《青州龙兴寺佛教造像艺术》主要内容：1996年10月在山东青州龙兴寺遗址发现了窖藏的大批佛教造像。这批造像数量大、种类繁、雕造精美、彩绘富丽。因而出土以后就引起轰动，受到海内外新闻媒体广泛关注，引起学术、宗教、艺术与社会各界的高度兴趣，并被评为1996年中国十大考古发现之一。龙兴寺遗址发现的佛教造像、有陶、铁、泥、木与石雕，然以石雕居主，且以青州所出石炭岩为最多，造像总数约可达400余尊，时代跨度从北魏至于北宋，具明确年代刻铭者有北魏永安二年与北宋天圣四年等作品。但以北朝作品为多数，即以北魏晚期到东魏、北齐时代之作为主流。

在你的社交范围内是否有在博物馆工作的友人，你是否见过他们眉飞色舞地谈论着种种感受，是否钦佩又神秘地向往过这份工作。
你是否见过曾侯乙墓随葬的整套大型编钟、秦始皇陵大批兵马俑和铜车马、马王堆一号汉墓发现的两件仅重49克的轻薄透明的素纱禅衣、广州南越王墓内那座高大的错金漆屏……
还有那许许多多隐藏在这些中华瑰宝后面的一幕幕动人的故事，有时是欣喜，有的是辛酸，以及那些撒下的血与泪。
《青州龙兴寺佛教造像窑藏》选择典型的发掘事例，由发掘主持人撰写考古发掘记，尽可能地将某处发掘全过程以及有助于了解此处古代的资料，如历史背景和地理环境等都包括进去。犹如亲历考古现场，让您感受前所未有的精神享受。

洪席耶在當代哲學界享譽盛名，其論述在國內學術界也被廣泛引用，2009年11月，他曾應邀前來臺灣，在中山大學、臺北藝術大學、交通大學及中研院等學術機構，針對其美學與政治學思想從事理論的展演與發展發表演說，專題講座除「何謂美學？」、「政治、民主與現前」、「虛構之政治」外，還有「當代藝術與影像政治」。
《影像的宿命》一書則提綱挈領地論述了攝影、電影與當代藝術影像的美學－政治，為21世紀具開發性的重要論述，內容包含：〈影像的宿命〉討論影像再現的問題；〈構句、影像、故事〉討論書寫與影像之間功能連結的關係；〈文本中的繪畫〉專注文字與繪畫影像在藝術概念之認同上的關係；〈設計的表面〉則討論設計的影像中，圖像與文字的共構關係；〈如果存在著不可再現〉則關注集中營屠殺的再現問題，討論現代與後現代之後對於「不可再現」的指稱。

这本书收录了国际著名平面设计家、书籍设计家杉浦康平近年与中国、韩国及印度的六位著名设计师——吕敬人、黄永松、安尚秀、郑炳圭、R.K.乔希（R.K.Joshi）、柯蒂·特里维迪（Kirti Trivedi），就东方各国的文化异同，亚洲的书籍、文字、设计以及这三者之间的关系所进行的对谈，通过他们的对话使读者得以分享这些设计师们对本国的文化、文字的思考，以及如何将其融入实际设计工作的体会和经验。而书中配合各处对谈内容分别选刊的杉浦康平和六位设计师的作品，也为读者提供了从思想到实践的典范。

《图像学研究--文艺复兴时期艺术的人文主题》(主编冯俊)是《上海三联人文经典书库》之一，书中包括了皮耶罗两组绘画中的人类早期历史、盲目的丘比特、时间老人、佛罗伦萨与意大利北部的新柏拉图主义运动、新柏拉图主义运动与米开朗琪罗等内容。
本书适合从事相关研究工作的人员参考阅读。

This is the first book to be published on one of the greatest American designers of the 20th century, who was as famous for his work in film as for his corporate identity and graphic work. Saul Bass (1920-1996) created some of the most compelling images of American postwar visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best-known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick's Spartacus in the early 1960s to Martin Scorsese's Cape Fear and Casino in the 1990s. Designed by Saul Bass's daughter Jennifer and written by distinguished design historian Pat Kirkham, who knew Saul Bass, this book contains more than 1,400 illustrations, many from the Bass archive and never published before, providing an in-depth account of one of the leading graphic artists of the 20th century. This definitive study is eagerly anticipated by design and film enthusiasts.

