由日本作家小林正美所编著。内容详细的介绍了唐代的道教教团、天师道和《升玄经》等。本书属于《到教学译丛》系列之十二。
《道教学译丛：唐代的道教与天师道》在日文版原著内容之外，還新收錄了筆者兩篇論文作為補論，即《唐代道教大洞三景弟子與大洞法師的法位的形成》（載東方學會，《東方學》第百十五輯2008年1月）和《關於（昇玄經）、（太上洞玄靈寶中和經）和（正一法文天師教戒科經）的編纂順序）（載早稻田大學東洋哲學會，《東洋の思想と宗教》第二十七號2010年3月）。《唐代道教大洞三景弟子與大洞法師法位的形成》是對本書第二章“天師道的受法教程與道士的位階制度”進行補充說明的論文。該論文中，具體解明了作為上清派道士的法位的“大洞三景弟子”與“大洞法師”成為天師道道士法位的經過，以及梁代天師道位階制度中最高位的“大洞三景弟子”與“大洞法師”在唐代天師道位階制度中被降低一級的理由。還有，《關於（昇玄經）、（太上洞玄靈寶中和經）和（正一法文天師教戒科經）的編纂順序》對第四章關於《昇玄經》的編纂者和編纂年代的結論進行了進一步的驗證。該論文中，用實證的方法明示了《昇玄經》的編纂年代。

本书围绕中古著述中的纬书内容，以及具体政治活动中所体现的纬学思想，探讨中古时代知识、信仰与政治合法性的关系。"纬书"相对"经书"而言，主要指"七纬"，包括《易纬》、《诗纬》、《乐纬》、《尚书纬》、《春秋纬》、《礼纬》、《孝经纬》及《论语谶》，其将经义的解释与阴阳五行、天人感应等结合，诡为隐语，预决吉凶。在王者仁政学说随宋明理学兴起之前，以天人感应和五德终始学说为基础的纬学思想，始终是中古政治理论的核心。与之相关的符瑞、灾异、德运、占候、天文、历法、音律、堪舆等内容，是古人知识体系的重要组成部分，有其严密的内在逻辑，并且在当时的政治社会生活中发挥着重要的作用。在没有现代政治学说可以凭借的背景下，"太平"、"祥瑞"、"灾异"、"天命"等等，是主要的政治语言。而"龙图"、"凤纪"、"景云"、"河清"等，是主要的政治符号。本书所涉课题，不仅为中古知识、信仰世界的重要一环，又事关政治起伏与思想跌宕之关系，进而以中古为样本，对理解整个人类历史中政权合法性的塑造也有一定思考。

本书封底内侧的内容简介有全书剧透

Introducing an instant classic―master storyteller Neil Gaiman presents a dazzling version of the great Norse myths.
Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki―son of a giant―blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor’s hammer is stolen, Thor must disguise himself as a woman―difficult with his beard and huge appetite―to steal it back. More poignant is the tale in which the blood of Kvasir―the most sagacious of gods―is turned into a mead that infuses drinkers with poetry. The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people.
Through Gaiman’s deft and witty prose emerge these gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

本书是对印度著名君王和梵语戏剧作家戒日王（590-647）的系统研究。玄奘西游，适逢其盛世；王玄策、蒋师仁访印，遭遇他崩殂。公元七世纪，印度的戒日王、大唐高僧玄奘、中国的唐太宗这三位在中印交流史乃至印度和中国各自历史上赫赫有名的人物神奇而确凿地联系在一起。由此可见戒日王在中印两国的历史、文学等研究中的重要地位。本书运用梵汉史料，吸收前人研究成果，从生平、家族、都城、战争、帝国疆域、宗教信仰、中印交往、文学创作等方面深入考察这位与中国密切相关又富于传奇色彩的印度君王，并尝试通过解读戒日王梵剧和波那《戒日王传》等文学作品，从跨学科的视野和文史互证的角度印证和补充戒日王史料，为中印文学、文化、历史的对比研究提供一个新的维度。戒日王在位四十余年，建立强大的戒日帝国，奉行自由的宗教政策，促进文学艺术的繁荣。作者认为，王权是贯穿戒日王一生的主线。生辰即笼罩王权的光辉；二重即位是获取王权的契机；战争和邦交是拓展王权的举动；宗教信仰和文学创作将政治军事的控制力延伸到精神领域，最大程度地巩固了王权。戒日帝国的兴盛从各个角度诠释着戒日王的王权信仰，而这个相对稳定的短命王朝没有千秋万代而是一世而终，亦是源自王权的滥用与失衡。

