美国著名民谣歌手、诺贝尔文学奖获得者Bob Dylan（鲍勃·迪伦）宣布将于6月19日发布时隔八年的个人最新原创专辑《Rough And Rowdy Ways》。 目前官网已开放预购，专辑将以双180g黑胶和双CD两种介质发行。

我觉得在所有艺术形式里，诗与民谣（Folk Music）具有十分相似的特质。在文学领域，诗字数最少，篇幅简短，却又最具深意。在音乐领域，民谣无论在技巧还是配器上往往追求简单，而它的深度在于其冷静的哲思性。——程璧
专辑名字《诗遇上歌》是由诗人北岛命名。诗与歌的相遇，是珍贵的缘分，也是注定的相逢。
这张专辑里，程璧对下面这些诗作进行了谱曲歌唱。其中包括：中国诗人北岛的《一切》，西川的《夜鸟》和田原的《枯木》，以及日本诗人谷川俊太郎的《春的临终》，土耳其诗人塔朗吉的《火车》，
另外，专辑封面的肖像摄影，出自日本著名超写实主义画家野田弘志先生之手。程璧与野田先生在日本东京相遇，这张相片是野田先生为画她的肖像画而拍。野田先生他的画室在美丽而安静的北海道，期待他的画作完成。
专辑推荐语：
程璧的音乐我工作时反复听过无数遍，无论何时那些旋律总是萦绕脑际。即使不懂汉语的语义，透过她的声调与音质，那些顺着感觉进行的细腻的气息处理，我感受到如今中国的年轻女性，在感受着什么，想要追逐着什么而生活。在大时代变迁的时刻，年轻的感受性把这些变迁作为养分吸收并茁壮成长。一位来自北京的少女伫立庭院凝望天空，那片同样的天空，我也在注视。
——原研哉（日）
日本国际级平面设计师
日本武藏野美术大学教授
無印良品（MUJI）艺术总监
程璧拥有两个音乐地域，同时活跃在北京和东京，两个不同文化形态和语言的舞台上。她用一种声音唱出两种语言里的忧伤，一把吉他弹奏出两种语言里的向往。她的旋律里有森林和村庄，也有太阳和月亮，她的旋律不是大海大河，而是涓涓小溪，奔流不息地向着远方的远方。
——田原
中日双语诗人，翻译家，
日本诗人谷川俊太郎译者，
城西国际大学教授

这张专辑花了九个月才录制完成，《之乎者也》的成功带来了无数的争议和期许，使罗大佑在这段时间遭遇到了极大的压力。“这其实是最惨痛的一张唱片，碰到的挫折，失败的感觉是最多的。”《未来的主人翁》从头到尾弥散着一种抑郁苍凉的情绪，相信和作者当时内在面临的矛盾，以及外界充满无力感的时代气氛都有关系。

“一定是第二张唱片最难做。因为第一张你可以慢慢做，完全没有前面的负担，所有前面的年轻生命的积累都可以放在第一张。如果第一张不幸成功，人家会要求第二张也成功，而且要变...又要有成长，又要有磨练，又要有新的东西，新的看法，新的音乐方向，然后在音乐上必须诚实，因为新的方向必须是来自你自己人生观，音乐观的彻底改变。”罗大佑这番话对《未来的主人翁》里面的种种改变作了最好的注解。

Tracy Schwartz joined Mike Seeger and John Cohen in the New Lost City Ramblers after Tom Paley left the group in 1963. The new chemistry between these fine musicians produced seven Folkways albums between 1963 and 1973. Intended as a companion to The Early Years (SF 40036), the 27 tracks on this 72-minute anthology reflect the remarkable breadth of this trio's repertoire and underscore their richly deserved place in the folk song revival movement. "A one-stop tour of America’s old-time musical traditions, performed with skill, perfection, and humor." –Sing Out!

European pressing of the pop bands 1969 album which is long out-of-print in the US. This being Bread's third album, isn't so much a step forward as it is a consolidation of strengths, as the group sharpens their skills and carves out their own identities. Features the 12 original tracks including 'London Bridge', 'Look At Me', 'Friends And Lovers' & 'Don't Shut Me Out'. Manna is the last album that showcased Robb Royer as a group member. After Manna he left Bread, but continued to co-write songs with James Griffin. Of the twelve songs on this album, James Griffin and Robb Royer wrote six of them; David Gates wrote the remaining six. Warner.

Angus & Julia Stone来自澳大利亚悉尼的兄妹组合。ANGUS的声线是清新的男声，像春天清爽的风，一个有想法的男孩真絷的表达。JULIA的声音则像是一个充满愁绪的小女孩喃喃地向你诉说与要求，他们的音乐轻快，富有想像力，每一首的可听性都很高，是真正热爱音乐的人才能做出的音乐。

ミディレコード在籍時にリリースされた共作名義を含むすべてのシングルを集め、2枚組にまとめた作品集が発売されます。
『おなじ話』をはじめ、表題曲はこれまでのアルバムに収録されたものとは異なったバージョンが多数。カップリング曲はほぼすべてがアルバム未収録曲となります。
また今回、プロモーション用に配布されただけの音源やリハーサル時に録音したデモ音源、まったくの未発表曲などをボーナストラック的に初商品化。
全編で2時間を越える、ボリュームたっぷりの作品集です。

