《让·艾什诺兹》由湖南美术出版社出版。
让·艾什诺兹已经在法国的文学风景里打上了自己深深的印记，这也许是因为他的作品比别人的作品向我们讲述得更好、更有力。也因为他以某种方式占有我们的时代，用他的语言和思维习惯、生活方式、新的文化实践和他自己的想象，用成为时代认知符号的戏拟精神和虚假的漫不经心。最后，还有在冒充微不足道的小事件上捕捉住意义的碎片的艺术。
在他的作品深处，任何相遇都是可能的：儒尔·凡尔纳和让·吕克·戈达尔，热纳·斯特劳斯和布莱希特，查理·帕克和让·帕特里克·芒谢特，小说在这变成了各种类型各个时代的各种美学实践的令人开心的博物馆，最终总是构建出某种意义。
让·克洛德·勒布伦是教授，在《人道报》上主持文学专栏，已出版过《新小说领域》。

本书是我省著名摄影家吴家林先生的一部摄影作品集。书中收录照片200多幅，对人与自然、人与社会、人与历史和文化、人与生存环境作了很好的诠释。

The year 2000 marks issue 200 and year 20 for i-D magazine. What better way to celebrate than make a book? As founder and editor-in-chief Terry Jones writes, "A cross between a menu and a diary, Smile i-D maps the magazine's journey beyond the veneer of regular fashion." Now that most of us consider i-D a household name, it's interesting to be reminded that 20 years ago, street fashion was a nascent concept. Finding music and street culture more interesting than the traditional fashion world, Terry Jones abandoned his post as Art Director at British Vogue in 1977 to embark on a journey that has revolutionized not only the world of fashion magazines, but arguably fashion itself.
Blending fashion and social documentation, early issues of i-D (major collector items now) were 40 pages stapled together which sold for 50p. Journalistic in spirit and revolutionary in form, the magazine sought to show the world the gritty, real side of fashion as seen in the streets of London- kilts, mohawks, safety pins and all. When newsagents hesitated to sell i-D because of finger injuries resulting from the staples, early supporters helped by selling issues from the trunk of a Cadillac. Lots of teamwork and innovation brought i-D to the forefront of contemporary fashion culture and today it can be found at newsstands practically everywhere on the globe (minus the staples).
Smile i-D incorporates a single spread from each issue of the magazine thus far. Watch out for the stars who appeared here before the rest of the world even knew who they were. And don't forget to check out the Madonna cover from issue 14: why is the mole on the wrong side of her face? You'll have to read the book to find out.

【本书目录】
Introduction 7
Why Vintage?
THe Clothes 14
Great vintage pieces worn by women
like you. Each piece is shown as part of
three different outfits-for casual, work,
and evening wear.
Index to the Clothes 164
Tops, skirts, pants, dresses, coats, suits,
jackets, sweaters.
Classics and Versatile 166
Vintaqe Finds
Always right, always in style, these
perennials will enhance anyone's
wardrobe.
How and Where to Shop 194
for Vintage Clothes
List of Selected Vintage 234
Dealers
How to Care for Your 237
Vintage Finds

The bestselling, definitive account of the 1960s Mod movement. With over 150 dazzling photographs the book reveals the reality of the movement in dances, clothes, style and scooters. The book contains ephemera gathered from the earliest days of Mod, from the seaside to Carnaby Street, as well as a glorious celebration of a lifestyle, gratifyingly accurate and visually meticulous.

Diane Arbus redefined the concerns and the range of the art she practiced. Her bold subject matter and photographic approach have established her preeminence in the world of the visual arts. Her gift for rendering strange those things we consider most familiar, and uncovering the familiar within the exotic, enlarges our understanding of ourselves.
Diane Arbus Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus’s frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world.
The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, “The Question of Belief,” by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and “In the Darkroom,” a discussion of Arbus’s printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist’s eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist’s letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer’s friends and colleagues by Jeff L. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus’s controversial and astonishing vision.

The biggest and most expensive book production in the 20th century

SUMO is a titanic book in every respect: it is a tribute to the twentieth century's most influential, intriguing and controversial photographer. Measuring 50 x 70 cm (20 x 27.5 inches) and weighing approx. 30 kg (66 lb.), the book contains 464 pages, breaking any previous record. SUMO is a truly unique publication.

