farseer - 标记
Seven and a Half Lessons About the Brain Goodreads 豆瓣
作者: Lisa Feldman Barrett Houghton Mifflin Harcourt 2020 - 11
From the author of How Emotions Are Made ,  a captivating collection of short essays about your brain, in the tradition of  Astrophysics for People in a Hurry   and  Seven Brief Lessons on Physics .  
Have you ever wondered why you have a brain? Let renowned neuroscientist Lisa Feldman Barrett demystify that big gray blob between your ears. In seven short essays (plus a bite-sized story about how brains evolved), this slim, entertaining, and accessible collection reveals mind-expanding lessons from the front lines of neuroscience research. You'll learn where brains came from, how they're structured (and why it matters), and how yours works in tandem with other brains to create everything you experience. Along the way, you'll also learn to dismiss popular myths such as the idea of a "lizard brain" and the alleged battle between thoughts and emotions, or even between nature and nurture, to determine your behavior.
 
Sure to intrigue casual readers and scientific veterans alike, Seven and a Half Lessons About the Brain is full of surprises, humor, and important implications for human nature--a gift of a book that you will want to savor again and again.
2022年2月6日 已读
Lisa F. Barrett的通俗神经科学读物,非常好看。人到中年后,知道智慧应该用来区分自己无论如何努力都不能控制的那些东西和自己可以控制或改变的事物,知道大脑如何运作可能不会提升人对后者的控制力,但至少可以知道后者的清单具体包括些什么。
神经科学 非虚构
爱、金钱和孩子:育儿经济学 豆瓣
Love, Money, and Parenting:How Economics Explains the Way We Raise Our Kids
8.8 (5 个评分) 作者: [美] 马赛厄斯·德普克 (Matthias Doepke) / [美]法布里奇奥·齐利博蒂(Fabrizio Zilibotti) 译者: 吴娴 / 鲁敏儿 格致出版社 2019 - 6
❤没有人天生是父母,当孩子降临,婴儿床、学区房、升级考、兴趣班……却无师自通
❤童年宽松的父母,为什么纷纷开始“推娃”?是爱,是对未来的恐惧,还是不甘落后之心?
❤孩子,变得越来越“昂贵”;教育,投入多少才算够?
❤耶鲁经济学者重新理解育儿这场国家战争背后的逻辑
.
诺奖得 主赫克曼 | 《国家为什么会失败》作者阿西莫格鲁
《纽约时报》德鲁克曼 | 香港中文大学宋铮 | 复旦大学王永钦
联袂推荐
.
当富裕家庭的孩子被父母推着一步步向前时,贫穷家庭孩子的机会却在减少?
“别傻了,是经济决定了美国人如何抚养孩子!”
——帕特里克·A.科尔曼,“好爸爸”网站
.
————————————
.
在不平等的时代抚育子女
.
从美国到中国,无论富裕抑或贫穷,不管男孩还是女孩,世界各地的父母都希望孩子能快乐成长,有所成就。然而,他们实现这一目标的方式却千差万别。美国和中国的父母越来越权威、专断,“育儿战争”日益激烈;而北欧的父母相比之下更为宽容。这种转变背后的原因是什么?
.
从中世纪到现代社会,从美国、英国、北欧到中国和日本,本书跨越了时间与空间,研究了经济激励和约束如何影响了不同国家的育儿习俗,以及什么才是好的教养方式。
.
在竞争日益激烈的时代,实现机会平等和教育公平,帮助孩子立足未来是所有人的共同愿望。
2022年2月3日 已读
主题是“不平等存在,则鸡娃有用,不平等持续,则鸡娃现象不会缓解。”从经济的视角考量个体家庭的教养方式、教育决策,同时不提供价值上倾向于任何一种教养方法的偏好(用最终成果的“适用性”,或一种“投入产出比”考量各种教养决策的制定过程,而非在源头上判断孰优孰劣,这种判断方式契合本书“经济学研究”的特征)。读后两个问题:1,教育回报率是在不平等之后讨论的二级因素,如果整体上文凭回报率变低怎么办(《文凭社会》)?2,考察一国的历史时可以纵向比较随不平等增加导致的教养方式变化,有无不平等程度显著降低(而观察到教养方式变化)的案例?
