beegie代尔长大在山洞市，肯塔基，在那里她五岁开始上钢琴课。她在大学继续学习钢琴，获得学士学位音乐教育在西方国家的大学在保龄球绿色，肯塔基。期间和之后，她在爵士乐队，并花了三年的音乐教学前儿童转移到纳什维尔，在那里她成为会议的音乐家，在wsm-tv对强尼秀（1969年- 71）。她和她的丈夫也开始了一个叮当写音乐的广告公司。
1982，她和萨克斯丹尼斯素莉形成adair-solee四方，这演变成比波普合作社，爵士六重奏。她把她的第一张专辑以她自己的名字，逃往纽约，有节奏的组成部分和格雷戈瑞哈钦森·克兰肖。但她随后的专辑，坦率的西纳特拉收集，收集的纳京高，与爵士钢琴圣诞，是由贝司手和鼓手克里斯棕色罗格·。
早期她曾担任ABC-TV电视台“The johnny Cash Show”这个节目的内部钢琴家，1991年Beegie Adair在Consolidated Artists旗下与贝斯手Bob Cranshaw和鼓手Greg Hutchinson合作录制了她的第一张三重奏专辑---“Escape To New York”.

全世界熱狂のファンタジーコミックが今、アニメーション映画の最高峰へ!
《ベルセルク・サーガプロジェクト》始動 【黄金時代篇】2012年、3部作で登場!
運命の別れは、"破滅"への序章。
ここから、本当のベルセルクが始まる。
・鷺巣詩郎による楽曲解説
・収録曲のうちの1曲スコアをまるまる掲載!
・豪華三方背ボックス
・デジパック仕様

Robert Hunter Caldwell is an American singer and songwriter who recorded the hit single "What You Won't Do for Love" in 1978. After several R&B and smooth jazz albums, Caldwell turned to singing standards from the Great American Songbook.

坂本龍一の楽曲に大貫妙子が言葉を紡ぎ唄うアルバム「UTAU(うたう)」発売決定!アルバムリリース後、11/18からの全国ツアーも既に発表になっています。この品番はDISCー1のインストCD付2枚組、永続リパック、6面12Pカバー仕様。ジャケットA。

Kenny Burrell - guitar
Will Davis - piano
Martin Rivera - bass
Bill English - drums
Ray Barretto - congas

于2000年6月13日推出的这张万人瞩目的专辑由Eric Clapton与B.B. King两位重量级人物合作，专辑的名字也起得颇具王者风范：《Riding With The King》。
Clapton为《逃跑的新娘》所写歌曲“Blue Eyes Blue”反响不错，虽然年纪越来越大，他却总是能为乐坛带来清新之风。而B.B.King在布鲁斯音乐方面的权威性正像他的吉他演奏技巧一样不容质疑。两个人的年纪加起来都超过一百岁了，做布鲁斯却是正合适。
专辑中的曲目也是一目了然：“Three O'Clock Blues”，“Worried Life Blues”,'When My Heart Beats Like a Hammer'...无处不展示出这是一场布鲁斯音乐的盛宴，或许更能为比较年长的歌迷带来美妙回忆

◎葛莱美奖最佳现代爵士王牌制作人Marcus Miller
◎吉他之神Eric Clapton跨刀献唱主题曲Silver Rain
◎贝斯吉他之神究极名家倾全力打造当代融合爵士最佳典范
一九五九年出生的马克思米勒，自七○年代纵横乐坛，至今四十余载，乐风横跨爵士、节奏、放克到摇滚，无一不精纯熟练，这位名满天下神乎其技的贝斯乐手，同时身兼作曲/编曲/制作等多重身分，让他位于世界乐坛的顶端，相继为大牌乐手如迈尔士戴维士、戴维山朋等人制作专辑。二○○二年的专辑M2 获得葛莱美奖最佳现代爵士专辑的殊荣。
马克思米勒的第6张专辑＜银雨＞，受到Langston Hughes的诗作 "In Time of Silver Rain"的心灵启发，新作呈现融合、跨界的概念上有更深层的诠释，将放克、古典、爵士、?#123;?#123;、雷鬼、电子、世界音乐等不同元素揉合而共治一炉结合音乐洗涤人心的概念。深厚的爵士底韵铺陈着丰富多元的融合色彩，创意技巧上乘而跳脱老爵士的巢臼。除全新创作之外，马克思以其独到的jazz-funk手法翻玩从Stevie Wonder、Edgar Winter、Duke Ellington、Prince、Jimi Hendrix到贝多芬等乐坛巨星的作品，
邀得Eric Clapton、Macy Gray、Gerald Alright等星光熠熠的明星乐手跨刀助阵，创作演译一首首让听者如沐春风的新型态smooth爵士音乐。
为纪念李小龙而来的地道funk爵士佳作Bruce Lee，深具巴黎风味的抒情小品“La Villette”，透过女伶Lalah Hathaway醇美嗓音，轻盈而写意；以放克爵士技巧与隐约唱片刮碟效果翻玩之七○年代摇滚经典“Frankenstein”听来更是别有风味；贝多芬名作“Moonlight Sonata”在funk bass演译之下，一股淡淡moody情怀油然而生，最令人惊喜的是由吉他之神Eric Clapton所弹奏演唱的雷鬼?
#123;?#123;作品“Silver Rain” 与雷鬼宗师巴布马利相较有过之而无不及；而马克思更与客席女伶Lalah Hathaway演唱一首“It’ll Come Back to You”，展现在贝斯弹奏之外的非凡才华。
喜爱Bass Guitar的乐迷，别错过这张已俨然是当代Fusion Jazz的新典范。