The A-Z of Visual Ideas explains the key ideas, sources of inspiration and visual techniques that have been used throughout design history. Showing where ideas and inspiration come from, the book provides numerous strategies to help unlock the reader's creativity. Using a dynamic and easy-to-understand A-Z format, the book reveals techniques that can be exploited to deliver ideas with greater impact, each entry offering a different starting point. Looking at everything from, Art to Zeitgeist, Intuition and Instinct to Happy Accidents and Hidden Messages, the book also features a section explaining how to use the idea or technique, providing readers with an infallible 'tool kit' of inspiration. Including hundreds of inspirational quotes and packed with great examples of advertising campaigns, posters, book and magazine covers and illustrations, this is an indispensable primer that shows design students and professionals how to solve any creative brief.

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all.
So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories about the nature of art," according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues—the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum—and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art.
With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.

这是西方当代艺术批评与理论的经典文集。当代艺术在20世纪80年代发生了重要转向，本书对转向中的艺术实践及艺术批评提供了全面的扫描。纽约《艺术论坛》杂志称本书“提供了一个理解我们时代艺术的重要的批评框架”。哈佛大学将本书列为“文化研究”和“当代艺术理论与批评”课程的指定参考书。本书收录了当代艺术中富有影响力的思想家、学者、批评家、策展人和艺术家的文章，涵盖了多样纷繁的当代艺术实践，是我们认识和研究20世纪80年代中期以来西方当代艺术不可或缺的参考书籍。

David Hockneyas controversial book, now revised in paperback with thirty-two new pages of evidence Join one of the most influential artists of our time as he investigates the painting techniques of the Old Masters. Hockneyas extensive research led him to conclude that artists such as Caravaggio, VelAzquez, da Vinci, and other hyperrealists actually used optics and lenses to create their masterpieces. In this passionate yet pithy book, Hockney takes readers on a journey of discovery as he builds a case that mirrors and lenses were used by the great masters to create their highly detailed and realistic paintings and drawings. Hundreds of the best-known and best-loved paintings are reproduced alongside his straightforward analysis. Hockney also includes his own photographs and drawings to illustrate techniques used to capture such accurate likenesses. Extracts from historical and modern documents and correspondence with experts from around the world further illuminate this thought-provoking book that will forever change how the world looks at art. "Secret Knowledge" will open your eyes to how we perceive the world and how we choose to represent it.

准备好进军精彩的Apple移动应用开发世界吧！《iOS 4编程入门经典》这本书展示了如何利用iPhone SDK 4提供的所有功能创建自己的iPhone、iPod Touch和iPad应用程序。你将从中深入学习如何使用Apple的Xcode工具、Objective-C编程语言以及众多用来增强iPhone SDK功能的API。本书十分易于阅读和上手，可帮助你迅速从构建第一个应用程序过渡到开发能够集成动画、手势识别、语音聊天等功能的复杂应用程序。
◆ 基于最新的iPhone SKD，相对上一版新增了对许多新功能的介绍，包括，包括Web服务编程、蓝牙编程、Bonjour编程和Apple推送通知服务等，内容更加全面，技术上更具前沿性
◆ 展示如何使用Xcode工具和iPhone SDK创建自己的iPhone和iPad应用程序
◆ 介绍如何使用Tab Bar、导航和实用模板来加速开发过程
◆ 提供访问内置应用程序(例如照片库和照相机)的方法
◆ 通过访问加速计以创建具有吸引力的应用程序的步骤
◆ 解释如何使用后台服务和执行后台任务

没有哪位画家能像雷内·马格里特那样如此成功地展现潜藏在人们内心深处的梦的世界。他那神秘莫测的想像力竟能洞穿人的潜意识，激发我们去探寻心灵的奥秘。他那富于寓意、谜一样内敛隐晦的画作，足以 让生活在21世纪的人们深省。《马格里特(精)》收入了马格里特的名作《黑色礼貌》、《青苹果》及许多不为世人熟知的作品，是收录马格里特作品最为丰富的画集之一。

Iconic artist Rembrandt van Rijn worked in the fields of painting, drafting, and printing, becoming the most iconic artist in all of Dutch history. This documentary profiles the story of a man whose varied works left an indelible mark on the world.