教育 非虚构
满月 豆瓣
Zoé;Sorcière;Pleine Lune;La bête
8.2 (15 个评分) 作者: [法] 克里斯多夫·夏布特 译者: 陈嘉琨 后浪丨湖南美术出版社 2020 - 8
※ 图像小说诗人“短歌集”
※ 《灯塔》作者短篇漫画结集
※ 夏布特宇宙起源
※ 超500页悬疑盛宴
※ 分镜头叙事教科书式范本
------
◎ 编辑推荐
🌕带你回到躲被窝里看恐怖小说的那段时光
一个连乌鸦都要背过身去的村庄……
一个找不到回家之路的满月之夜……
一则则令人脊背发凉的都市传说:蛊惑、诅咒、黑猫……
🌖属于平凡者、失意者和小人物的“短歌集”
刑满释放的犯人、偏僻村庄的普通农民、政府机构的小公务员、蓬头垢面的中年警探、隐居村野的无名画家……
他们是平凡的你我他,却也是人性的。
一面面镜子,映照出众生相,也映照出社会。
🌗《灯塔》《白鲸记》《树下长椅》作者,夏布特短篇首次结集
超过500页的细腻分镜,层出不穷的神反转结局。
如果你是夏布特的忠实读者,你会在《满月》中看到一个崭新的、近乎冷酷和黑暗的夏布特。
如果这是你买的第一本夏布特,它会为你打开“夏布特宇宙”的大门。
🌘如果说《灯塔》《树下长椅》展现的是夏布特的诗人气质,《满月》则让我们看到“小说家”夏布特的才能
如果说黑白对比、寂静管理和黑色幽默这些夏布特的标签依然在这部作品中展现得淋漓尽致,那么巧妙的悬念设置、辛辣的现代讽刺、魔幻与现实的完美交融则将带给我们前所未有的冲击。
🌑准备好了吗?嘘!天黑请闭眼。
◎ 内容简介
《满月》共收录法国漫画家夏布特早期发表的四部短篇漫画,均围绕森林、月夜、巫术、解密等元素展开,充满黑色幽默和悬疑色彩。
四部短篇漫画分别是:
《佐伊》:佐伊出狱后继承了祖母在乡间的一处房产,并在此定居。然而村中似乎藏有隐情,离奇的自杀案和失踪案打破了佐伊原本平静的乡村生活,佐伊一步步接近真相的同时也一步步迈向死亡……
《女巫》:14个与女巫相关的灵异短篇故事。
《满月》:爱德华在社会保障局就职,他工作怠慢、愤世嫉俗。在一次帮老板跑腿递信的路上,他像被诅咒一般遭人驱逐、追杀,想尽一切办法也无法回家……
《野兽》:一个雪夜,塔尔蓬警探来到一个山村,调查一件疑似恶狼所为的命案,在接下来的几天中,又有数人接连死亡,而尸体上的狼爪印竟然长达20厘米,凶手究竟是狼,是兽,还是人?
◎ 读者力荐
在《满月》中,夏布特对声、静、黑、白、光、影的拿捏依然出类拔萃……每位图像小说读者的书架上都应该有一本《满月》。
——法国漫画评论网站 Planète BD
黑白的画面增添了作品的恐怖氛围,这是一本非常适合夜晚阅读的短篇漫画集,谁不想重温孩提时代阅读恐怖故事时的忐忑心情呢?
——法国亚马逊编辑
该作品是一个走进夏布特宇宙的绝佳契机,性价比极高,通过它,读者也可以品味到作者在《灯塔》《白鲸记》《树下长椅》中展现出的才华。
——法国亚马逊书评
2022年1月18日 已读
《满月》的结构与其他短篇目一模一样,是它的败笔,结尾作者对朴素神义论的强调消解了文本的深度,没劲透了。整个故事就塌了,还不如微型的“巴斯特歌谣”式故事(但讽喻的意图也超越故事了)。女大卡司机、未死雄鹿本来挺好,读后想来同抢劫的阿拉伯人组、丛林野战队或吉卜赛难民团等一样,是脸谱化的刻画,最后骑摩托的好心非洲人可能是唯一亮色。但结尾一来,好吧主角若果真那么无可救药,其实同文本呈现的效果一样,死气沉沉。
Graphic_Novels
The Night Walk 豆瓣
作者: Marie Dorleans Floris Books
2022年1月16日 已读
一本有声音、湿度、味道、月亮、银河、山、树林和火车的绘本。某个阶段的孩子好像对夜晚的绘本就是特别感兴趣。
绘本
The Midnight Library 豆瓣
6.1 (15 个评分) 作者: Matt Haig Viking 2020 - 10
"Between life and death there is a library, and within that library, the shelves go on forever. Every book provides a chance to try another life you could have lived. To see how things would be if you had made other choices . . . Would you have done anything different, if you had the chance to undo your regrets?"
A dazzling novel about all the choices that go into a life well lived, from the internationally bestselling author of Reasons to Stay Alive and How To Stop Time.
Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of your life as it is, along with another book for the other life you could have lived if you had made a different choice at any point in your life. While we all wonder how our lives might have been, what if you had the chance to go to the library and see for yourself? Would any of these other lives truly be better?
In The Midnight Library, Matt Haig's enchanting new novel, Nora Seed finds herself faced with this decision. Faced with the possibility of changing her life for a new one, following a different career, undoing old breakups, realizing her dreams of becoming a glaciologist; she must search within herself as she travels through the Midnight Library to decide what is truly fulfilling in life, and what makes it worth living in the first place.
2022年1月12日 已读 无限流快穿推想文,写法是非常简单的,对结构或写作过程而言(密集小节,可长可短)。系统就是图书馆和 Mrs Elm……
美国长篇
短短的就夠了 豆瓣
作者: 苦苓 時報文化 2016 - 4
短得讓你瞠目結舌、驚笑連連,若你懶得讀太多字,這本CP值最高!
──苦苓最不能錯過的經典再現──
苦苓親自嚴選「極短篇」系列最精采篇章,
洞察人生的酸甜苦辣、荒誕無稽!
他是先知?
無論時光如何變遷,這世界仍是他當初看見的模樣!