从《汉书》初设《五行志》，直至《清史稿》，中国古代正史中有18部正史含“五行志”（或与“五行志”性质类同的志书）。千余年间正史“五行志”的撰述绵延不绝，成为一种值得注意的史学现象。其中魏晋南北朝时期主要正史《宋书》《南齐书》《魏书》等包含的“五行志”内容丰富，容纳大量历史信息，生动反映了当时社会与政治的变化。《怪异的叙事：南北朝正史“五行”“符瑞”诸志研究》通过研究发现，五行诸志的书写方式怪异，充斥着种种非理性主义的因素，但在这些表象的背后则反映了现实的政治斗争，折射出该时代的“自然灾害”等问题。这种“怪异”书写，其实是以一种曲折的方式反映了历史的真实。

A rediscovered classic memoir - the mesmerizingly beautiful account of one woman's year spent living in a remote hut in the Arctic<br /><br />This rediscovered classic memoir tells the incredible tale of a woman defying society's expectations to find freedom and peace in the adventure of a lifetime.<br /><br />In 1934, the painter Christiane Ritter leaves her comfortable life in Austria and travels to the remote Arctic island of Spitsbergen, to spend a year there with her husband. She thinks it will be a relaxing trip, a chance to 'read thick books in the remote quiet and, not least, sleep to my heart's content', but when Christiane arrives she is shocked to realize that they are to live in a tiny ramshackle hut on the shores of a lonely fjord, hundreds of miles from the nearest settlement, battling the elements every day, just to survive.<br /><br />At first, Christiane is horrified by the freezing cold, the bleak landscape the lack of equipment and supplies... But as time passes, after encounters with bears and seals, long treks over the ice and months on end of perpetual night, she finds herself falling in love with the Arctic's harsh, otherworldly beauty, gaining a great sense of inner peace and a new appreciation for the sanctity of life.

Who speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.

This is a book for scholars of Western philosophy who wish to engage with Buddhist philosophy, or who simply want to extend their philosophical horizons. It is also a book for scholars of Buddhist studies who want to see how Buddhist theory articulates with contemporary philosophy. Engaging Buddhism: Why it Matters to Philosophy articulates the basic metaphysical framework common to Buddhist traditions. It then explores questions in metaphysics, the philosophy of mind, phenomenology, epistemology, the philosophy of language and ethics as they are raised and addressed in a variety of Asian Buddhist traditions. In each case the focus is on philosophical problems; in each case the connections between Buddhist and contemporary Western debates are addressed, as are the distinctive contributions that the Buddhist tradition can make to Western discussions. Engaging Buddhism is not an introduction to Buddhist philosophy, but an engagement with it, and an argument for the importance of that engagement. It does not pretend to comprehensiveness, but it does address a wide range of Buddhist traditions, emphasizing the heterogeneity and the richness of those traditions. The book concludes with methodological reflections on how to prosecute dialogue between Buddhist and Western traditions.