SUMO, edited by June Newton, features a wide selection of over 400 pictures, most of which are published for the first time, covering every aspect of Newton's outstanding career in photography: from his stunning fashion photographs, which pointed the way for generations of photographers, to his nudes and celebrity portaits.

In defiance of the much-loved Japanese discipline that inspired the title of this colossal work, there is no need for it's proud owner to wrestle with SUMO. Philippe Starck has designed a unique device for displaying the book at home.

SUMO is available to all Newton fans and photo devotees in a limited edition of 10 000 copies, all numbered and signed by the artist.

In the previous century, photography helped shape art; in the current one, it has begun to dominate it. Not only are major international museums and galleries mounting blockbuster exhibitions, but art photographers are also being celebrated as contemporary masters and their work commands unprecedented prices. This indispensable survey presents the work of 76 of the most important and best-known art photographers in the world: Andreas Gursky, Thomas Struth, Cindy Sherman, Jeff Wall, Sophie Calle, Wolfgang Tillmans, Nan Goldin, Martin Parr, Allan Sekula, Boris Mikhailov, Inez van Lamsweerde, Stephen Meisel, Philip-Lorca diCorcia, Sam Taylor-Wood, and many more are featured in its pages. Susan Bright, former Curator of Photographs at London's National Portrait Gallery, has organized the book into seven sections--City, Portrait, Document, Object, Landscape, Fashion, and Narrative--and provides an introductory essay for each. Along with each photographer's works, presented in sequence within those divisions, Bright's commentaries provide context and depth, and quotations from the artists themselves offer valuable insights into the motivation, inspiration, and intentions behind the work. Following in the tradition of Photography Past/Forward: Aperture at 50 and the Photography Speaks series, this volume will become an essential resource for curators, collectors, scholars, practitioners, and anyone who wants comprehensive, up-to-date exposure to the state of the medium today.

The turbulence of the 1960s permanently changed social and cultural values around the world. British author and editor Perry (Magic Movie Moments), who has written extensively on popular culture and the performing arts, has compiled this photojournalism series from the works of numerous photographers. Each volume uses the same format, beginning with a short introduction that sets the stage for approximately 100 clear, briefly captioned photographs, most in black and white, and concluding with a more detailed list of captions. Featured are the fashions (notably designer Mary Quant's miniskirts), the hippie movement, anti-Vietnam War protests, college campus sit-ins, race riots, the drug scene, the pop art movement, psychedelic imagery, and other happenings. Prominently pictured are the celebrities of the era, who include political figures, activists, entertainers, writers, and artists such as Bardot, Warhol, Joplin, Twiggy, and Truffaut. For the most complete overview of the era's defiant attitudes, confrontations, and anything-goes lifestyles and how they affected each city, libraries should purchase all four volumes. Recommended for popular culture, photojournalism, and young adult collections. Joan Levin, M.L.S., Chicago
Copyright 2001 Reed Business Information, Inc.

"Diane Arbus was no a theorist but an artist. Her concern was not to buttress philosophical positions but to make pictures. She loved photography for the miracles it performs each day by accident, and respected it for the precise intentional tool that it could be, given talent, intelligence, dedication and discipline. Her pictures are concerned with private rather than social realities, with psychological rather than visual coherence, with the prototypical and mythic rather than the topical and temporal. Her real subject is no less than the unique interior lives of those she photographed."--John Szarkowski, 1972, Director, Department of Photography, The Museum of Modern Art
"I have never seen pictured like them before, and I am sure I will never see their equal again. They are the product of something beyond the camera, the result of a long, complex and intensely human process. No one can go into the street tomorrow and take a Diane Arbus photograph. That would be merely adjusting a lens and pressing a button. What made her pictures great was everything that happened before she pressed the button."--Douglas Davis, Newsweek, 1984
"Diane Arbus is one of our legends, her monograph a pivotal classic that changed the direction of photography in America. She captures the complexity and the art in reality. The quality that defines her work and separates it from almost all other photography is her ability to empathize on a level far beyond language."--Nan Goldin, Bookforum, 1995