「是姦情?是堅情?」
奇情異色毋需大驚小怪,不論什麼年代,性與愛都「不正常,才正常」。
「不真實,最真實!」
當電影情節中的未來世界已成當下,罹患幻聽與幻視,可能比較幸福。
「改變,從未成真?」
打開電視,翻過拒馬,闖進立院,推翻體制,現實永遠比小說更小說。
國內外暢銷記錄
▲《請勿對號入座》
2015年博客來「年度百大」銷售榜華文創作TOP37
2015年度金石堂華文文學TOP52
▲《我在離離離島的日子》
2014年第36次中小學生優良讀物推介‧文學創作類
2013年博客來「年度百大」華文創作TOP35
2013年台北市立圖書館第64梯次好書大家讀知識性讀物
▲《苦苓的森林祕語》
2013年博客來「年度百大」童書(小學)TOP35
2012年博客來「年度百大」童書(小學)TOP4
2011年博客來「年度百大」童書TOP21
2011年台北市立圖書館第61梯次好書大家讀知識性讀物
▲《苦苓與瓦幸的魔法森林》
2013年博客來「年度百大」童書(小學)TOP19
2012年博客來「年度百大」童書(小學)TOP12
2012年臺北市101年度兒童深耕閱讀好書推薦
2012年第34次中小學生優良課外讀物推介
2011年博客來「年度百大」總榜TOP52、童書TOP1
2011年台北市立圖書館第60梯次好書大家讀知識性讀物
夜的女采摘员 豆瓣
7.2 (11 个评分) 作者: 文珍 贵州人民出版社 2020 - 8
【编辑推荐】
★ 老舍文学奖、华语文学传媒大奖获得者文珍,十数年小说创作生涯之后,积蓄已久的力量性转型,一次突破自我的全新面向:为消逝者建造故事,为无名者立传,为孤独者道出深情,为脆弱者重建爱的秩序。
.
★ “我理解一切因为我是一切,夜晚,静默,生命的暗影,微小的爱”
在弱 小被视为原罪、孤独被视为可耻的年代,那些微不可见的个体如何讲述爱与痛与不舍?
“理解”与“我是”构成了本书的关键词,共情的视角贯穿始终,这些故事是“我”与“一切”所能发生的最温柔共振。
.
★细不可闻的叹息,蜉蝣的爱情,弱者的共同体,世间的尘埃,
一本献给孤独者与易碎之心的故事集:
柔软不该是一种罪名,再微小的叹息也能汇流成河,不要害怕燃烧殆尽,灰烬中心是一颗黄金的眼泪。
.
★温柔与悲悯,克制与清醒,真正属于我们时代的女性写作:
直白但存着善意,哀矜并交付真心,以金句著称的文珍回归平静俭省的叙事,不溺于修辞,不展示奇情,而是更加耐心地观察生活,关心大时代里更具体、更幽微、更个人化的内心真实。
.
在女性书写的谱系中,文珍站到了一个特殊的位置:她站在特定的人群之中。她笔下的“她们”和进城务工人员一样,构成了经济高速发展的“时代”动力基础:女性、社会、文化和审美,文珍处在种种幽暗小径的交叉点上。
——李敬泽
.
★ “表面的失序世界背后,仍然存在着更多、更坚固的美, 它让我们继续爱人及人所栖居的世。 努力面对糟糕的事,并试图做点什么,改变它。”
——文珍
.
【内容简介】
无望与热望,鬼魂与尘埃,
乌鸦的暗恋与刺猬的柔软,
种种孤独,恐惧,天真,狂喜,全部和我相关
.
“三和大神”,“蚁族”青年,沉默的小孩,隐忍的女子……在这本全新的小说集中,文珍写尽了那些时代的断裂过程中掉进了缝隙里的人,他们是被生活之手高高扬起又轻轻落地的尘埃,也是黑暗水面之下拼力凫游的无名者。跟白日里明亮的一切比起来,发生在暗处的弱者之爱更让人动容,这爱里既有温柔又有污秽凄苦,有寄居蟹般贪婪又无望的情和欲,也有注定消逝的事物与当下生活状况发生冲撞后的无尽失落……所谓“夜的女采摘员”,就是以理解之眼,共振之手,去采撷那部分更黑暗,更微不可见的,更转瞬即逝的情感与内心真实,在日常的风暴中写下温柔颂歌,在失序的世界里重建爱的秩序。
Beyond the Gender Binary 豆瓣 Goodreads
作者: Alok Vaid-Menon Penguin Workshop 2020 - 6
Pocket Change Collective is a series of small books with big ideas from today's leading activists and artists. In this installment, Beyond the Gender Binary, Alok Vaid-Menon challenges the world to see gender not in black and white, but in full color. Taking from their own experiences as a gender-nonconforming artist, they show us that gender is a malleable and creative form of expression. The only limit is your imagination.
死著 豆瓣
作者: 張翎 時報文化 2017 - 6
原來你就是我。
或者說,我就是你。
而你,不是還活著,你其實是還在死著。
慢慢的,一分一秒的……
本書收錄四則中篇小說:
〈死著〉
一起車禍,導致茶葉公司經理路思銓腦死,卻因為交警業績、醫病妥協與妻子的愛怨嗔痴等各方人馬的諸種算計與俗世念想,使他求死不能。最後,靠著盲女茶妹拔掉急救系統的電源,終結了他「死著」的悲慘命運。
〈雁過藻溪〉
移居加拿大久不回國的末雁,因母親過世,與女兒靈靈帶著母親的骨灰,回到家鄉藻溪安葬。三代女性,在鬼影幢幢的故土,見證了土改引發的一場暴行,突如其來的欲望、親情與身世隱情,竟摧毀了三個世代女子的生活。
〈戀曲三重奏〉
無論是大學時的初戀張敏,後來成為丈夫的許韶峰,到加拿大坐移民監認識的打包工人章亞龍,在女主角王曉楠的情愛三重奏裡,總帶著另一個人的影子。於是愛或不愛、背叛與被背叛,每一個人都寂寞,每一個樂章都寫滿了孤獨。
〈陪讀爹娘〉
項媽媽與李伯伯在國內原各是醫生、建築師,為了照顧在海外攻讀博士學位的下一代,遠赴多倫多幫忙帶孫子、燒飯菜,成為當今社會面目全無的人,也帶出三代在教養與溝通的摩擦與衝突。
2021年12月10日 已读
很久没有在短篇小说中被勾起阅读兴趣了……好像人物和情节俱在对当代青年写作者来说是一件非常难达到的事了,而这本在这方面达到了稳,是非常标准不出格的写作,老派,稳重,叙事在界限中涌动着那种“一定有所去向”的安全感。想象力方面差些,文本不够灵活,比喻与形容不够舒张是一方面,异性主角碰见总只有一种展开关系的可能,就非常局促,让人不愿再读。张翎和迟子建在我心中相似,仍稍具天真,是能接着读一读的作家,而70后的鲁敏不论是文法风格还是字里行间的精神气,和上一两个十年的作者已经非常不同了。(王安忆与严歌苓相类,是读了后不继续读也不会遗憾的那种。)
当代短篇
Goodbye, Again: Essays, Reflections, and Illustrations 豆瓣
作者: Jonny Sun Harper Perennial 2021 - 4
The wonderfully original author of Everyone's a Aliebn When Ur a Aliebn Too gives us a collection of touching and hilarious personal essays, stories, poems—accompanied by his trademark illustrations—covering topics such as mental health, happiness, and what it means to belong.