本书是杜威的经验自然主义美学理论的代表作品。其思想是以“活的生物”为基础建立一元论的美学体系，力图恢复艺术与非艺术间的连续性，以及高雅艺术与通俗艺术间的连续性，最终要建立一种美的艺术与实用技术与艺术间的连续性。作者认为，艺术的材料应从不管什么样的、所有的源泉中汲取营养，艺术的产品应为所有人接受。总而言之，要建立一种回到日常生活的艺术理论。

○ 史上最精彩的关于绘画的随笔集
○ 全面介绍毕加索、戈雅、伦勃朗的作画与做人
○ 让1亿中国人从此走近美术
它是一本励志温情的绘画书，作者用诗一样的语言为为我们讲述了绘画艺术殿堂里那些“高不可攀”的理论和“令人迷醉”的生活，使得我们能够真正欣赏到艺术带给我们的力与美，痛与伤。

作者在巴黎求学期间，有幸“悠闲”而不是一路小跑地在卢浮宫徜徉，可以为了想到的一张画而去只看这一张画，然后在塞纳河畔坐一坐，回味刚才画里的色彩光影，他也曾在巴黎做导游，这使他知道不需要“小跑步”地参观是多么奢侈和幸福。一次他正在讲解维纳斯雕像，一位老太太问他：“这是谁的老婆！”他无法回答，从此他就想如何让这位老太太了解“美”和“美的历史”。《蒋勋的卢浮宫》就是这样一本可以帮助你在卢浮宫游览得更“悠闲”一些，可以使美术门外汉窥到美的门径。他先从卢浮宫的建筑史讲起，从古埃及、美索不达米亚、古波斯开始，带我们走过古希腊、古罗马，再到中世纪、文艺复兴……告诉我们应该在人类美术历史长廊的各个段落的什么地方多做一些停留、沉思、赞叹。

《工艺之道》阐述了何为工艺之美、何为正宗的工艺、工艺如何被人们误解以及工艺的未来发展，是柳宗悦先生最早的关于工艺性质的论文集。
日本至今保留着鲜明的 民族传统与手工技艺，柳宗悦先生功不可没。他提出“民艺”的概念，努力改变人们崇尚美术而轻视工艺的倾向，认为工艺蕴藏在民众之间，民众的无心之美、自然的加护是美之源泉，而非个人艺术家的天才创造，工艺之美必须与用相结合，必须具有服务意识。柳宗悦先生的阐述在几十年后的今天读起来，仍然不失其价值。透过他的视角，我们得以重新审视自己的日常生活。

The arrival of the moving image in contemporary art has provoked a great deal of discussion amongst critics, artists and curators, and presents a serious challenge to our understanding of the traditional media and institutions of film, painting and sculpture. "The Reader" aims to address these issues and generate further art historical study. "Art and the Moving Image" presents an array of critical, theoretical, and historical responses that pertain to this paradigm shift: its cause, its motivation, and its aesthetic, social, and political significance. This stimulating collection brings together the most significant writings from leading art historians, curators, artists, theorists, and philosophers, and it includes seminal historical articles, as well as recent criticism, including newly translated and commissioned essays.

For nearly four decades in the sixteenth century, the careers of Venice's three greatest painters--Titan, Tintoretto and Veronese--overlapped, producing mutual influences and bitter rivalries that changed art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In it, the three artists--brilliant, ambitious and fiercely competitive--vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. They also pioneered the use of easel painting, a newly portable format that led to unprecedented fame in their lifetimes. With more than 150 stunning examples by the three masters and their contemporaries, this volume elucidates the technical and aesthetic innovations that helped define the uniquely rich "Venetian style," as well as the social, political and economic context in which it flourished. Essays range from examinations of seminal new techniques to such crucial institutions as state commissions and the patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, "Titian, Tintoretto, Veronese" paints a vibrant human portrait--one brimming with savage rivalry, one-upsmanship, humor and passion.