There is since 2006 also a rerelease as a lavishly designed, gold-embossed Digibook of "A Wintersunset...", "Songs of moors and misty fields", "Weiland" and "Where at night the wood grouse plays" by Prophecy Producions. All of these are limited to 500 copies.

Through the entire creation Empyrium runs like a thread through string: the love of nature, tragedy and romance. Empyrium have already combined acoustic guitar and transverse flute in their romantic, dark metal compositions on their first albums 'A wintersunset' and 'Songs of moors & Misty fields' in order to lend a 'more natural' touch and to achieve their vision to a better depth. 'Songs of moors & Misty fields' already perfects this style hence why a new form of the feeling had to be found. ' The band's EP Dead Winter Days is described as a preview of Empyrium’s 2014 return to form, The Turn of the Tides, following their successful Into the Pantheon live DVD/CD release.

Musk Ox's second full-length album. A one-hour, five part progressive chamber folk epic for classical guitar, cello and violin
“Now an instrumental trio that includes violin and cello, Musk Ox expertly combines the subtlety of Arvo Pärt with the tension and drive of Clint Mansell. “Woodfall” is a grand and panoramic sophomore effort that offers the warmth and maturity only hinted at on the debut.”
- Don Anderson (Agalloch, Sculptured)
"Musk Ox's most ambitious offering to date; rich in harmony, expression, and most notably, the nuanced finesse of Nathanael Larochette’s classical guitar stylings. Much like the nature that I imagine has inspired it, “Woodfall” evokes a sense of calm, stillness, and simplicity, while at once flowing forward and in constant motion".
- Kevin Hufnagel (Dysrythmia, Gorguts, Vaura)
"Whatever it may lack in heavy metal thunder or ravishing grimness, Musk Ox more than makes up for with its richness in atmosphere and emotion, created in tune with the natural world and its terrifying beauty."
- Pitchfork
"Their new full length album Woodfall shows them as seriously talented musicians who have made a beautifully sculpted instrumental classical folk album...nothing short of epic."
- Echoes and Dust

Limited edition 696 copies in hand-numbered Digipak!
"Schaulust" is a German term for the often compulsive craving to watch something. The new single from legendary French Fetish-Art-Electro-project Die Form addresses the hidden voyeur in all of us, the little demon that is leering just below the surface to pop out and gloat over moments of great beauty or extreme horror. "Schaulust" is a fascinating dance floor-compatible sonic sculpture comprised of erotic coldness, hard rhythms, room-filling synthesizer soundscapes and impulsive analog sequencers, a seamless continuation of Die Form's great cult classics like "Bite Of God", which are still mandatory plays at any underground-disco. With a minimalist electronic approach and the mesmerizing interplay between mastermind Philippe Fichot's harsh vocals and the pure angelic voice of Éliane P., the French band creates a kind of hypnotic pull that is instantly captivating. The MCD is limited to 696 copies and contains the title track in a "Scopic Pulsion"-single-mix and a clubby Extended Remix, plus exclusive remixes of new songs "From Dreams To Machines" and "Zoanthropia." The new single from one of the most influential bands of the European electronic underground is a must-own for fans and an exquisite appetizer for the upcoming album "Rayon X", which will be released soon.

"The Ways of Yore" is the 12th album from Burzum. "The Ways of Yore" is similar in style to Burzum’s pervious ambient albums, but differ in both style and vocal expression. A mix of haunting story telling channeled through distinct vocals combined with Burzum musical genius makes "The Ways of Yore" is a very interesting and innovative sounding album with mass appeal to Burzum fans. Inspired by Burzum's in-depth knowledge of our European history and evolution, "The Ways of Yore" is a continuation of his work to explore our Forebears and to explain our human evolution.
Burzum says of the new album: "The Ways of Yore" is my first step towards something new, which at the same time is as old as the roots of Europe. With "The Ways of Yore" I try to transport the listener to the days of yore, to make them feel the past, that is still alive in their own blood.

Label: Terra Fria
Catalog#: tf004
Format: CD
Country: Portugal
Released: 30 Oct 2004
Genre: Electronic
Style: Industrial
Notes: Limited edition of 500 copies in small DVD case.

I Am the Last of All the Field That Fell: A Channel is the hallucinatory new album from PickNickMagick Skipsters Current 93. Clocking in at 68 minutes in length, the disc is packaged in a full-color digipack designed by David Tibet with a 24-page booklet containing all lyrics, credits and photographs of the band. Channelling C93 for this River are: Jack Barnett (These New Puritans), James Blackshaw, Ossian Brown (Cyclobe), Nick Cave, Antony Hegarty, Reinier van Houdt, Norbert Kox, Andrew Liles, Tony (TS) McPhee (The Groundhogs), Jon Seagroatt (Comus), Carl Stokes (The Groundhogs), David Tibet, Bobbie Watson (Comus) and John Zorn.

Recorded and mixed 6th March to 5th April 2000 at Avatara Studios, Milano.
Samples management and pre-production performed in various periods at the Kanaanian Lair.
Digital mastering and post-production @ Massive Arts.
Gatefold cardboard sleeve with 12-page booklet.

GENRE..... Electronic
STYLE..... Industrial
LABEL..... Cold Meat Industry
Bitrate ..... VBRkbps/44.1kHz/Joint-Stereo
Reldate .... 01-06-2009
It might seem strange that a band without a single release to its name has played concerts
and festivals all over Europe. But anyone who has ever experienced Die Weisse Rose on stage
knows why.
More than concerts, Die Weisse Rose's performances are elaborate rituals, caleidoscopic (or
even psychedelic) experiences. Elements such as uniforms, burning torches, snippets of old
schla"gers, segments from documentary films and philosophical proclamations are wowen
together by orgies of live drums and electronic sounds.
Die Weisse strives towards what Wagner called "Gesamtkunstwerke" - total works of art. When
most other bands talk about Gesamtkunstwerke, it sounds pretentious. When Die Weisse Rose do
it, it makes sense.
Die Weisse Rose also like to think of their songs as "audiodocumentaries". Again, such a
seemingly pretentious term makes sense, as Die Weisse Rose's art is just as indebted to the
History Channel as to Throbbing Gristle.
To bolster Die Weisse Rose's lineup (which really consists only of the band's mastermind,
Thomas Bojden) over the years the unit has recruited collaborators to its ranks that makes
DWR smack of an Industrial supergroup. From Marco Deplano (Foresta di Ferro), Gerhard
(Allerseelen), Kim Larsen (Of the Wand and the Moon) to name but a few.
In return, Thomas Bojden has returned the favour and played with a who's who of of the
Industrial and Neofolk underground, from well-established outfits like Rome, Blood Axis and
Foresta Di Ferro to up-and-coming Austrian neofolk band Klammheim.
Now, Die Weisse Rose are for the first time available on record. If you fear that we have
another "martial" clone band on our hands, prepare to be pleasantly surprised. The music is
painstakingly crafted and orchestrated to perfection to include electronic elements, field
recordings and real instruments, and its creative merits really stand out in an underground
culture where bands of far lesser talents than Die Weisse Rose would release three albums in
the time Die Weisse Rose have patiently worked on theirs.
Let one thousand white roses bloom, as Die Weisse Rose unleashes "A Martyrium Of White
Roses".

Genre(s): Dark Ambient/Black Metal
Lyrical Theme(s): Nature, Landscapes, Seasons
Origin: Germany
Tracks 1, 2: lyrics by A.D. (Fräkmündt)
Track 3: lyrics by A.D. (Fräkmündt) & Vinterriket