Jonny Sun is back with a collection of essays and other writings in his unique, funny, and heartfelt style. The pieces range from long meditations on topics like loneliness and being an outsider, to short humor pieces, conversations, and memorable one-liners.
Jonny's honest writings about his struggles with feeling productive, as well as his difficulties with anxiety and depression will connect deeply with his fans as well as anyone attempting to create in our chaotic world.
It also features a recipe for scrambled eggs that might make you cry.
2021年11月27日 已读
讲「熟悉的植物在新地方出现给我那种家一样的感觉好像我也可以在新地方活下去一样」那里,真的受不了啦!怎么这么难受啊呜呜呜呜呜
随笔
路边花 豆瓣
Sidewalk Flowers
7.8 (5 个评分) 作者: [加拿大] 乔纳诺·罗森/文 / [加拿大] 西德尼·史密斯/图 长江少年儿童出版社 2016 - 9
这是一本关于发现美、分享美的无字书。书里的小女孩珍妮随爸爸一起走过大街小巷回家去。途中,爸爸一直在忙着自己的事,可珍妮却发现了不一样的风景。和大人不同,小女孩眼中的五彩斑斓可能是一堆水果、一件花衣裳、一个形状奇特的瓶子,也可能只是路边的一朵不起眼的小花。珍妮一路收集了各种颜色的花朵,它们就是珍妮眼中的美好。但当珍妮在公园里看到一只死去的小鸟,珍妮决定把花分给小鸟。随后,她又遇到了公园长椅上的流浪汉和路边的小狗,她把花轻轻地放在流浪汉的身上,她和小狗握手打招呼,把花别在小狗的项圈上。这时,一直忙碌的爸爸也发现了珍妮的举动,他从拉着珍妮快走,变成了踱步到珍妮身后,看着她做这一切。回到家里,珍妮把花别在妈妈的耳后,也给两个弟弟的头发上插了几朵。最后,珍妮也把花送给了自己。她用这些话,向每一个她爱着的人表达了爱和关怀。
Everything Is Beautiful, and I'm Not Afraid 豆瓣
作者: Yao Xiao Andrews McMeel Publishing 2020 - 3
Everything Is Beautiful, and I'm Not Afraid perfectly captures the feelings of a young sojourner in America as she explores the nuances in searching for a place to belong. Baopu is a monthly serialized comic on Autostraddle, and this book includes beloved fan favorites plus new, never-before-seen comics.
This one-of-a-kind graphic novel explores the poetics of searching for connection, belonging, and identity through the fictional life of a young, queer immigrant. Inspired by the creator's own experiences as a queer, China-born illustrator living in the United States, Everything Is Beautiful, and I'm Not Afraid has an undeniable memoir quality to its recollection and thought-provoking accounts of what it's like to navigate the complexities of seeking belonging—mentally and geographically.
2021年11月19日 已读 It's at times like this, I miss you so much. 异国的孤独和认同焦虑以及对“家”的思念、期待传达了,只是还是少了对那个“你”或栖身之舟的描绘,不论是画漫画还是搞读书会社区活动也好,总要找到在这片土地上也能安稳存在的一个载体,或得开始做一些什么(不然题目看上去总会像 slogan)。这可能是整体感到比较悬着,读者也找不到落脚点或感到故事并没展开仅仅是开了个头的原因。
Graphic_Novels 漫画
No Time to Spare 豆瓣 谷歌图书 Goodreads
8.2 (5 个评分) 作者: Ursula K Le Guin Houghton Mifflin 2017 - 12 其它标题: No Time To Spare: Thinking About What Matters
Ursula K. Le Guin on the absurdity of denying your age: “If I’m ninety and believe I’m forty-five, I’m headed for a very bad time trying to get out of the bathtub.”
On cultural perceptions of fantasy: “The direction of escape is toward freedom. So what is ‘escapism’ an accusation of?”
On breakfast: “Eating an egg from the shell takes not only practice, but resolution, even courage, possibly willingness to commit crime.”
Ursula K. Le Guin has taken readers to imaginary worlds for decades. Now she’s in the last great frontier of life, old age, and exploring new literary territory: the blog, a forum where her voice—sharp, witty, as compassionate as it is critical—shines. No Time to Spare collects the best of Ursula’s online writing, presenting perfectly crystallized dispatches on what matters to her now, her concerns with this world, and her unceasing wonder at it: “How rich we are in knowledge, and in all that lies around us yet to learn. Billionaires, all of us.”