東南アジア華人社会に多く見られる、扶鸞（ふらん）＝託宣を中心に活動する宗教結社。廟と制度化された教団の間に位置する結社の生成と展開を、移民社会の特性、また構成員の生活戦略と対置することにより、両者の相互依存的関係を描く。

《皇帝和祖宗·华南的国家与宗族》所要回答和解决的问题是：朝廷的法典条文，民间的礼仪习俗，二者如何交织在一起，指导着“华南”这个有意识的、历时数百年的地域建构进程？《皇帝和祖宗·华南的国家与宗族》显示：历代王朝都致力于华南的政治整合，要培养出敬畏官府、纳粮当差、安分守己的良民。随着王朝在华南的军事征讨、行政规划，一套关于权力的文化语言也渗透华南。这套语言有两个互相发明的关键词：“皇帝”、“宗族”。它们渗透到一切礼节、身份、地位、财产权、商业习惯、社会流动、社区构建之中。华南与王朝中央之间的正统纽带，不仅建立于里甲与祀典之上，也建立在“宗族”这套语言之上。

In The Chinese Pleasure Book, Michael Nylan takes up one of the most important themes in Chinese thought: the relation of pleasurable activities to bodily health and the health of the body politic. In a notable contrast to Western writings on the subject, early Chinese writings oppose pleasure not with pain but with insecurity. All assume that it is right and proper to seek and take pleasure, as well as short-term delight, and all are equally certain that long-term relational pleasures are more easily sustained—as well as potentially more satisfying and less damaging. The pleasures that become deeper and more ingrained over the long term, as one invests time and effort into their cultivation, include friendship and music, sharing with others, developing integrity and greater clarity, reading and classical learning, and going home. Nylan explores each of these fields of activity through the early sources (mainly fourth century BC to the eleventh century AD), providing new translations for both well-known and seldom-cited texts.

NATIONAL BESTSELLER • A biography of Alexander von Humboldt, the visionary German naturalist whose ideas changed the way we see the natural world—and in the process created modern environmentalism. • From the acclaimed author of Magnificent Rebels. 

"Vivid and exciting.... Wulf’s pulsating account brings this dazzling figure back into a dazzling, much-deserved focus.” —The Boston Globe

Alexander von Humboldt (1769-1859) was the most famous scientist of his age, a visionary German naturalist and polymath whose discoveries forever changed the way we understand the natural world. Among his most revolutionary ideas was a radical conception of nature as a complex and interconnected global force that does not exist for the use of humankind alone. In North America, Humboldt’s name still graces towns, counties, parks, bays, lakes, mountains, and a river. And yet the man has been all but forgotten. 

In this illuminating biography, Andrea Wulf brings Humboldt’s extraordinary life back into focus: his prediction of human-induced climate change; his daring expeditions to the highest peaks of South America and to the anthrax-infected steppes of Siberia; his relationships with iconic figures, including Simón Bolívar and Thomas Jefferson; and the lasting influence of his writings on Darwin, Wordsworth, Goethe, Muir, Thoreau, and many others. Brilliantly researched and stunningly written, The Invention of Nature reveals the myriad ways in which Humboldt’s ideas form the foundation of modern environmentalism—and reminds us why they are as prescient and vital as ever.

★编辑推荐
◎日本正史之首，国内首次引进
《日本书纪》与《古事记》合称“记纪”，同为日本奈良时代早期成书、述及日本神话与历史的重要著作。《日本书纪》以汉文写成，对中国读者亦无文字障碍，却至今未在中国大陆出版整理本。我们此次出版，意在填补空白，为中国读者提供这一历史名著的原貌。
◎以权威版本参校，附有歌谣翻译
以庆长十五年古活字本为底本，以代表日本近代研究成果的大系本和代表当代研究进展的小学馆本参校。采新式标点、横排繁体。并将原文中的歌谣，翻译为中文，以便阅读。
◎封面故事：天之磐户
封面讲述了《日本书纪》中的一则神话故事：素戋呜尊肆意妄为，天照大神愤而闭居天石窟，苇原中国陷入长夜。于是天钿女命在天石窟前起舞，天照大神好奇细开磐户窥看，手力雄神趁机一举打开磐户——霎时，天照重返天原，日神之光满于六合。正封为手舞足蹈的天钿女命，封底为奋力打开磐户的手力雄神。故事的主角天照大神并未出现在画面中，构成了“缺席的在场”，别有趣味。
★内容简介
本书为日本正史之首，官修“六国史”之第一种，述及神话时代至持统天皇让位（六九七年）间日本神话与历史，为日本神话与早期历史的最重要著作。其书为天武天皇（六七三—六八六年在位）于壬申之乱中得胜即位后下令编修，至七二〇年始完成进呈。全书共三十卷，以中国文言写成，略似中国古代正史之帝王本纪。该书将日本纷杂的神话梳理出体系，突出天皇的神授世系；除各代天皇的政治、经济、宗教活动，亦大量涉及与中国、朝鲜的外交关系，极具价值。在日本，此书与《古事记》并称“记纪”，向为朝廷定期诵读研究，是了解日本文化与历史的基本著作之一。

