rituals, mythologies, arts, ethics and social and cultural contexts of religion as lived in the past and present on the subcontinent. Key topics discussed include: Hinduism, its origins and development over time minority religions, such as Christianity, Judaism, Islam, Sikhism, Zoroastrianism, Jainism and Buddhism the influences of colonialism on Indian religion the spread of Indian religions in the rest of the world the practice of religion in everyday life, including case studies of pilgrimages, festivals, temples and rituals, and the role of women Written by an experienced teacher, this student-friendly textbook is full of clear, lively discussion and vivid examples. Complete with maps and illustrations, and useful pedagogical features, including timelines, a comprehensive glossary, and recommended further reading specific to each chapter, this is an invaluable resource for students beginning their studies of Indian religions.

中国人的特性：全译本，ISBN：9787801450371，作者：（美）明恩溥著；匡雁鹏译

这是一部湮没百年的中文译著，鲁迅先生生前曾向国人郑重推荐此书，但对些一译本，竟未曾得见。今予重印，旨在重视当时中国社会顽固保守的时代氛围下，那些痛感国家落后、人民蒙昧的留学业生们企望国人乘此卧薪尝胆、以求自立的一片苦心。尤为可贵的是，他们实际上是在借此呼吁一场反省民族气质、改造和完善民族性格的思想运动。

《成为和平饭店》以一栋建筑为主线。讲述了和平饭店这一富何象征意义、遍布历史遗痕的上海纪念碑式建筑的前世今生。作者以非虚构小说的方式介入历史，以细节和史实为经纬，交织人物与故事，构成一部亦真亦幻的建筑生命史。成为“和平饭店”，成为上海的历史见证——陈丹燕为我们展现了一座建筑在时光穿梭中往复飘荡的风景，和一座城市在风云激荡中缄默却不息的记忆……

前一组文字，美如雪晴风景，无处不闪烁着大自然的神性光泽。人事方面，却多阻滞，导致山乡人充沛而活跃的生命力四散横溢，铸就形形色色的莫测命运。又因世风日坏，前景暗淡，增人隐忧。
另一组文字，写的亦属一活跃生命，少年时的放纵，青年时的压抑，处处可见沈从文自己的影子。

This profound appraisal of post-9/11 America considers the conditions of heightened vulnerability and aggression that followed from the attack on the US, and US retaliation. Judith Butler critiques the use of violence that has emerged as a response to loss, and argues that the dislocation of first-world privilege offers instead a chance to imagine a world in which that violence might be minimized and in which interdependency becomes acknowledged as the basis for a global political community. Butler considers the means by which some lives become grief-worthy, while others are perceived as undeserving of grief or even incomprehensible as lives. She discusses the political implications of sovereignty in light of the prisoners in Guantánamo Bay. She argues against the anti-intellectual current of contemporary US patriotism and the power of censorship during times of war. Finally, she takes on the question of when and why anti-semitism is leveled as a charge against those who voice criticisms of the Israeli state. She counters that we have a responsibility to speak out against both Israeli injustices and anti-semitism, and argues against the rhetorical use of the charge of anti-semitism to quell public debate.

肖全历经十余年拍摄完成的《我们这一代》，是对中国50-60年代出生的知名文化艺术界人士进行影像建档。这些年来，他遍访散落在中国各地的艺术家、文学家，在他的笔记本上排列着以自己的标准选择出的长长的名单，并且随着时间和工作的进行，这个名单还在不断地变化和丰富。肖全怀着对同代人命运的关怀，怀着对人本身的同情和热爱，象一道和煦的阳光轻柔地穿过这一代人的生活，用他手中的相机为每一位被访者投射下一幅温存的造像。而他对人物性格的精准把握，以及他与这一代人广泛密切的交往，也使得他的照片集超越了个人行为的层次，而成为具有社会意义的影像工程。肖全，用他的温情和执着，见证了这一代人的生存，折射出了他们的痛苦与欢乐，彷徨与坚持，而在这一切之上，是对生命的永恒关怀。

共5冊。
着名的女明星应为害怕岁月带来的衰老，预备了一个“女儿”，进行换脑手术。十分诡异的题材，但结局是绝对出于意料的。在此卖个关子。虽然题材的诡异和不可思议，但排除所谓换脑手术的可实行性，其余所有的情节安排十分之合理和符合逻辑，这样说的前提是需要读者有绝对仔细的观察力，和细致的阅读。

我人生有两大转折点：一是父亲送我进牛津，一是社会送我进监狱。碰上你，对我是危险的，而在那个特定时候碰上你，对我则成了致命。命运将我们两个互不相干的生命丝丝缕缕编成了一个血红的图案，你的确真心爱过我。即使你拒绝收我的信，我也会照写不误，这样你就会知道，不管怎样，总是有信在等着你。
《自深深处》是王尔德写给他的同性恋伙伴道格拉斯的一封长信，这封信是王尔德在牢狱生活的最后几个月内写成的，信中充满了以道格拉斯爱恨交织的情绪，同时还集中阐述了王尔德的艺术观、生活观。