Praise for NO TIME TO SPARE
A TimeOut Book to Cozy Up to This December
A Real Simple Best Book to Read in December
A Bustle Best Book to Read in December
One of Southern Living's Unputdownable Reads to Curl Up with in December
A Harper's Bazaar Best New Book to Read in December
A Most Anticipated Title of the Fall from Vulture
A Book Riot Must-Read Book for December
“This delightful book [is] inquisitive and stroppily opinionated in equal measure…In even these miscellanies, composed in [Le Guin’s] off hours, the sentences are perfectly balanced and the language chosen with care. After all, she writes, ‘Words are my matter—my stuff.’ And it’s through their infinite arrangements…that Ms. Le Guin’s extraordinary imaginary worlds have been built and shared.”—Wall Street Journal
“There are shades of Adrienne Rich here…At the end of ‘No Time to Spare,’ having enjoyed all the Annals of Pard and the Steinbeck anecdotes, the stories about the Oregon desert and the musings on belief, all I could think was: I want Le Guin to keep going, on and on. I want to read more.”—Michelle Dean, The Los Angeles Times
“‘No Time to Spare,’ deriving from Le Guin’s online essays, covers just about anything that crosses her mind, from 'lit biz' to cats to the Oregon landscape…Might there be truth to the commonplace that science fiction writers are prophets?...A year ago I argued that Le Guin deserved a Nobel Prize in literature. In fact — what a fantasy! — she ought to be running the country.”—The Washington Post
“In 'No Time to Spare: Thinking About What Matters,' Le Guin shows that elders have plenty to teach…[She] finds inspiration in the everyday and makes it sparkle with her prose…In step with her legacy, [she] challenges us to reconsider what we automatically accept…“No Time to Spare” will leave readers hoping that Le Guin is given a bit more time to share her observations — on aging, art, our world — and to remind us of things we mustn’t forget.”—Newsday
“[No Time to Spare is] erudite, witty and…wise…even in pieces about her cat, or about answering fan mail, [Le Guin] makes the reader continually conscious of the ways that her age is a part of her life. That subtle coherence gives the book a special feeling, to borrow her words…a ‘steady, luminous ethical focus’…Deep down there: that is where Le Guin has taken readers for decade after decade, and where, these essays show, she is capable of taking them still.”—The Chicago Tribune
“Le Guin’s new book, No Time To Spare…feels like the surprising and satisfying culmination to a career in other literary forms…Even in the familiar relationship of an old woman and her cat, Le Guin finds an ambit for challenging moral insight and matter for an inquisitiveness that probes the deep time of evolution...Blogs may not be novels, but a blog by Le Guin is no ordinary blog, either. It is a comfort to know, as reality seems to grow more claustrophobic and inescapable, that she remains at her desk, busily subverting our world.”—The New Republic
“The more you re-read this collection of blog posts by science fiction Grandmaster Le Guin, the more you're convinced of Oliver Wendell Holmes's quip that for the true thinker, nothing is trivial… [No Time to Spare] is delivered in the core-drilling, clear, thoughtful language of somebody who's been crafting English for more than half a century – but the entries on the craft of writing itself are, perhaps predictably, the best things in the book.”—Christian Science Monitor
“[Le Guin’s] clever observations and sharp, nimble prose provide a window into the interior life of the award-winning novelist.” —Harper’s Bazaar
"[No Time to Spare] touches on...everything from feminism to swear words in fiction. Each entry is filled with warmth, insight, and humor."—Real Simple
“[An] altogether fantastic collection No Time to Spare: Thinking About What Matters…[is] a magnificent read in its tessellated totality.”—Brain Pickings
“Le Guin is a natural storyteller, and these snippets from her life are inarguably delightful. She is certainly a lioness in winter here, as focused as she has ever been on the things that matter most to her. Old age is not for the young, she posits—and it is a slogan not intended as complaint, but rallying cry. Spend a little time with octogenarian Ursula K. Le Guin, and the prospect of growing old becomes a bit less daunting.”—BookPage
"Le Guin is 88 and shows no sign of slowing down in this essay collection, dispensing serious wisdom about our world, politics, literature, aging, and more."—Book Riot
“Reading the latest book from Portland writer Ursula K. Le Guin…is a bit like having a one-way conversation with a funny, cranky, keen-eyed old friend…Even when you want to quibble with her, Le Guin keeps you thoroughly engaged…It can be fun. It can be startling. It can get your back up… As you might expect from an author whose career has been devoted to imagining alternative worlds in close detail, she has a knack for stepping back from life on Earth and seeing it for the strange thing it is.”
—The Oregonian
"Rife with insight [and] humor."—The Columbus Dispatch
“A delightfully random bouquet of musings on aging, writing, the moral character of the United States, Homer, her cat Pard, and everything in between…Following LeGuin’s penetrating mind as she thinks about the problems of our world and puzzles of language makes No Time to Spare a more than worthwhile read for fans and new readers alike.”—The Riveter
“Le Guin is a thoughtful and careful writer, and so her opinions are thoughtfully and carefully organized. She knows what she thinks, and she writes so well that you’ll want to return to these candid essays…like returning to an older, wiser friend.”
