The study of new media has, over the past decade or so, developed within a wide range of academic disciplines and theoretical paradigms. It has generated a great deal of excitement, hype, and confusion. "The New Media & Technocultures Reader" presents key texts which encapsulate and/or challenge and extend, the issues, debates and theoretical positions that do the most work in mapping and critically addressing the cultural implications of new media. "The New Media & Technoculture Reader" will offer students further reading on key issues and debates raised in the introductory textbook "New Media: A Critical Introduction", and explication of these debates through the selected texts. It will critically and theoretically contextualise the various disciplinary stances (visual culture; media and cultural history; media theory; media production; philosophy and the history of the sciences; and, political economy and sociology, etc.), offering students a rich and interdisciplinary resource. Critical editorial commentary will guide the reader through the debates, and between the extracts.

本书是“开封：都市想象与文化记忆”国际学术会议的论文集，全面呈现了此次研讨会的学术精神与追求。所选文章从历史文献、文学作品乃至日常生活中搜寻有关古城开封的历史记忆，探寻关于开封的城市想象与文化记忆。

本书通过梳理英国文学中有关乡村与城市的种种论断和描述，对当代文学及文化研究中一些错误的乡村观念和城市观念进行了剖析，指出其谬误。作者集中驳斥了部分学者所坚持的“消逝的农村经济”、“快乐的英格兰”、“黄金时代”等缅怀旧日农村的错误观念，指出这些观念只是作者的想象，无论是历 史事实，还是部分作家的作品，都显示出昔日的英国农村充满了苦难，相对于城市而言，农村既不等同于落后和愚昧，也不是充满欢乐的故园；同理，城市虽然是在新的生产方式确立后兴盛起来的，但城市并不必然代表了进步，城市也面临太多的问题。简言之，城市无法拯救乡村，乡村也拯救不了城市。城市与乡村的这种矛盾与张力反映了资本主义发展模式遇到的一场全面而重的危机，要化解这场不断加深的危机，人类必须抵抗资本主义。
全书共二十五章。第一章具有前言的性质，概括了历史上人们围绕“乡村”和“城市”所形成的各种观念，指出英国经验对于研究“乡村”和“城市”关系所具有的重要意义。第二十五章为全书的总结。主体部分二十三章以英国文学中根深蒂固的乡村怀旧为起点，回顾了十六至二十世纪多部英国文学作品（包括诗歌、戏剧、小说、散文、随笔等）中对于“乡村”和“城市”的描写以及有关“乡村”和“城市”观点的发展变化，并将之与资本主义社会的整体发展过程联系起来，揭示出“乡村”和“城市”对立的实质及其所反映的现代大都市和工业化生活方式的危机。
雷蒙·威廉斯是一个世纪来最伟大的文学批评家之一，这是他最好的著作。对于英国文学和历史方面的课程而言，这是一本理想读物。
——布里·汤普森，加州大学
书中有第一手的文本材料，行文风格简明扼要，具有强烈的感染力。因为书中流露出作者对其论述主题的真切关注。
——纳奥米 布利文，《纽约客》

这本《中国性研究》共收有五十篇文字，有学术性的、也有通俗性的，全部是环绕在中国人性殖器官、两性肉体、两性观念而论述的，其中为了阐明新意，也偶羼进一点洋玩意。总括说来，这是一本革命性、启发性极强的著作。“生民以来，所未有也！”内容包括：准露奶头的德政、大义裸体、有奶没奶都是娘、“好为妇人出脱”、论难养的、鞭子缠身可也！、王八一落千丈考、王八过敏症、营妓考、国民党与营妓、――“军中乐园”的血与泪、国民党与“私窟子”、国民党“中乐园”及其他、写在《雏妓哲学家》的后面。

Veteran political commentator, scholar and former editor of The New Statesman Paul Johnson has collected all the nasty, cruel and disgusting episodes in the lives of the mighty dead in order to question their "moral and judgmental credentials to give advice to humanity on how to conduct its affairs."
Intellectuals, according to Johnson, often possess a defining set of characteristic traits; they are lying, cheating, hypocritical, megalomaniacs who combine an abstract love of humanity with an exploitative, selfish and cruel treatment of those who were closest to them. Rousseau, Shelley, Marx, Ibsen, Tolstoy, Hemingway, Bertrand Russell, Brecht, Sartre, Lillian Hellman, Norman Mailer and Kenneth Tynan are put under the spotlight and damned as moral exemplars and truth-tellers while Edmund Wilson, Evelyn Waugh and Orwell provide the necessary foil of intellectual integrity.
This is a voyeuristic, gossip-mongering, ruthless and completely compelling book that leaves a bad taste in the mouth if you consume it at one sitting. Fortunately--since it's a collection of short biographical essays or exposès one can dip in where one likes. Intellectuals is well researched and has the polished concision one might expect from a veteran journalist and scholar. It also has the advantage of dealing with subject matter that is fascinating in itself--the extravagant personalities and spectacular immoralities of some of our most revered figures. Intellectuals doesn't always work as dispassionate intellectual history--for instance the overview of intellectual trends since the 1960s in the final chapter "The Flight of Reason" seems forced--but as a set of exposès it is splendid. --Larry Brown