The arrival of the autumn/winter 2001 debut issue of this deluxe fashion bi-annual for men and women forced a redefinition of the parameters of luxury magazine publishing. As a challenging cultural encylopedia of the moment, it celebrated the extremes of contemporary lifestyles and explored the crossover in tastes and interests between the genders.With art direction by Alex Wiederin at AandR Media (famously responsible for recent Versace and Gucci campaigns), Dazed and Confused co-founder Jefferson Hack as editor, and fashion direction by Katy England of Alexander McQueen, Another 1 broke the formulas. Another 2 picks up where the debut left off: with pivotal interviews spanning film and politics. Patricia Arquette is interviewed by Michael Holden and the President of Venezuela, Huge Chavez, is interviewed by Richard Gott and photographed by Rankin.Meanwhile, "Another Thing I Wanted To Tell You" offers intimate personal recommendations of things to see and do by contributors from Sam Taylor Wood and Gillian Wearing to Princess Superstar, Catherine Breillat, Elodie Bouchez, Jonathan Glazer, Melissa Auf Der Mar, Nigel Godrich and Milton Glaser.In "Masquerade," some of the world's leading fashion designers were commissioned to create a mask on the theme of split personality, including creations by Hedi Slimane, Karl Lagerfeld, the House of Valentino, Alexander McQueen, Hussein Chalayan and Vivienne Westwood. On either side of a John Galliano-art directed centrefold of male and female nudes are fashion collections shot by David Sims, Horst Diekgerdes, Will Mcbride, Nick Knight, Alexei Hay and Martina Hoogland Ivanow with Guido, while Mario Sorrenti shows the inner strength and beautyof a mix of New Yorkers including Chuck D, Chloe Sevigny, Will Oldham and Grandmaster Kwon Jea-hwa.

Review
"I have been searching for time past all my life." - JeanIoup Sieff"
Product Description
"I have been searching for time past all my life." —Jeanloup Sieff In this unique monograph, Jeanloup Sieff (1933-2000) retraces in word and image the course of forty years of photographs, encounters, and memories. Divided into four chapters, from the 50s to the 90s, the book brings together the major photographs of a creator who left his imprint on a generation with prolific work in the fields of fashion, advertising, and portrait photography. Sieff’s art testifies to his tireless quest to capture the fleeting beauty of "temps perdu," or "time which cannot recur."

让・艾什诺兹写的是一些人称“边角废料”的离奇事件：《切罗基》中的鹦鹉，《出征马来亚》中的假公爵的命运抗争，《高大的金发女郎》中屡屡推倒男人的神秘失踪女。在这些故事里，爱情、侦探、冒险总是一种过度切分的语句以及滥成灾的各种比喻恶作般地纠缠在一起，然而每一个细节又都是精心雕琢煞费苦心。这种由太多废话堆砌出来的杂货铺、语词工场，并没有吓坏早已领略过新小说的艰深晦涩的读者，

1941年10月，马内阿的家乡布克维纳的所有犹太人都被遣送至集中营。当时马内阿还是个孩子，他及家人在集中营生活了四年之后，才得以重返家乡。少年时代，他接受了共产主义思想，但随着年龄增长，他目睹了日益不公的专制以及对自己父亲的错误羁押，逐渐对齐奥塞斯库政权失去了幻想。虽然他越来越清楚，留在这样一个政权统治下的罗马尼亚是几乎不可能的，但作为一位作家，纠结于他内心的恐惧是，假如他离开罗马尼亚，会失去自己的本土语言——他真正的家园。1988年，他终于决定定居美国，十年后，他重返罗马尼亚。

癫狂之中罹难，为人类的心灵受苦
彼得堡的大师，在白夜里悲号独行
陀思妥耶夫斯基对于人类肉体与精神痛苦的震撼人心的描写，赋予俄罗斯文学以一种世界性。普世性的悲恸使他屹立于世界文学的高峰，对20世纪欧洲、亚洲许多最重要的文学家的思想与写作产生了深刻的影响。
这本评传分为“远去的年月”、“世纪儿”、“未来的力量”、“复调独白”四个章节，通过对大量珍贵一手历史文档的解读，鲜活地还原了陀氏充满激情而又饱经坎坷的一生。作者将对经典文本的细读与对陀氏思想演进的分析，融会贯通。字字句句，饱含了对于那颗伟大心灵的敬意。