—Omnivoracious
“No Time to Spare presents the best of Le Guin's blog: sharp-eyed, big-hearted, idiosyncratic and highly enjoyable…Both Le Guin's eye for detail and her dry wit are on full display here…Readers will find much to think about in this wise and eloquent collection.”—Shelf Awareness
“To Le Guin…what truly matters are the words she thinks about, rigorous in her examination. Her expression of these thoughts reads more like mini-essays than blog posts and invite close reading, which always reaps rich rewards, the true gift of this lovely book.”—Booklist
"Spirited, wry reflections on aging, literature, and America's moral life...An entertaining collection...Thoughtful musings from a deft and sharply insightful writer." —Kirkus
“Short, punchy, and canny meditations on aging, literature, and cats…[Le Guin] offers her many fans a chance to share her clear-eyed experience of the everyday.” —Publishers Weekly
Praise for Ursula K. Le Guin
“There is no better spirit in all of American letters than that of Ursula Le Guin.” —Choire Sicha, Slate
"As a deviser of worlds, as a literary stylist, as a social critic and as a storyteller, Le Guin has no peer. From the time of her first published work in the mid-1960s, she began to push against the confines of science fiction, bringing to bear an anthropologist's acute eye for large social textures and mythic structures, a fierce egalitarianism and a remarkable gift of language, without ever renouncing the sense of wonder and the spirit of play inherent in her genre of origin." —Michael Chabon
"One of the most original imaginations ever to grace American letters...Through decades and scores of books, the genre Le Guin made her own has itself grown up — writers from David Mitchell to Salman Rushdie have walked through the door Le Guin opened...To sit and talk with Le Guin is to engage a powerful mind that has responded to ideological entrapments or career bumps by carpentering a new space for itself. She is brisk and funny, but unsparing when asked to comment on something which, in her mind, does not measure up...She shows that stories that stand the test of time can come from something as simple as fellowship: like a family, like an extraordinary body of work, like a house built from a kit, standing proudly on a hill, more than a hundred years later." —John Freeman, Boston Globe
“Le Guin, of course, has long been one of our most powerful writers of conscience.” —David L. Ulin, Los Angeles Times
"It’s hard to think of another living author who has written so well for so long in so many styles as Ursula K. Le Guin." —Scott Timber, Salon
“She never loses touch with her reverence for the immense what is.” —Margaret Atwood
“Ursula K. Le Guin’s prose breathes light and intelligence. She can lift fiction to the level of poetry and compress it to the density of allegory.” —Jonathan Lethem
“There is no writer with an imagination as forceful and delicate as Le Guin’s.” —Grace Paley
“Le Guin is a writer of enormous intelligence and wit, a master storyteller with the humor and force of a Twain. She creates stories for everyone from New Yorker literati to the hardest audience, children. She remakes every genre she uses.” —Sarah Smith, Boston Globe
"[Le Guin] is frequently referred to as 'the best of' for all manner of things—like best fantasy writer, best science fiction writer, best female writer—all of which is silly, as she both defies and accepts all categorization. Her influence on generations of readers and writers, from George R.R. Martin to Jennifer Egan to David Mitchell, is as evident as it is impossible to overstate. Admired for her quiet daring, her structures, and her inventions, most of all she is revered for her sentences." —Choire Sicha, Interview Magazine
2021年11月17日 已读
Le Guin 的博客集。挺多篇都挺不错,比如“It Doesn’t Have to Be the Way It Is", "Utopiyin, Utopiyang”, "Belief in Belief"等,期待可以译过来!【我可以!
Ursula_LeGuin 随笔
馆子 豆瓣
作者: 贺伊曼 四川文艺出版社 2021 - 8
这个时代,有人呼喊而有人细语。
贺伊曼的短篇小说集,比起疾呼更像是一场倾听:她以针脚般细腻的语言,编织出透明的感触之网,人物同我们,都得以栖息其中。阅读的过程如同向心的深处探照,抵达那些难以言明的孤独,那些时而自洽、时而又将人们分离的孤独,并将之一一温柔宽慰。
像是为失眠者造绮梦,为漂泊者泊行船,为孤独者搭建可以哭泣的房间。
在六个阡陌交接的故事中,回到人与人初相识的那个夜晚,凝望理解降临之前的那个世界。
《你那里信号好吗?》 :一位朋友的离世,让几位旧友重又聚在了一起。他们打捞着记忆中逝者留下的微弱信号,反思自己的生活,同时在内心深处追问:为什么是看上去并不会自杀的你,选择了以死亡的方式先行离场?