「七十年代香港」的確有着一種神話般的色彩。「麥理浩時代」是否就如此美好？是否就從此發展出香港的「光輝歲月」?1974年究竟發生了什麼影響深遠但又不為人知的事？國共之爭如何在當時的香港足球反映出來？當時的海運大廈原來已經不屬於香港人… …
對不同社會背景的人來說，都會有不一樣的「七十年代香港」的傳奇故事。
呂大樂教授親臨書展現場,為大家講述不一樣的七十年代香港故事。

Chronologically organized, "The Western Humanities" presents the cultural achievements of western civilization - art, music, history, literature, theater, film and the other arts - within their historical context. By examining the historical and material conditions that influenced the form and content of the arts and literature, the authors provide students a deeper understanding of the meaning of cultural works and a broader basis for appreciating the humanities. Hundreds of illustrations appear throughout the text, "Slices of Life" boxes bring to life the events of the day, and brief sections at the end of each chapter describe the cultural legacy of the era discussed.

共5種書，包括記造博物的小說及雜錄，所記多軼聞瑣語及人物傳說，記有山川地理、飛禽走獸、草木蟲魚及神仙故事等。最早的一種書是西晉張華註《博物志》，下至唐段成式撰《酉陽雜俎》、南宋李石撰《續博物志》等。

By viewing the corporation as a communicator, Image Worlds links the histories of labor, business, consumption, engineering, and photography, providing a new perspective on one of the largest and most representative corporations. General Electric was one of the first modern industrial corporations to use photographs and other media resources to create images of itself; and the GE archives, comprising well over a million images, form one of the largest privately held collections in the world. To produce this venturesome book, David Nye has used these vast archives to develop a new approach to corporate ideology through corporate iconography.Image Worlds embraces symbols, intentional signs, and photographs on the one hand and the history of institutional and technological development on the other. It views photography as a developing technology with a history of its own, and presents the corporation as a communicator as well as a producer and employer.Illustrated with nearly 60 photographs from the archives, the book identifies five "image markets" that GE sought to organize and address. Company engineers, workers, and managers received publications designed to appeal to their presumed interests. Some of these grew into public journals with a scientific-educational mission; others were restricted in circulation even within the company. At the same time, illustrated mass-media advertising was created to reach potential consumers of GE products. Advertising that presented an image of GE as a place where "progress was the most important product." While GE was promoting this enlightened image, the company was also using its resources to reach the voting public, hoping to gain their support for private electrification in the national debate over municipal power.David E. Nye is Associate Professor of American History at Odense University in Denmark.

Industrial Enlightenment explores the transition through which England passed between 1760 and 1820 on the way to becoming the world's first industrialised nation. In drawing attention to the important role played by scientific knowledge, it focuses on a dimension of this transition which is often overlooked by historians. The book argues that in certain favoured regions, England underwent a process whereby useful knowledge was fused with technological 'know how' to produce the condition described here as Industrial Enlightenment. At the forefront of the process were the natural philosophers who entered into a close and productive relationship with technologists and entrepreneurs. Much of the evidence for this study is drawn from the extraordinary archival record of the activities of Matthew Boulton (1728-1809) and his Soho Manufactory. The book will appeal to those keen to explore the dynamics of change in eighteenth-century England, and to those with a broad interest in the cultural history of science and technology.

In A History of the World in 100 Objects, Neal MacGregor, director of the British Museum, takes readers on a tour of the world by way of its material goods. From everyday items such as pots, utensils, and money to valuables such as art and jewelry, MacGregor shows that the things humans have left behind are often as rich and informative as written texts. Whether it's a strange and unique object like a throne made of rifles from Mozambique or a medieval German crystal, or a familiar one like a sculpture of the head of Augustus or Hokusai's painting The Great Wave, MacGregor skillfully weaves each one into the fabric of the society that it came from. In that sense, the book is much more than a museum catalog: it's a hundred keyhole views into a hundred different societies from around the world and throughout history.

Long before Vasco da Gama rounded the Cape of Good Hope en route to India, the peoples of Africa, the Middle East, and Asia engaged in vigorous cross-cultural exchanges across the Indian Ocean. This book focuses on the years 700 to 1500, a period when powerful dynasties governed both regions, to document the relationship between the Islamic and Chinese worlds before the arrival of the Europeans. Through a close analysis of the maps, geographic accounts, and travelogues compiled by both Chinese and Islamic writers, the book traces the development of major contacts between people in China and the Islamic world and explores their interactions on matters as varied as diplomacy, commerce, mutual understanding, world geography, navigation, shipbuilding, and scientific exploration. When the Mongols ruled both China and Iran in the thirteenth and fourteenth centuries, their geographic understanding of each other's society increased markedly. This rich, engaging, and pioneering study offers glimpses into the worlds of Asian geographers and mapmakers, whose accumulated wisdom underpinned the celebrated voyages of European explorers like Vasco da Gama.