详细内容: Disc: 1 1. Piano Concerto No. 5 In E Flat, Op. 7: Allegro2. Piano Concerto No. 5 In E Flat, Op. 7: Adagio Un Poco Mosso3. Piano Concerto No. 5 In E Flat, Op. 7: Rondo. Allegro4. Concerto In C , Op. 56 For Piano, Violin, And Cello With Orchestra: Allegro5. Concerto In C , Op. 56 For Piano, Violin, And Cello With Orchestra: Largo6. Concerto In C , Op. 56 For Piano, Violin, And Cello With Orchestra: Rondo alla PolaccaDisc: 2 1. Violin Concerto In D, Op. 61: Allegro Ma Non Troppo2. Violin Concerto In D, Op. 61: Larghetto3. Violin Concerto In D, Op. 61: Rondo. Allegro4. Piano Concerto In E Flat, WoO 4: Allegro Moderato5. Piano Concerto In E Flat, WoO 4: Larghetto6. Piano Concerto In E Flat, WoO 4: Rondo. Allegretto广告语: 贝多芬（1770－1827）一生共创作了5部钢琴协奏曲，第五钢琴协奏曲《皇帝》作于1808－1809年间。前四部钢琴协奏曲首演时都是由贝多芬亲自担任钢琴声部的演奏，但是当第五钢琴协奏曲《皇帝》首演时，因为贝多芬已经基本失聪，无法胜任钢琴演奏，只能由他的得意门生、著名的钢琴演奏家车尔尼担任独奏。第五钢琴协奏曲《皇帝》后来又由17岁的李斯特在巴黎演奏而大获成功，盛名远播，倍受欢迎。此CD收录了钢琴协奏曲第5号，D大调小提琴协奏曲等著名曲目。

《欢乐颂》采用中文唱词演唱

美国指挥家 David Zinman 指挥苏黎世音乐厅管弦乐团 (Tonhalle Orchester Zürich，创立于 1868 年) 演奏贝多芬九部交响曲。录制于 1997 和 1998 年，1999 年发行。

Ludwig van Beethoven’s Piano Concerto no. 5 in E flat major, op. 73 – known as the “Emperor” Concerto, heroic and powerful – performed by one of our most distinctive pianists, Hélène Grimaud. The excellent Staatskapelle Dresden is led by one of today’s young stars on the podium, Vladimir Jurowski, a charismatic musical genius – “more medium than conductor” (The Times) – who was recently appointed London Philharmonic Orchestra’s principal conductor. The chemistry between these musicians has the potential to create an extraordinary musical experience
Hélène Grimaud stands for individual, original record concepts with a story to tell. This time the concept is Beethoven pure. About his fifth Concerto, Grimaud notes that the challenge to master it helped her reach inside herself, and that the piece is an incredible teacher that infuses the player with incredible vitality
On this album, the Concerto is coupled with a piano sonata out of Beethoven’s late compositional phase where – noticeable in the slow movement of the concerto as well – the composer’s concern for lyricism had deepened. Thus intimacy and delicacy are the features in the beautiful Piano Sonata no. 28, op. 101 chosen by Grimaud

Christian Thielemann被誉为“德国指挥界最有希望的继承人”。他近年来迅速走红，和他千禧年之后每年在拜鲁伊特音乐节上精彩的表现有很大关系。他2000、 02年，上演《名歌手》，2002-05年指挥《唐豪塞》，2006-07年开始指挥《指环》，曲目的份量是慢慢增加。笔者听过他在拜鲁伊特的《名歌手》 的录音，干净利落，气魄非凡又份量十足，和历史上任何一个经典录音比都不逊色。近年来，拜鲁伊特音乐节的掌门权的争夺是很激烈的。现任总监，理查·瓦格纳 的孙子沃尔夫冈·瓦格纳暂时还没有人可以动摇他的位置和影响力，除了他本人厉害的政治手腕之外，和他紧紧抓住Christian Thielemann这位爱将是有一定关系。从发展的态势看，Christian Thielemann象Hans Knappersbusch那样对拜鲁伊特音乐节那样影响深远是迟早的事。
在Christian Thielemann所有的录音中，他最出名的录音反而是他2001年在拜鲁伊特上指挥的贝多芬第九交响曲，很可能是他自1995年与DGG公司签约后之外唯一不在DGG的录音。
2001年是拜鲁伊特战后重开50周年的纪念。记得1951年，拜鲁伊特音乐节经过二 战的洗礼后重开，那是多么的庄严和神圣的一次。现在拿出那年的录音记录，每一个都是极品的演出，那种气氛，那样的阵容，现在都无法回复了。其中，那年闭幕 式是由富尔特文格勒指挥的“贝多芬第九”。这是一个永载史册的演出和录音。而Christian Thielemann在2001年拜鲁伊特的闭幕式上演“贝九”，相信是为了纪念拜鲁伊特重开50周年和向富尔特文格勒的历史经典致敬。这个演出和富尔特 文格勒那个1951年的经典一样，高潮迭起，最后几乎令人窒息的程度，是一个张力十足的演出，相信在场的听众对这样的演出是终生难忘的。
—— 以上专辑封面及介绍均转自魔术号角，感谢原发表人qna ！

CD

澳大利亚已故指挥家 Charles Mackerras 指挥苏格兰室内乐团和爱乐乐团（英国）演奏贝多芬交响曲，第一至第八交响曲由苏格兰室内乐团演奏，第九交响曲由爱乐乐团演奏。录音于 2006 年，2007 年发行。

Beethoven was rarely explicit about any meaning behind his works. However it is impossible to listen to his Seventh Symphony without being captivated by a sense of euphoria, tainted only by what is possibly the most profound slow movement he was to write. Where the symphony is bold in its exuberance, the Triple Concerto is playful, providing its soloists with a glorious opportunity to flaunt their skills.

Beethoven's Ninth Symphony is a landmark in the history of music, changing the concept of what a symphony could be. The use of solo singers and a chorus in the final movement was revolutionary, and the emotional journey to a glorious vision of a world of love and tolerance paved the way for idealistic symphonies to come.

The 'Pastoral' symphony is one of Beethoven's most consistently popular works, evoking feelings of the natural world's beauty. The symphony embodies the spirit of the dawning Romantic era in its depiction of the countryside, and allowed Beethoven to express his love of nature and the outdoors. At the time of its completion, the Second Symphony was probably the longest yet composed. Written while he was coming to terms with the onset of deafness, it is surprisingly light hearted and cheerful.