《迁徙》 :沪漂小林是一位咖啡师,和神秘的常客妤建立了交集,并逐渐受妤影响、成长。可妤骤然离世。 若干年后,小林在旅途中再度想起妤。在归途站台那困惑而炫目的光线中,他也像妤一样体验到求死的冲动——小林在那一瞬间意识到,生与死之间的界限其实是模糊不清的,任谁都可能踏入到那混沌的洪流之中。
《不如我们匍匐前进》 :是什么让孤独之人相爱?陈荞曾经那么喜欢花花公子林栋,却在林栋酒后表白时拒绝了他。在一场和多年前何其相似的雨中,她想起来自己是懂林栋的,她太懂他的内心了:而这恰恰是二人的感情无法维系的理由。
《中年天使》 :上海人周扬中年后选择在青岛成家立业,青春期的女儿则执意考回上海念书。女儿的观念、同学、和男人的交往,无不令周扬感到,生活把曾经亲密的他们分开了。他奋力追赶,试图攀上这趟远去的列车。
《绿洲》 :利群在遥远的非洲开普敦成家生女,表妹的到访打断了她自顾不暇的生活。对家乡的逃离、对婚姻生活的迷茫、和作为母亲的自我意识相互交织,她在重重思绪中意识到这个自己在远方亲手建造的家,才是生命中唯一可以拥抱的绿洲。
《像行星无法停留》 :父亲的心脏突然出了问题,我不得不陪他去北京看病。人到中年的我此刻才意识到了父亲的苍老,在照料的过程中,父女二人逐渐达成了某种默契。
【推荐语】
我们无法全然了解这个世界,占据我们心灵的总是不易洞悉的事物。贺伊曼的书写是对生活秘密的探寻,编织出透明的感触之网,我们因此能栖息在复杂的世界。
——孙甘露
贺伊曼的小说有一种日常的深情,人物像是在一条明亮的隧道里款款行走,这中间当然也有跌宕,不免令人隐隐担忧。她像契佛、是枝裕和那样,懂得故事与现实生活并轨时忽然停顿的一拍节奏。
——路内
每一个出色的小说作者,都是从找到自己的语言起步,很显然,贺伊曼出手就做到了。假如只能用一个词来形容她的语言,我会选择:温柔。而温柔本身即是最大的天赋。
——郑执
贺伊曼开了一个叫馆子的馆子,我就是跟她在馆子认识的,真是一个不错的老板。现在你们也能跟她在馆子认识了,在这个馆子里,我对她也是重新认识,真是一个不错的作者。
——李诞
2021年11月16日 已读
唉。第二篇刚感觉不错,第三篇就让人评价跌到谷底。对四十岁情欲无处安放的鬼话连篇的大叔的少女心和处处被物化一个人只剩一截眼神的女主角,我能说什么呢!【女性就是温柔 可爱 眼睛美 能体会男性的少年心,男性就是……算了男性再渣再缺德都是值得喜欢的值得被写的】这要是一个抠脚大汉写的我也就认了(要是叙诡我也认了),可每每是女性叙事声音说出些deeply 厌女尊男的话(上一个是蒯乐昊)。写出这些角色来是要做什么呢?“搞大别人的肚子”“从背后像小鸡一样拎起来”,上个世纪港台流过来的言情都不兴这样写了,“都市中年男人越来越看不出年纪了”(???)好的只要我拥有都市文学滤镜你们就永远是十八一枝花。
当代短篇
不检点与倍缠绵书 豆瓣 谷歌图书
作者: 彭剑斌 上海文艺出版社 2020 - 11
彭剑斌悔弃而又拾回的少作,不期然而然窖藏十几年的陈酿
*
一部关于在异乡生活与写作的书——
一个文学青年如何跑业务?一个业务员如何献身写作?
*
一段从现实滑入梦境的漫无止境之路——
从散发着难闻气味的县城车站出发
蹉跎于盘山公路,最终迷失在贵州的魔幻现实当中
*
非虚构的《不检点与倍缠绵书》记录了我在贵州跑业务期间(2004—2006年)的工作、生活和爱情,为了努力将自己摆在一个“正常人”的位置,我在写这篇的时候刻意避开了我的写作;而收入此书中的十几篇小说,又绝大部分写于我的“贵州时期”,所以刚好补上了这个空缺。简言之,这是一本关于我在贵州三年的生活与写作的书。即使考虑到少数几篇不是写于那个时期的贵州,我也只需作一点简单的修正: 这是一本关于我在异乡漂泊与写作的书。(彭剑斌)
*
彭剑斌写贵州往事,让我想起沈从文先生的《湘行散记》,幽情,又悲悯,经他写过的生活才像真的生活,而那些灰头土脸的人和日子也带着光亮。——李伟长 [评论家]
*
彭剑斌是那种少见的,在写作中能保持天真趣味的小说家。犹如没有玩伴的少年,他独自一人在沙发前摆弄着剧中人物。而阅读视野和生活经历决定了,他是“一位见过世界的作家,骑着毛驴穿越了赤道”。——不有 [小说家]
*
彭剑斌的小说里有一个无处不在的“我”,“我”在凝视、倾听、咀嚼,在真实与虚构之间翻译和改写……像所有能触动我的杰作一样,读他的书,眼前不会闪过文体、题材、主义之类的界限,而只会跟随一颗文学的心四处漫游,看他怎样在每一个平凡而琐碎的昼夜,承受那些仿佛来自一生中最后一天的悲哀与不安。——远子 [作家]
王考 豆瓣
8.4 (122 个评分) 作者: 童伟格 四川人民出版社 2019 - 7
一位难以解读的小说家
一部台湾文学史上不可忽视的经典
联合报文学小说大奖得主,童伟格作品首次引进
◎ 编辑推荐
★ 童伟格是台湾六年级小说家中最具代表性的一位,曾获台湾省文学奖、联合报文学奖、台湾文学金典奖等认可,被认为是袁哲生、骆以军之后“内向世代的集大成者”。
★ 魔幻写实、乡土主义、现代主义、内向世代……我们能从童伟格的书写轮廓中瞥见许多风格,却无法用某一个特定的形容词去概括他。如同骆以军所说:“童伟格的可怕,在于他可以解释其他全部人,而竟无人能解释他。”
★ 作为童伟格首次引进的作品,《王考》有着不可忽视的地位。它是童伟格25岁出版的首部作品,一出版便惊艳台湾文坛,在其中他将种种小说的技艺操练到相当的高度,如黄锦树曾言:“童伟格的小说写作,几乎是一开始就很成熟了,好似直接跳过了学徒的阶段,第一部小说集《王考》里的多个短篇就几乎是杰作。”
★ “我问祖父,爱情是什么?我问他,人怎么这么愚蠢?我问,我们活着为什么?”在《王考》中,童伟格用锐利的冷调文字捕捉生命中的神秘瞬间,讲述老灵魂不欢的童年故事。他拆解具体情节、冻结叙事时光,让人物直接和命运对话。故事仓皇流转,却始终覆盖在死亡的阴影之下。
◎ 内容简介