Digitally remastered reissue of this 1977 album from the poet/musician, a collaboration with keyboardist Brian Jackson. On this album, Jackson plays synthesizer bass, one of the earliest uses of an instrument that was to reshape the sound of Soul music in the '80s. 'Racetrack In France' and 'Hello Sunday Hello Road' are joyful up tempo tracks reflecting experiences from life on the road. 'We Almost Lost Detroit' tells of a near accident at a nuclear power station that had the potential to wipe the motor city off the map. In 'Delta Man (Where I'm Coming From)', you can hear the deep emotion in Gil's voice as he reflects on his ancestry. Nine tracks. Soul Brother Records.

Official Mr Bongo reissue – gatefold LP with insert. Replica original artwork. Mastered from original tapes.
A post-Tropicalia masterpiece from one of the movements key figures and true legends of Brazilian music, Gal Costa. Features a stellar line up of musicians including Gilberto Gil, Arthur Verocai, Dominguinhos, Rogério Duprat and Tenorio Jr. amongst others.
Replica original gatefold including the cover that was banned by the Brazilian military government in 1973 during the brutal dictatorship.
‘India’ includes the incredible ’Pontos De Luz’ as sampled by Kaytranada on ’Lite Spots’ – one of our favourite Brazilian songs of all time. A wonderful album from start to finish, touching on MPB, folk, jazz, funk and rock with strong Tropicalia and Nordestino influences throughout.
A record that we have long been wanting to reissue! Licensed courtesy of Universal Music Group Limited.

板橋文夫、川崎遼等のグループで活躍していた名古屋市出身のジャズトロンボーン奏者「向井滋春」の'80リーダー・アルバム。

The album was recorded at Van Gelder Studio with the Classic Quartet in between the Crescent and A Love Supreme sessions for the film Le chat dans le sac.Director Gilles Groulx was friends with Jimmy Garrison and he used that relationship to request songs for Coltrane's quartet to record.Groulx flew to the United States to attend the recording sessions for Coltrane's only soundtrack work and Coltrane recorded it without informing his record label. After three hours in the studio, Groulx took the master tapes with him to Canada.When the director ended up shelving most of the music, it went unreleased until 2019, when Coltrane's long-time label Impulse! Records decided to release it, with the original composition "Blue World" being released on August 16, 2019 along with the announcement of the album.
The recordings were stored away until the early 21st century, when an archivist from the National Film Board of Canada was tasked with assembling Groulx's work; the government agency negotiated with Impulse! to have the album released. This album comes a year after the successful release of Both Directions at Once: The Lost Album, also from Impulse!, capturing a Classic Quartet session from 1963 and is part of a trend of unreleased albums from 1950s and 1960s jazz greats released in the 2010s.
Recorded - June 24, 1964
Studio - Van Gelder Studio, Englewood Cliffs, New Jersey, US
John Coltrane – leader, composer, tenor saxophone, soprano saxophone, production
Jimmy Garrison – double bass
Elvin Jones – drums
McCoy Tyner – piano

Allan Holdsworth (6 August 1946 – 15 April 2017) was a British jazz fusion and progressive rock guitarist and composer. Holdsworth was known for his estoteric and idiosyncratic usage of advanced music theory concepts, especially in regards to melody and harmony.