Cambodian Liberation Songs is a painful call from forgotten resistance fighters, it is a captivating and moving record. It works as a witness of Cambodian history, bringing to the world the breathless voice of the members of the resistance from the Banteay Ampil Band.
Released in 1983, Cambodian Liberation Songs is a mysterious and overwhelming record. As a genuine piece of history, this “call from sorrow and fierce passion” makes use of a whole range of Cambodian music, from folk to rock, to express sufferings and complaints.
On 17 april 1975, the Cambodian people, already crushed under national and international conflicts, was commanded by force to forget their own past, it was annuum 0 of the Khmer Rouge calendar. Four years of genocide would follow before the start of a war opposing the Vietnamese army to the Khmers Rouges. Resistance units engaged in the conflict against what they considered as a Vietnamese invasion. This record, produced by a resistance group, was given the reference number KHMER 001. It was undoubtedly the first record composed and performed by non-Khmer Cambodians after the tragic events of 1975-79.
The Banteay Ampil Band was created in the refugee camp of Ampil, at the border with Thailand. Musicians and female singers, who had hidden their talents during the genocide, then gathered around the composer and violinist Oum Dara to engage in a new struggle: the resistance. Oum Dara, who had been a composer for Sin Sisamouth and Ros Srey Sothea among others, adapted several of his creations. It is therefore with a poignant charm that the Banteay Ampil Band binds together the golden age of Khmer music from the 1960s with the traditional repertoire and the context of their daily struggles. Violin, guitar and voices match together to produce melancholic and intense songs - the stirring tone of grief expressed by these resistants.
The band went to Singapore to record Cambodian Liberation Songs, the only record of the “Khmer People’s National Liberation Front”.

奥列格·波古金（Олег Погудин）1968年12月22日出生在苏联的列宁格勒，他的父母是热爱音乐的能源工程师；家庭环境和列宁格勒郊外的大森林孕育了一个浸透着文化土壤和大自然气息的独特嗓音。从1979年，少年的 奥列格·波古金已经是列宁格勒广播电视少年合唱团的独唱和领唱了——直到现在,他的童声歌曲仍然反复播放，人们惊奇于他那时即展现出的清晰音质和高超技巧；1985年——1990年， 奥列格·波古金以优等生毕业于古老的戏剧音乐学府，其中1989年作为苏联首批公派生进入尤金.奥涅尔中心学习；1990-1993年成为著名的国立模范大剧院（高尔基）演员。
奥列格·波古金的第一场个人音乐会于1987年在列宁格勒举办；他的第一张CD于1991年发行---即"Star of Love"，获得了空前巨大的成功，俄罗斯就此诞生了一位“毫无争议地受到神灵们垂爱的由智慧和爱引导的古典、浪漫、抒情歌唱天才”。
从1993年起,奥列格·波古金开始了他的个人演唱历程，他在俄罗斯和国际上举行了近600场音乐会并获得辉煌成就，音乐会的票总是早早售空，人们对他的喜爱是用无数的鲜花、经久不息的欢呼声和掌声以及由衷的欣赏和钦佩来表达的——俄罗斯的“天使之嗓”、“古典浪漫抒情大师”、“俄罗斯最好的嗓音之一”、“放射俄罗斯浪漫之魂”、“明亮纯净如银，宽广深邃似海洋”的音质等等，这些名称和头衔都与他紧密相连甚至是他的代名词；除了他的大量音乐会和歌曲CD专辑以外，俄罗斯还拍摄了十部关于奥列格·波古金的电影，其中的六部是他个人的专题片；此外，他在电视台还主持了以古典和浪漫为主题的系列音乐节目，他还兼任大学的教学工作等等。总之，天赋与事业相辅相成，使奥列格·波古金成为无可争议的演唱巨人和恒星勇士！
这张专辑出版与2007年，都是写于卫国战争时期的歌曲，有一种异乎寻常的感染力。其中19首鹤群和22首道路写于战后，为了纪念那些战争中的烈士，感人至深，催人泪下。这些都是我们父辈时代的歌，我们曾经一度忘却某些事，但真正感人的艺术，我想永远都不会被忘却.......
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Fin Greenall, aka Fink, is certainly the more understated of the world's 'singer-songwriters', relying on uncompromising quality of work and an astounding stage presence, rather than major label marketing budgets.

Greetings to my fans and followers with gratitude for all your support and loyalty across the years. This is an unreleased song we recorded a while back that you might find interesting. Stay safe, stay observant and may God be with you. - Bob Dylan

UK only 180 gram vinyl pressing. For younger generations of musicians, having their song cut by Johnny Cash must be a little like scaling the Washington Monument. On his third album for producer Rick Rubin's American label, Cash makes Tom Petty's 'I Won't Back Down sound like a companion classic to 'I Walk the Line'. He transforms U2's 'One' into a sturdy testament of plainspoken faith, while he plumbs the netherworld of Nick Cave's 'The Mercy Seat' and Will Oldham's 'I See a Darkness'. Amid more familiar fare (including Neil Diamond's title track), the album's sing-along standout is the deadpan, down-and-out, talking blues of 'Nobody'. Cash's recent originals have the age-old purity of Appalachian music, while the traditional closing of 'Wayfaring Stranger' offers bittersweet benediction. Merle Haggard, Sheryl Crow, and June Carter Cash provide vocal cameos. Rhino UK. 2006.