16世纪的法国实行皇家赦免制，戴罪之人可以通过陈情求赦而免死脱罪，赦罪书是由此产生的一种特殊文献。赦罪书的制度运作，讲述者、书写者、审阅者的种种表现，求赦故事的叙事结构和技巧，以及其中女性的声音，这些都是娜塔莉·泽蒙·戴维斯精心分析的对象，16世纪法国社会一幕幕鲜活的画面得以呈现在读者面前。
此书字字珠玑，给16世纪的司法史、社会史、文学史投射了一道迷人的光芒。这是一份样本，让我们可以观察这位我们这个时代最具创造力的历史学家是如何从事历史研究和写作的。——亨利·海勒，《社会史》
戴维斯一直致力于发掘来自16世纪的声音，重建我们与他们的直接联系。这部新作反映了她最深入、最精巧的探索……这部重要的作品第一次探讨了16世纪的男人和女人如何叙述（也就意味着建构）他们自身的生活现实。——乔纳森·德瓦尔特，《社会史杂志》
戴维斯的文笔一如既往地优雅漂亮，呈现了16世纪生活的丰富信息。——理查德·崔斯勒，《文艺复兴季刊》
这是一部引人入胜的佳作，任何一位法国史研究者都无法等闲视之。戴维斯通过赦罪故事，为我们提供了观察16世纪法国人的思想和行为的一条新路径。——理查德·戈登，《16世纪学刊》

Memory is not an inert container but a dynamic process. It can be structured by ritual, constrained by textual genre, and shaped by communities’ expectations and reception. Urging a particular view of the past on readers is a complex rhetorical act. The collective reception of portrayals of the past often carries weighty implications for the present and future. The essays collected in this volume investigate various aspects of memory in medieval China (ca. 100-900 CE) as performed in various genres of writing, from poetry to anecdotes, from history to tomb epitaphs. They illuminate ways in which the memory of individual persons, events, dynasties, and literary styles was constructed and revised through processes of writing and reading.
Contributors include: Sarah M. Allen, Robert Ashmore, Robert Ford Campany, Jack W. Chen, Alexei Ditter, Meow Hui Goh, Christopher M. B. Nugent, Xiaofei Tian, Wendy Swartz, Ping Wang.

Revealing information that has been suppressed in the Chinese Communist Party's official history, Wen-hsin Yeh presents an insightful new view of the Party's origins. She moves away from an emphasis on Mao and traces Chinese Communism's roots to the country's culturally conservative agrarian heartland. And for the first time, her book shows the transformation of May Fourth radical youth into pioneering Communist intellectuals from a social and cultural history perspective. Yeh's study provides a unique description of the spatial dimensions of China's transition into modernity and vividly evokes the changing landscapes, historical circumstances, and personalities involved. The human dimension of this transformation is captured through the biography of Shi Cuntong (1899-1970), a student from the Neo-Confucian county of Jinhua who became a founding member of the Party. Yeh's in-depth analysis of the dynamics of change is combined with a compelling narrative of the moral dilemmas in the lives of Shi Cuntong and other early leaders. Using sources previously closed to scholars, including recently discovered documents in the archives of the First United Front, Yeh shows the urban Communist movement as an intellectual revolution in social consciousness. The Maoist legacy has often been associated with the excesses of the Cultural Revolution. Yeh's historical reconstruction of a pre-Mao, non-organizational dimension of Chinese socialism is thus of vital interest to those seeking to redefine the place of the Communist Party in a post-Mao political order.