在这部短篇小说集中,童伟格运用乡土、魔幻写实,甚至是历史与神话的嫁接等各种自由的叙事,拓展出九篇面貌繁复的作品,并在这些篇章以滨海山村为原点,反复书写来去其中的人。他们跨过山,越过海,穿行公路,去往城市,最终又回返山村。不断徘徊的人们,重复出现的场景,让小说展示出一幅幅时间冻结的画面,并且在一次次静止的瞬间之中,直面命运。
◎ 名人推荐
★ 我确实为童伟格这些篇优美纯粹的小说迷惑吸引。“怎么可能那么好?”那是一个比我的小说启蒙时刻上跳了几十年的,宽阔而完整的“人直接与命运对话”“叙事尚未被污染之前”的地貌。
——台湾小说家 骆以军
★ 《王考》彻底的抒情风格,也道出童伟格与抒情主义的亲缘性。在这一点上,他的写作可说是位于其他两个早夭的同代人袁哲生(强烈的抒情性)和黄国峻(标准的现代主义)的延长线上,企图更远地朝向其消失点——那永远不可能趋近的可能性的尽头。
——马华文学作家 黄锦树
★ 老灵魂不欢的童年,这是我对童伟格的小说看法。他几乎用小孩“我”的口吻说故事,锐利而冷静,情节流畅,难得之处是他擅用人物的动作描摹内心状态,纯然带着说故事的本色。读他的小说,我想到的画面是:“乡村杂货店前的老人,讲着童年故事。”
——台湾小说家 甘耀明
★ 在《王考》这本小说中,处处充满了死亡与失落的阴影,仿佛是不可抗拒地陷入到一个时间与时间的夹缝之中,指针卡住,故人物仓皇流转在梦境与现实的边际,而生与死俨然成为一体之两面,记忆斑驳成为拼凑的残缺碎片。
——台湾作家 郝誉翔
◎获奖记录
★《我》荣获1999年“台北文学奖”短篇小说评审奖
★《暗影》荣获2000年“大专学生文学奖”短篇小说叁奖
★《躲》荣获2000年“台湾省文学奖”短篇小说优选
★《王考》荣获2002年“联合报文学奖”短篇小说首奖
★ 作者以长篇小说《西北雨》成为2010年“台湾文学奖”图书类长篇小说金典奖得主
森林大会 豆瓣
In the Forest
作者: (美)玛丽·荷·艾斯 译者: 邢培健 2009 - 7
小男孩听到了一阵喧闹声,走进森里一看,动物们正等着他一起开 “森林大会”,登台表演自己的绝活。森林大会开得真是热闹,长颈鹿把脑袋藏在高高的树叶中间,猴子在树枝间荡来荡去,熊用嘴接花生和糖果,河马一口吞下西瓜和面包……当小男孩像小象一样倒立时,忽然发生了一件出人意料的事,让所有的动物都瞪大眼睛站起来,一致认为这是最棒的绝活。小男孩的绝活到底是什么呢?
2021年10月14日 已读
210224| 211013 我最喜欢的绘本作者!她的每一本读过我都回味许久,不太出名的这本和《Just Me》非常好,是能安慰我的那种故事的形状。它所说的大概是人在脱离纯真前或后,所能体味的那种仅属于尘世/人世的美好,对我来说,它是最后的天真园地。
绘本
妈妈的手作 豆瓣
おかあちゃんがつくったる
作者: [日]长谷川义史 译者: 【日】猿渡静子 2016
妈妈是裁缝,我想要的东西,妈妈都能用缝纫机做出来。我爱出汗,妈妈就用薄的面料给我做了一件运动衫。我想要一个小浩拿的那种包,妈妈就用缝纫机给我做了一个。爸爸离开后,妈妈一直都以积极健康的姿态活着。妈妈手做的衣服,可能不那么精致,却针针线线连着儿女的冷暖,而妈妈的力量、爱与坚强也通过手作传递给孩子。
2021年10月14日 已读 😢
绘本
困兽之诗 豆瓣
Poems of Ironbeast
作者: 何怀素 上海三联书店 2021 - 5
这本诗集精选了诗人2016年至2020年创作的诗作,呈现了对其自身内在世界的采掘过程,明显走向了形而上学的探索。生与死、爱与恨、时间与空间、命运与人生、虚无与存在、日常与精神、道德与情感、自我与他者等抽象概念直接进入诗中,体现了抽象和具象、理性和感性、宏大与细微的合一性。她的诗,打开了自我,展示了个体内在的孤独与不可言说的困顿;同时也打开了世界,代表了对一切可能性的追求。当人一旦跃入这些诗篇,就能够强烈地感知到某个自我的存在,可能那正是诗人内心“巨兽咆哮的风暴”。
2021年10月14日 已读
I Will Judge You by Your Bookshelf 豆瓣
作者: Grant Snider Abrams ComicArts 2019 - 4
A look at the culture and fanaticism of book lovers, from beloved New York Times illustrator Grant Snider
It’s no secret, but we are judged by our bookshelves. We learn to read at an early age, and as we grow older we shed our beloved books for new ones. But some of us surround ourselves with books. We collect them, decorate with them, are inspired by them, and treat our books as sacred objects. In this lighthearted collection of one- and two-page comics, writer-artist Grant Snider explores bookishness in all its forms, and the love of writing and reading, building on the beloved literary comics featured on his website, Incidental Comics. With a striking package including a die-cut cover, I Will Judge You By Your Bookshelf is the perfect gift for bookworms of all ages.
2021年10月13日 已读 比较喜欢讲写作的部分,整体不如吉竹伸介那本书店书好看。
漫画